Representations of Ethnicity Black British. Learning Objective To formulate an idea of what the representation of black British is, how it is constructed.

Slides:



Advertisements
Similar presentations
Mise en Scene & Lighting
Advertisements

In the Lesson we watched a few scenes from the original film Scarface where the song Tonys theme was being played. As a class we then had discussed how.
Film Noir Black Film Or Dark Film. The film noir genre was born from crime films: audiences grew bored with the criminal protagonist. audiences grew bored.
High angle Point of view shot Film Techniques Pan Full shot Long shot
Analysing Film Aim: To identify the key terms.
By Michael English Question 3. The target audience that we chose for our produce was from the age range of years old and more male than female so.
‘The Shawshank Redemption’
MISE EN SCENE BRICK. By showing a close up of the boy’s eyes, this is a way of introducing his character to the audience. It is said that eyes are ‘the.
Bullet Boy Social Political Study “Living with Crime” LO: Identify how crime is represented in Bullet Boy.
Analysis Of Eden Lake. The Trailer In the beginning of the trailer, you can see a car driving down a country.
(2 seconds) the trailer opens with a close up of a girl who is laying side ways and she is putting a record on. We then hear a ticking noise and cheerful.
Location/setting The very first shot is of a bedroom, the rest of the OTS appears to have no relevance to this shot and so leaves the audience with questions.
A ‘ trailer ’ or preview is an advertisement for a feature film that will be exhibited in the future at a cinema. The term "trailer" comes from their.
There are various types of movie posters such as teaser trailer posters, DVD release posters and cinema release posters. However they all advertise the.
Film Techniques Camera shots and angles
Mise en Scence Emily Hemmings. ‘’ Don’t Look Now’’ 1973 Nicolas Roeg.
Film Techniques. Camera Shots and Movement in Film/Video “First and foremost, a film is visual rather than verbal. Thus, the feelings and ideas communicated.
Film Techniques.  Film techniques describe the way meaning is created in film.
Social Realism Film Luke Conboy. Narrative Themes British social realism films are often set in working class environments and feature typically working.
News Codes and Cons By Charlie Lunn. News programmes can be Broadcast in various different places depending on which medium the News show would get the.
 Not many people understand the concept of a Urban drama. This is mainly because it does not conform to the other common Drama’s as an Urban Drama takes.
HUDA HAID In what ways does your media product use, develop or challenge forms and conventions of real media products.
In the opening sequence the audience and introduced to the main characters and its made quite clear who the antagonist and protagonist are. We see typical.
Studying films Revision for The Woman in Black. What makes a film? There are lots of important techniques used to make films interesting to watch. Meaning.
Se7en Opening title sequence Analysis. Mise – en - scene Location and setting – The opening title sequence for se7en does not include any long shots of.
Identity (James Mangold, 2003) The sound of the voice over gives the spectator enigmas straight into the opening of the films title sequence. Also the.
Insidiou s Character types Young child sleeping (Victim) The fact that the child is sleeping adds to his vulnerability, as he has no sense of what’s happening.
BY ABDUL-MAJID & AFZAAL AHMED Get Off My Land Looking at the title what do you think the film is going to be about?
The opening scene of ‘Casino Royale’ is set in Prague in the Czech Republic. The first scene shows a large office block at night, during a calm and relaxed.
Film Trailer Conventions  State which forms of communication you have used to promote your film.  We have used 3 different forms of communication in.
The Dark Knight Opening sequence analysis Alex Campbell.
FILM TECHNIQUES.
(Skipping Futuristic Scene). The opening scene is set in a typical urban setting, this connotes the threat of danger in seemingly normal surroundings.
Thriller Film Opening Title Sequence Analyses ‘DRIVE’
Skyfall opening sequence analysis 1.How has the Director/Producers tried to engage the audience? Jake Weighell.
BRICK- Textual Analysis. Describe the Setting & Location A small, dark drainage system- The tunnel is dark and some of the shots are unclear on what we.
Opening Sequence Textual Analysis - Brick Brandon Jewell.
The first location seen is at a storm drain, an isolated remote area on the outskirts of town. Giving the feel the character is away from civilisation.
BRICK Opening Title Textual Analysis Release dateRelease date: April 7, 2006 (USA) DirectorDirector: Rian Johnson Rian Johnson.
5 seconds- the trailer opens a video tape being rolled as if it was being played inside a cinema. While it’s loading we can ear mysterious music being.
Bullet Boy – British Crime Bullet Boy (2006) is a British Crime film that follows the life of young Ricky and his brother Curtis. The film uses the typical.
Music Video Analysis SNOOP DOGG – DROP IT LIKE IT’S HOT By Komal Rana.
How do the photos of your magazine share similarities with the magazines that influenced your production?
Hoodwink Opening Title Sequence Pitch By Katie, Rebecca and Andrew.
HOW THE DIRECTOR TRIED TO ENGAGE THE AUDIENCE? Opening sequence of Skyfall.
Evaluation question 2: How does your media product represent particular social groups by Mahli Macwana.
Social Realism Trailer Analysis By Ben Amiet. Analysis of ‘Shifty’ Structure – The opening of the trailer starts with a man opening the door to someone,
Question 1 Evaluation In what ways does your media product use, develop or challenge forms and conventions of real media products? (i.e.: of film openings)
L O O P E R O P E N I N G T I T L E S E Q U E N C E.
How does your media product represent particular social groups?
Section B Revision – ‘LIVING WITH CRIME’ Key texts: London to Brighton & Bullet Boy LO: To revise the two key texts and the key concepts you need to analyse.
Preparing for media forms question Year 12 exam preparation.
Luke Featonby. Within our short film “Bail” the structure of the storyline conforms to that of Todorov’s Narrative theory of equilibrium, which suggests.
PHOTOGRAPHY CAMERA SHOTS Reilly Russell. EXTREME CLOSE UP An extreme close shot is used in order for the audience to see detail on a characters face to.
In What Ways Does Your Media Product Use, Develop, or Challenge Forms and Conventions Of Real Media Products? By Si Yau Tuong.
BRICK OPENING TITLE SEQUENCE ANALYSIS. Mise-en-scene & cinematography During the opening title sequence to the thriller ‘Brick’ there are three different.
Brick, 2005 Rian Johnson
Learning Outcomes – by the end of this session you will be able to:
Understanding Narrative
Main Task: Best camerawork evaluation.
Stranger things (Long Form TV Drama).
UNIT 1 Media products and audiences.
Year 11 Media Mid Year Exam
Section A: Theoretical Evaluation of Production (50 marks)
Technically & Symbolically.
Evaluation Question One.
Question 2 Evaluation: How does your media product represent particular social groups? - Ryan Evans.
The Vow 9 Frame Analysis of the Film Trailer, a magazine cover and a Film Poster Analysis.
Presentation transcript:

