Early Italian Renaissance

Slides:



Advertisements
Similar presentations
Gardner’s Art Through the Ages, 13e
Advertisements

Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.
Antonio del Pollaiuolo Battle of the Nudes engraving.
Limbourg Brothers (Paul, Herman, Jean) Tres Riches Heures
Title: Façade of Santa Maria Novella, Florence
IDS Brunelleschi, Duomo, 1417–36, Florence.
The Visual Arts in Renaissance Florence and Venice Jonathan Davies.
The Visual Arts in Florence and Venice Jonathan Davies.
Early Renaissance in Italy: 15th C.
1443 – Donatello seems to have left Florence late in the year for Padua Il Santo (Basilica of Sant’Antonio), Padua.
The Italian Renaissance HWH UNIT I CHAPTER 1.1. How does this painting define the Renaissance?
Antonio del Pollaiuolo Battle of the Nudes engraving
AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Portrait of Brunelleschi after a medal by A.Cavalcanti,
Chapter 21 Italy comparisons
Chapter 21 Italy Ch. 21 Italy Main themes and concepts Perspective-linear, atmospheric, horizon line, vanishing point, “di sotto.
VARARENESANSS ITAALIAS SKULPTUUR. LORENZO GHIBERTI
The Early Renaissance Europe during the Renaissance Italy during the Renaissance.
Italian. Florence: Sculpture Medici: avid patrons 1 st impt commission was work not of Medici but wool guild for the east end of the baptistry.
Quattrocento Italian Art
Chapter 17. Duomo (cathedral), baptistery Ponte Vecchio over the Arno.
Renaissance Art The influence of humanism during its first two hundred years transformed much of Europe’s intellectual and creative activity. New inspirations.
Early Renaissance Sculpture in Florence. Lorenzo Ghiberti – Bronze doors for the Baptistery of the Cathedral of Florence 1401.
Claims—Write a claim that could be used to begin a paragraph about this piece. The more specific your claim—the better. You are responsible for two images—you.
Cimabue, Madonna Enthroned, Church of Santa Trinita, 1285 Giotto, Madonna Enthroned, Ognissanti Church, c
Quattrocento Italian Art
Early Renaissance Painting. A few words before we begin Fresco: mural painting on wet plaster Trompe l’oeil: “trickery of the eye,” illusion.
Early Renaissance Painting. A few words before we begin Fresco: mural painting on wet plaster Trompe l’oeil: “trickery of the eye,” illusion.
Gardner’s Art Through the Ages, 12e
Graphic Art in Germany: the Development of Printmaking.
Early Renaissance Art in Europe Humanism Thomas Aquinas ( ) Summa Theologica,
Renaissance: The Beginning of Modern Painting. The Top Four Breakthroughs Oil on Stretched Canvas – A greater range of colors with smooth gradations of.
Renaissance Art. Why Should We Study Renaissance Art?
The Renaissance 9. 1 Renaissance means “rebirth
Ch 21 painting part 2 Mid-late 1400s in Italy. 2 Figure DOMENICO GHIRLANDAIO, Birth of the Virgin, Cappella Maggiore, Santa Maria Novella, Florence,
Your presentation will go in your test grade. You will know what you are responsible for because you will see you name on the title slide. This presentation.
THE RENAISSANCE. THE BAPTISTRY DOORS n LORENZO GHIBERTI n 1435 n EACH PANEL – 21 X 17 n NATIONAL MUSEUM, FLORENCE.
ITALY, GARDNER CHAPTER 21-2 PP
Unit 7 Review Sesh Early Renaissance High Renaissance Mannerism.
Know the subject of the Annunciation- what is it about Gabriel telling Mary she’s pregnant- lily= purity.
The Pre-Renaissance This freed the space behind the and above the altar for large paintings on wood panels. Like the manuscript illuminations,
Brunelleschi’s Dome (Florence Cathedral), ; 1471, etc. Brunelleschi was favored by the Medici and jailed when Cosimo was jailed. Artist who perfected.
Limbourg Brothers (Paul, Herman, Jean) Tres Riches Heures
Dome of Florence Cathedral detail, 19–2 (p596) bin/Florence_Cathedral.html/cid_ gbi.
Renaissance Art. Medieval Art was religious and “flat.” Madonna Enthroned ~1280Giotto, Madonna Enthroned ~1310.
Art of the Renaissance. But first let’s do a little review of Medieval art.
Art of the Italian Renaissance Some work contributed by Susan Pojer.
Chapter 21 Humanism and the Allure of Antiquity: 15 th Century Italian Art Part 4 Gardner’s Art Through the Ages, 12e.
Humanism and the Allure of Antiquity: 15 th Century Italian Art.
Comparisons. Architecture Please compare each of the images represented in these pairs— you are being offered three different sets of buildings to consider.
Slide List # 2: Early Renaissance* Sculpture
Chapter th century art in Italy Early Renaissance.
RENAISSANCE EARLY RENAISSANCE. Compare and Contrast: St. Matthew the Evangelist from the Gospel book and The Adoration of the Magi by Fra Angelico and.
Quizzle #2 Today (every other seat and utter silence)
Italian Renaissance Art
February 6, 2008 Esteemed classmates,
Renaissance and Reformation
Jan van Eyck, Giovanni Arnolfini and His Wife, oil on wood, 1434
Your presentation will go in your test grade
The three panels, listed in the Medici Inventory of 1492 and now in the National Gallery, London, Musée du Louvre, Paris, and Galleria degli Uffizi, Florence,
Giotto, Lamentation, , Arena Chapel, Italy
GARTH 206 Quiz 1 Images.
Giotto, Lamentation, , Arena Chapel, Italy
WHO? orthogonals Donatello (ca ) Andrea del Verrocchio ( )
WHO? vanishing point Donatello (ca ) orthogonals
THE RENAISSANCE.
Donatello DAVID***c (?). Bronze, height 5'2-1/4" [Fig ]
Renaissance Florence Quattrocento
15th century art in Italy Early Renaissance
Presentation transcript:

