Physics of the Blues: Music, Fourier and the Wave-Particle Duality

Slides:



Advertisements
Similar presentations
The Pythagorean perception of music Music was considered as a strictly mathematical discipline, handling with number relationships, ratios and proportions.
Advertisements

Musical Intervals & Scales Creator of instruments will need to define the tuning of that instrument Systems of tuning depend upon the intervals (or distances.
Music Basics Acadeca. Music is sound organized in time It consists of soundwaves: Amplitude and frequency Amplitude= how loud or the decibel level Frequency=
For those who have never played an instrument
An Introduction to Music
Beats and Music Contents: Beats Overtones and music.
T HE M ATHEMATICS OF M USIC Katherine Goulde. O UTLINE Basic tonal theory Sound and Hertz Note values and rhythm Intervals Scales Overtones Harmonics.
MUSIC NOTES Noise Versus Music  What is the difference between noise and music?  Answer: The appearance of the waveform.  What is the difference between.
Moffat Academy Music Department Advanced Chords. You will learn about 4 different types of chords  Major  Minor  Augmented  Diminished.
Chapter 2 – Scales, Tonality, Key, Modes
PH 105 Dr. Cecilia Vogel Lecture 17. OUTLINE  Resonances of string instruments  Brass Instruments  Lip reed  Closed tube  Effect of bell  Registers.
Music and Mathematics are they related?. What is Sound? Sound consists of vibrations of the air. In the air there are a large number of molecules moving.
Music Software projects New york university Adjunct Instructor Scott Burton.
Chapter 2: Rhythm and Pitch Pitch. Key Terms Pitch Scale Interval Octave Diatonic scale Chromatic scale Flat Sharp Half step Whole step Playing in tune.
L 8-9 Musical Scales, Chords, and Intervals, The Pythagorean and Just Scales.
GROUP MEMBERS-  ZION- PROJECT LEADER  TYRESE-CHIEF RESEARCHER  MUSKAN-COMMUNICATIONS DIRECTOR  GHAZAL-DIGITAL ENGINEER.
A.Diederich – International University Bremen – USC – MMM – Spring 2005 Scales Roederer, Chapter 5, pp. 171 – 181 Cook, Chapter 14, pp. 177 – 185 Cook,
A brief message from your TAs Tine Gulbrandsen Wahab Hanif.
Music Theory the Fun Way: Through Soloing! Steve Danielsson
Timbre (pronounced like: Tamber) pure tones are very rare a single note on a musical instrument is a superposition (i.e. several things one on top of.
Announcements 10/25/10 Prayer Change to TA’s office hours: Monday will now be 5-6 pm (to match Wed and Fri schedule). Project proposals: in process of.
Announcements 3/2/11 Prayer Term projects a. a.Proposals under review b. b.You can change your idea, but need to send me a new proposal My office hours.
PH 105 Dr. Cecilia Vogel Lecture 14. OUTLINE  units of pitch intervals  cents, semitones, whole tones, octaves  staves  scales  chromatic, diatonic,
Announcements 10/24/11 Prayer Term project proposals under review, I’ve responded to about 2/3 of them. I’ll send an when I’m done, and when scores.
A little music theory (mostly notation, names, …and temperament)
What are harmonics? Superposition of two (or more) frequencies yields a complex wave with a fundamental frequency.
Announcements 10/22/12 Prayer Term project proposals: I responded to all I received, and everyone should have a score. a. a.You can change your project.
Harmony: Musical Space
Chapter Nine Harmony. Basic Elements of Music Rhythm Melody (pitch Harmony Timbre (sound) Form (shape)
The Nuts & Bolts of Music
Tuning Basics INART 50 Science of Music. Three Fundamental Facts Frequency ≠ Pitch (middle A is often 440 Hz, but not necessarily) Any pitch class can.
Physics 371 March 7, 2002 Consonance /Dissonance Interval = frequency ratio Consonance and Dissonance Dissonance curve The Just Scale major triad construction.
Physics 1251 The Science and Technology of Musical Sound Unit 2 Session 21 MWF Musical Scales and Strings Unit 2 Session 21 MWF Musical Scales and Strings.