Representations of Ethnicity Black British

Learning Objective To formulate an idea of what the representation of black British is, how it is constructed and why.

RECAP: Representation of black British

Series 1 Episode 1 of Top Boy Deconstruct the codes used to create the representations - Audio - Visual - Technical - Narrative - Genre How is the representation constructed? Link this to theory. Consider audience. Why is this representation constructed? RECAP: DOMINANT REPRESENTATION

Top Boy Analysis Establishing crane shot: Showing where these characters are growing up (Hackney, London). The council estate informs the audience there are many people crammed into one space, connoting poverty and the struggle for life the characters face. The location helps to inform the genre - gritty urban realism. This analysis also reinforces Alvarados Theory of the the pitied (1987). The characters are victims of their environment. The vertical framing of the flats connotes feeling trapped - just as the characters in the episode feel - trapped in the flats, in the estate and in the life of crime and drugs they lead. An oppositional reading (Stuart Hall) might argue that this is tough and the characters should get a job.

Medium over the shoulder shot: boy wearing school uniform, Again the vertical framing between two frames of the windows. Reinforcing that he is trapped and has no way out, even though he is in school - usually education is seen as the route out of poverty. TOP BOY ANALYSIS Long shot of the boy in school uniform, from the boys Point of view (POV), looking down at his potential role models, connoting he is destined for the same, despite education. The camera positions the audience as looking out with him, from his perspective. This establishes the scene for the audience but also sets the scene for the character - his life and where it is going. His head partly obscures the shot, this gives a sense of enigma (Roland Barthes: 1974). In addition this creates suspense and ambiguity, the audience dont know what will happen next. Alongside plays the audio track of the beating sound, adding to the tension.