Early Italian Renaissance Quattrocento 1400s

Artist: n/a Title: Fifteenth-Century Italy Medium: n/a Size: n/a Date: n/a Source/ Museum: n/a

Linear Perspective Arrives! Artist: Perugino Title: The Delivery of the Keys to Saint Peter, Schematic Drawing Showing the Orthogonals and Vanishing Point Medium: n/a Size: n/a Date: n/a Source/ Museum: n/a

Quattrocento Architecture

Dome of Florence Cathedral (AKA Brunelleschi’s Dome) 1417–36; Filippo Brunelleschi Dome of Florence Cathedral (AKA Brunelleschi’s Dome) 1417–36; Artist: Filippo Brunelleschi Title: Dome of Florence Cathedral Medium: n/a Size: n/a Date: 1417–36; lantern completed 1471; the gallery, 1515 Source/ Museum: n/a

Foundling Hospital, Florence Designed 1419; built 1421-44 Filippo Brunelleschi Foundling Hospital, Florence Designed 1419; built 1421-44 Artist: Filippo Brunelleschi Title: Foundling Hospital, Florence Medium: n/a Size: n/a Date: Designed 1419; built 1421–44 Source/ Museum: Italy

Detail of Terra-Cotta Medallion Andrea della Robbia Detail of Terra-Cotta Medallion Artist: Andrea della Robbia Title: Detail of Terra-Cotta Medallion Medium: n/a Size: n/a Date: n/a Source/ Museum: n/a

Filippo Brunelleschi Pazzi Chapel 1442-65 Florence, Italy

Filippo Brunelleschi; continued by Michelozzo di Bartolomeo Nave, Church of San Lorenzo, Florence, : c. 1421–28, 1442–70 Artist: Filippo Brunelleschi; continued by Michelozzo di Bartolomeo Title: Nave, Church of San Lorenzo, Florence Medium: n/a Size: n/a Date: c. 1421–28, nave (designed 1434?) 1442–70 Source/ Museum: n/a

Church of San Lorenzo, Florence. Artist: Filippo Brunelleschi Title: Church of San Lorenzo, Florence. (Includes later additions and modifications) Medium: n/a Size: n/a Date: n/a Source/ Museum: n/a

Michelozzo di Bartolomeo, Façade, Palazzo Medici-Riccardi, Florence 1446 Rusticated first level Artist: Attributed to Michelozzo di Bartolomeo Title: Façade, Palazzo Medici-Riccardi, Florence Medium: n/a Size: n/a Date: Begun 1446 Source/ Museum: n/a

Palazzo Rucellai, Florence. 1455–58; never finished Leon Battista Alberti Palazzo Rucellai, Florence. 1455–58; never finished Stringcourse Pilasters Beveled stones Artist: Leon Battista Alberti Title: Palazzo Rucellai, Florence. Left Five Bays. Medium: n/a Size: n/a Date: 1455–58; later extended but never finished Source/ Museum: n/a

