UNDERSTANDING DUTA WACANA PHOTOGRAPHIE CLUB EXPOSURE
WHAT THINGS ABOUT APERTURE EXPOSURE SHUTTER SPEED ISONOISE DEEP OF FIELD MOTION BLUR LIGHT F-STOP SUBJECT DISTANCE METERING
APERTURE SHUTTER SPEED ISO LIGH T METERING
NORMAL EXPOSURES MEASURE : F- STOP LIGH T METERIN G UNDER EXPOSURES OVER EXPOSURES EXPOSURE
NORMAL EXPOSURE OVEREXPOSURE 1 F-STOP OVEREXPOSURE 2-F-STOP UNDEREXPOSURE 1 F-STOP UNDEREXPOSURE 2 F-STOP 1 F-STOP DOUBLE LIGHT 1 F-STOP HALF LIGHT MEASURE : F-STOP EXPOSURE
OVEREXPOSURE 2 F-STOP
OVEREXPOSURE 1 F-STOP
NORMAL EXPOSURE
UNDEREXPOSURE 1 F-STOP
UNDEREXPOSURE 2 F-STOP
APERTUREISO SHUTTER SPEED EXPOSURE’ S MOTION BLUR DEEP OF FIELD NOISE ELEMENTS 1 2 3
SHUTTER MOTION BLUR FASTER SPEED FROZEN SUBJECT SLOWER SPEED MOTION SUBJECT MEASURE SECOND BULB 30” 25” 20” 15” 13” 10” … 1/10 1/15 1/30 … 1/100 1/125 1/250 … 1/4000 1/8000 SPEED
FASTER SPEED FROZEN SUBJECT
SLOW SPEED MOTION SUBJECT
SLOW SPEED MOTION SUBJECT
1/3 F-STOP INCREMENT 1/3 F-STOP DECREMENT BULB 30” 25” 20” … 10” … 1/10 1/15 1/30 … 1/100 1/125 1/250 … 1/4000 1/8000 MOTION SUBJECTFROZEN SUBJECT
APERTURE DEEP OF FIELD SMALL NUMBER MORE LIGHT MORE SHALLOW BIG NUMBER LESS LIGHT MORE DEEP SUBJECT DISTANCE F1.2 F1.4 F1.8 F2 F2.5 F2.8 F3.2 F.3.5 F4.0 F4.5 F5.0 F5.6 F.6.3 F7.1 F8.0 F9.0 F10 F11 F13 F14 F16 F18 F20 F22
DEEP OF FIELD BIG ARPERTURE SMALL NUMBER MORE LIGHT MORE SHALLOW SMALL ARPETURE BIG NUMBER LESS LIGHT MORE DEEP F1.2 F1.4 F1.8 F2 F2.5 F2.8 F3.2 F.3.5 F4.0 …… F13 F14 F16 F18 F20 F22 SUBJECT DISTANCE FAR SUBJECT MORE DEEP CLOSER SUBJECT MORE SHALLOW
F1.2 F1.4 F1.8 F2 F2.5 F2.8 F3.2 F.3.5 F4.0 …… F13 F14 F16 F18 F20 F22 1/3 F-STOP INCREMENT 1/3 F-STOP DECREMENT
ISONOISE SMALL NUMBER LESS LIGHT BIG NUMBER MORE LIGHT SENSITIVIT Y LOW LIGHT CONDITION | INDOOR | NO FLASH
ISONOISE MORE LIGHT LESS LIGHT SENSITIVIT Y x 2x 3x 4x 5x 6x 7x 8x 9x 10x 11x
1x MORE LIGHT 2x MORE LIGHT, 1 MORE F-STOP 3x MORE LIGHT, 1 MORE F-STOP 4x MORE LIGHT, 1 MORE F-STOP ISONOISE