Medium close up: The visual codes in this shot connote to the audience that this character is a direct threat to my person and my safety. The text has been constructed so that the audiences sympathies are with Chantelle and the male character such that, when the gun is pulled in them, the audience feels fear too. The absence of any representations of intelligence, compassion or empathy further reinforce Alvarados Theory of the dangerous. This constructs the representation of black British as uneducated gun wielding drug dealers who are out for themselves. This reinforces Dyers (1992) utopia of intensity, audiences are unlikely to have guns pointed in their faces and this text gives them the intensity missing from their everyday lives. The iconography of the gun connoting danger/death/violence/power is further reinforced by the character looking down the barrel of it, this not only reinforces the guns iconographic signifiers but also Alvarados Theory of the dangerous (1987) and Earp and Katzs (1999) theory of violent males.

Remember this? Why Black British Drama is going online ack-british-tv-drama-online ack-british-tv-drama-online LINK WHY BLACK BRITISH DRAMA IS GOING ONLINE

Alternative Representation 1 Watch the trailer for All About the McKenzies Deconstruct this. Apply theory. Consider audience. Fill in your revision booklet. PS Samuell Benta was in Miss Littledykes tutor group when she worked in London. That makes her cool. HOW AND WHY?

Watch the next section of Series 1 Episode 1 of Top Boy (4oD, available on Youtube). q=top+boy+ser&gs_l=youtube.1.1.0l j ac.1.58WizzcLqCo q=top+boy+ser&gs_l=youtube.1.1.0l j ac.1.58WizzcLqCo Deconstruct the codes used to create the representations (audio, visual, technical, narrative, genre). How is the representation constructed? Link this to theory. (Alvarado) Consider audience. Why is this representation constructed? Fill in your analysis sheets. TOP BOY PART 2

Have a look at this online magazine. Deconstruct it. How are black British people represented? Apply theory. Think about audience. Add to your revision booklet. HOW AND WHY? ALTERNATIVE REPRESENTATION 2

Fill in your revision booklets about: 1. Dominant representation in Top Boy and the pitied representation 2. Alternative representation of All About the McKenzies 3. Alternative representation of The Voice HOMEWORK REMEMBER: HOW AND WHY?

THE END

Medium two shot of the youths sitting on the car. This is the equilibrium with regard to narrative. The characters have been constructed as troublemakers. This representation has been created via the visual codes of costume - the puffa jackets, hat and leather that connote gangster. Arguably the use of the yellow hoodie for Chantelle could connote that she is nice on the inside and just putting on a tough exterior. Adding to the mis- en-scene. TOP BOY ANALYSIS In the background is a dark tunnel. The lack of light signifies to the audience danger and that disequilbrisum is to come. The dominant reading would argue their facial expressions are tough and they are hanging out here out of choice. An oppositional reading would argue the characters facial expressions construct them as unhappy to be in the situation they are in, but hanging out anyway because they have no where else to go - no youth club or similar to hang out at.

TOP BOY ANALYSIS Use of the close up shot lets the audience see the detail in the gore and violence of the butchers. Like lambs to to the slaughter Just as the youth of the streets will be - lambs to the slaughter of the guns and violence happening in the estate. The characters are going to be butchered just like the lambs and fish have been.

Disequillbrium - Chantelle and the male character get robbed. Medium over the shoulder shot, camera positioned behind the two characters letting the audience see the action, and therefore feel as if they are part of it. The squealing car tyres are a staple code connoting violence and reinforcing Todorovs theory of disequilbrium Audio codes include the use of slang language Say summitin bruv, TOP BOY ANALYSIS

The fact the bad gang take the drugs and slap the Chantelle in the face, together with her stating to her crew that They f***ing slapped me in my face cuz, which gets brushed off by the other characters reinforces John Bergers theory that Men act, women appear. Restoration of the equilibrium: New equilibrium, characters have to deal with being robbed, and the consequences of this.