Church of Sant’Andrea, Mantua Designed 1470, begun 1472 Leon Battista Alberti Church of Sant’Andrea, Mantua Designed 1470, begun 1472 1st use of triumphal arch since Ancient Rome Artist: Leon Battista Alberti Title: Façade, Church of Sant’Andrea, Mantua Medium: n/a Size: n/a Date: Designed 1470, begun 1472 Source/ Museum: n/a

Nave, Church of Sant’Andrea, Mantua Vault width 60’ Designed 1470 Leon Battista Alberti Nave, Church of Sant’Andrea, Mantua Vault width 60’ Designed 1470 Artist: Leon Battista Alberti Title: Nave, Church of Sant’Andrea, Mantua Medium: n/a Size: Vault width 60' (18.3 m) Date: Designed 1470 Source/ Museum: n/a

Contarini Palace 1421–37 Guess where? Artist: n/a Title: Contarini Palace, known as the Ca' d’Oro, Venice Medium: n/a Size: n/a Date: 1421–37 Source/ Museum: n/a

Quattrocento Sculpture

Sacrifice of Isaac, 1401-1403, bronze Left: Brunelleschi Right: Ghiberti

Gates of Paradise (East Doors), Baptistry of San Giovanni, Florence Lorenzo Ghiberti Gates of Paradise (East Doors), Baptistry of San Giovanni, Florence Gilt bronze height 15' (4.57 m) 1425–52 Artist: Lorenzo Ghiberti Title: Gates of Paradise (East Doors), Baptistry of San Giovanni, Florence Medium: Gilt bronze Size: height 15' (4.57 m) Date: 1425–52 Source/ Museum: Museo dell’Opera del Duomo, Florence

Lorenzo Ghiberti Jacob and Esau , panel of the Gates of Paradise (East Doors), Baptistry of San Giovanni, Florence Gilt bronze 1425–52 Artist: Lorenzo Ghiberti Title: Jacob and Esau, panel of the Gates of Paradise (East Doors), Baptistry of San Giovanni, Florence Medium: Gilt bronze Size: 31¼" (79 cm) square Date: c. 1435 Source/ Museum: Formerly on the Baptistry of San Giovanni, Florence / Museo dell’Opera del Duomo, Florence

Palazzo Medici-Riccardi Artist: n/a Title: Courtyard with Sgraffito Decoration, Palazzo Medici-Riccardi, Florence Medium: n/a Size: n/a Date: Begun 1446 Source/ Museum: n/a Sgraffito decoration Palazzo Medici-Riccardi

The Four Crowned Martyrs Marble height of figures 6’ c. 1409–17 Nanni di Banco The Four Crowned Martyrs Marble height of figures 6’ c. 1409–17 Orsanmichele, Florence (photographed before removal of figures to museum) Artist: Nanni di Banco Title: The Four Crowned Martyrs Medium: Marble Size: height of figures 6' (1.83 m) Date: c. 1409–17 Source/ Museum: Orsanmichele, Florence (photographed before removal of figures to museum)

Equestrian Monument of Erasmo Da Narni (Gattamelata) Bronze Donatello Equestrian Monument of Erasmo Da Narni (Gattamelata) Bronze height approx. 12'2” 1443–53 Piazza del Santo, Padua Artist: Donatello Title: Equestrian Monument of Erasmo Da Narni (Gattamelata) Medium: Bronze Size: height approx. 12'2" (3.71 m) Date: 1443–53 Source/ Museum: Piazza del Santo, Padua

Donatello David, bronze 1420s-60s Florence Meant for a Medici palace, not for public viewing Artist: Title: David Medium: Bronze Size: height 5' 2¼" (1.58 m) Date: c. 1446–60(?) Source/ Museum: Museo Nazionale del Bargello, Florence

Polychromy and gold on wood height 6'1" 1450s(?) Donatello Mary Magdalen Polychromy and gold on wood height 6'1" 1450s(?) Museo dell’Opera del Duomo, Florence Artist: Donatello Title: Mary Magdalen Medium: Polychromy and gold on wood Size: height 6'1" (1.85 m) Date: 1450s(?) Source/ Museum: Museo dell’Opera del Duomo, Florence

(Bronze cast by Alessandro Leopardi) Andrea del Verrocchio. (Bronze cast by Alessandro Leopardi) Equestrian Monument of Bartolommeo Colleoni Campo Santi Giovanni e Paolo, Venice Bronze height approx. 13' Clay model 1486–88; cast after 1490; placed 1496 Artist: Andrea del Verrocchio. Bronze cast by Alessandro Leopardi Title: Equestrian Monument of Bartolommeo Colleoni, Campo Santi Giovanni e Paolo, Venice Medium: Bronze Size: height approx. 13' (4 m) Date: Clay model 1486–88; cast after 1490; placed 1496 Source/ Museum: n/a

Antonio del Pollaiuolo Hercules and Antaeus Bronze height with base 18” c. 1475 Museo Nazionale del Bargello, Florence Artist: Antonio del Pollaiuolo Title: Hercules and Antaeus Medium: Bronze Size: height with base 18" (45.7 cm) Date: c. 1475 Source/ Museum: Museo Nazionale del Bargello, Florence

Quattrocento Painting & Print

Gentile da Fabriano, Adoration of the Magi (detail), tempura on panel, 1423 Int’l Gothic Style

Trinity with the Virgin, Saint John the Evangelist, and Donors Fresco Masaccio Trinity with the Virgin, Saint John the Evangelist, and Donors Fresco 21' X 10"5” c. 1425–27/28 Church of Santa Maria Novella, Florence Artist: Masaccio Title: Trinity with the Virgin, Saint John the Evangelist, and Donors Medium: Fresco Size: 21' X 10"5" (6.4 X 3.2 m) Date: c. 1425–27/28 Source/ Museum: Church of Santa Maria Novella, Florence

Artist: Frescoes by Masaccio and Masolino (1426–27) and Filippino Lippi (lower register) (c. 1482–84) Title: Interior of the Brancacci Chapel, Church of Santa Maria del Carmine, Florence Medium: Frescoes Size: n/a Date: n/a Source/ Museum: n/a

The Expulsion From Paradise Fresco 7' X 2' 11” c. 1427 Masaccio The Expulsion From Paradise Fresco 7' X 2' 11” c. 1427 Brancacci Chapel Artist: Masaccio Title: The Expulsion From Paradise Medium: Fresco Size: 7' X 2' 11" (214 X 90 cm) Date: c. 1427 Source/ Museum: Brancacci Chapel

Masaccio, The Tribute Money, Fresco 8'1" X 19'7” c. 1427, Brancacci Chapel, Church of Santa Maria del Carmine, Florence Artist: Masaccio Title: The Tribute Money Medium: Fresco Size: 8'1" X 19'7" (1.87 X 1.57 m) Date: c. 1427 Source/ Museum: Brancacci Chapel

Paolo Uccello, The Battle of San Romano, Tempera on wood panel 6' X 10" 7” 1438–40 Commissioned for private Florentine Residence Artist: Paolo Uccello Title: The Battle of San Romano Medium: Tempera on wood panel Size: approx. 6' X 10" 7" (1.83 X 3.23 m) Date: 1438–40 Source/ Museum: National Gallery, London. Reproduced by courtesy of the Trustees

Fra Angelico, Annunciation, Fresco, 7’½" X 19'6”, c Fra Angelico, Annunciation, Fresco, 7’½" X 19'6”, c. 1438–45, Monastery of San Marco, Florence Artist: Fra Angelico Title: Annunciation Medium: Fresco Size: 7' ½" X 19'6" (230 X 297 m) Date: c. 1438–45 Source/ Museum: North Corridor, Monastery of San Marco, Florence

16' x 32’, 1447, Refectory, Convent of Sant’Apollonia, Florence Andrea del Castagno The Last Supper Fresco 16' x 32’, 1447, Refectory, Convent of Sant’Apollonia, Florence Artist: Andrea del Castagno Title: The Last Supper Medium: Fresco Size: approx. 16' 32' (4.6 X 9.8 m) Date: 1447 Source/ Museum: Refectory, Convent of Sant’Apollonia, Florence

Recognition and Proving of the True Cross Fresco, 11'8" X 24'6” Piero della Francesca Recognition and Proving of the True Cross Fresco, 11'8" X 24'6” San Francesco, Arezzo Artist: Piero della Francesca Title: Recognition and Proving of the True Cross Medium: Fresco Size: 11'8" X 24'6" (3.56 X 7.47 m) Date: 1450s Source/ Museum: San Francesco, Arezzo

Piero della Francesca Resurrection fresco c.1463 Palazzo Comunale, San Sepulcro, Italy

each 18 ½ X 13”, c. 1474, Galleria degli Uffizi, Florence Piero della Francesca, Battista Sforza and Federico da Montefeltro, Oil on wood pane,l each 18 ½ X 13”, c. 1474, Galleria degli Uffizi, Florence Artist: Piero della Francesca Title: Battista Sforza and Federico da Montefeltro Medium: Oil on wood panel Size: each 18 ½ X 13" (47 X 33 cm) Date: c. 1474 Source/ Museum: Galleria degli Uffizi, Florence

Andrea Mantegna Room of the Newlyweds Frescoes 1465–74 Diameter of false oculus 8'9” room 62' 6" square 1465–74 Ducal Palace, Mantua Artist: Andrea Mantegna Title: Camera Picta Medium: Frescoes Size: Diameter of false oculus 8'9" (2.7 m) room 62' 6" square (8 X 5 m square) Date: 1465–74 Source/ Museum: Ducal Palace, Mantua

Perugino, The Delivery of the Keys to Saint Peter, Fresco Linear perspective Perugino, The Delivery of the Keys to Saint Peter, Fresco 11'5½" X 18' 8½”, 1481 On the right wall of the Sistine Chapel, Vatican, Rome Artist: Perugino Title: The Delivery of the Keys to Saint Peter Medium: Fresco Size: 11'5½" X 18' 8½" (3.48 X 5.70 m) Date: 1481 Source/ Museum: On the right wall of the Sistine Chapel, Vatican, Rome

Sandro Botticelli, Birth of Venus, Tempera and gold on canvas 5'8⅞" X 9' 1⅞" c. 1484–86, Uffizi, Florence Artist: Sandro Botticelli Title: Birth of Venus Medium: Tempera and gold on canvas Size: 5'8⅞" X 9' 1⅞" (1.8 X 2.8 m) Date: c. 1484–86 Source/ Museum: Galleria degli Uffizi, Florence

Sandro Botticelli, Primavera, Tempera on wood panel 6’8” x 10’4” c. 1482 , Uffizi, Florence Artist: Sandro Botticelli Title: Primavera Medium: Tempera on wood panel Size: 6'8" X 10'4" (2.03 X 3.15 m) Date: c. 1482 Source/ Museum: Galleria degli Uffizi, Florence

Domenico Ghirlandaio, Birth of the Virgin, fresco, 1485, Santa Maria Novella, Florence

Nativity and Adoration of the Shepherds, Sassetti Chapel Panel, Altarpiece, Santa Trinità, Florence Domenico Ghirlandaio 1485 Artist: Domenico Ghirlandaio Title: Nativity and Adoration of the Shepherds, Sassetti Chapel Panel, Altarpiece, Santa Trinità, Florence Medium: n/a Size: 65¾" square (1.67 m square) Date: 1485 Source/ Museum: n/a

Commissioned for the Chapel of the Hospital of San Giobbe, Venice Gentile Bellini Virgin and Child Enthroned with Saints Francis, John the Baptist, Job, Dominic, Sebastian, and Louis of Toulouse (Computer reconstruction) 15'4" X 8'4” c. 1478 Commissioned for the Chapel of the Hospital of San Giobbe, Venice Artist: Gentile Bellini Title: Virgin and Child Enthroned with Saints Francis, John the Baptist, Job, Dominic, Sebastian, and Louis of Toulouse (Computer reconstruction) Medium: Oil on wood panel Size: 15'4" X 8'4" (4.67 X 2.54 m) Date: c. 1478 Source/ Museum: Commissioned for the Chapel of the Hospital of San Giobbe, Venice / Galleria dell’Accademia, Venice. The original frame is in the Chapel of the Hospital of San Giobbe, Venice. c. 1478

Gentile Bellini, Saint Francis In Ecstasy Oil and tempera on wood panel 49 x 55⅞" c. 1470’s Artist: Gentile Bellini Title: Saint Francis In Ecstasy Medium: Oil and tempera on wood panel Size: 49 x 55⅞" (125 X 142 cm) Date: c. 1470’s Source/ Museum: Frick Collection, New York

Antonio del Pollaiuolo, Battle of 10 Naked Men, Engraving, 15 ⅛ X 23¼“, c. 1465–70 Artist: Antonio del Pollaiuolo Title: Battle of the Nudes Medium: Engraving Size: 15 ⅛ X 23¼" (38.3 X 59 cm) Date: c. 1465–70 Source/ Museum: Cincinnati Art Museum, Ohio. Bequest of Herbert Greer French. 1943.118