Chapter 15 Outline Mechanical Waves
Beats and Tuning Pitch recognition Physics of Music PHY103.
Tuning and Temperament An overview. Review of Pythagorean tuning Based on string lengths Octave relationship is always 2:1 Fifth relationship is 3:2 “pure”
PHYS 103 lecture #11 Musical Scales. Properties of a useful scale An octave is divided into a set number of notes Agreed-upon intervals within an octave.
Sound quality and instruments  Different notes correspond to different frequencies  The equally tempered scaled is set up off of 440 A  meaning the.
Music Software Projects New York University Adjunct Instructor Scott Burton.
Physics 371 March 14, 2002 Scales (end) names of intervals transposition the natural scale the tempered scale meantone tuning.
AP Music Theory Mr. Jackson
M USIC. S TANDING W AVES At the right frequencies a constrained wave will produce a standing wave Standing waves appear stationary Result of constructive.
What’s that scale?? 1 Note Grades should be available on some computer somewhere. The numbers are based on the total number of correct answers, so 100%
Pitch, Rhythm, and Harmony Pg A musical sound has four properties: Pitch Duration Volume Timbre.
The 4 Parameters of Sound PITCH = the frequency of vibration (heard as “high” vs. “low”) DURATION = the length of time a sound lasts (heard as aspects.
Chapter 21 Musical Sounds.
Set 7 What’s that scale?? 1 Note Grades should be available on some computer somewhere. The numbers are based on the total number of correct answers,
Pythagorean Scale (Pythagoras born about 580 B.C.)
A Brief Introduction to Musical Acoustics
3.3 Waves and Stuff Science of Music 2007 Last Time  Dr. Koons talked about consonance and beats.  Let’s take a quick look & listen at what this means.
The Enjoyment of Music 10 th, Shorter Edition The Enjoyment of Music 10 th Shorter Edition.
12-3 Harmonics.
Combination of tones (Road to discuss harmony) 1.Linear superposition If two driving forces are applied simultaneously, the response will be the sum of.
Tuning and Temperament
MATHS IN MUSIC.
Music Software Projects New York University Adjunct Instructor Scott Burton.
Harmonics & Music By Stephanie Tacit Grade 11 Physics.
Chapter 3 The Structures of Music Harmony. Key Terms Chords Harmonized Harmony Consonance Dissonance Resolution Resolved.
Chapter 2: Rhythm and Pitch
(Road to discuss harmony)
(Road to discuss harmony)
New York University Adjunct Instructor Scott Burton
Pitch Intervals Chapter 6.
Tuning and Temperament
Basic Chords and How to Build Them
Lab 7: Musical Scales The Just Scale The Tempered Scale Transposition
Individual Differences Reveal the Basis of Consonance
Fine Arts section 1 pg.7-20 By david steen.
(Road to discuss harmony)
An Introduction to Music–Melody –Harmony –Rhythm.
Presentation transcript:

Physics of the Blues: Music, Fourier and the Wave-Particle Duality J. Murray Gibson Presented at Fermilab October 15th 2003 Not serious science – My hobby - An Amuse-Guele Maybe not original content, but certainly unusual for Physics Colloquium, and I hope fun Outfox Harvey Drucker talking about the new ways of war..

The Advanced Photon Source

Art and Science Art and science are intimately connected Art is a tool for communication between scientists and laypersons

The Poetry of Mathematics

Music is excellent example… Of all the seminar halls In all the physics joints In the whole world You had to walk into this one…

Outline: What determines the frequency of notes on a musical scale? What is harmony and why would fourier care? Where did the blues come from?    (We' re talking the "physics of the blues", and not "the blues of physics"  - that's another colloquium). Rules (axioms) and ambiguity fuel creativity Music can explain physical phenomena Is there a musical particle? (quantum mechanics) The importance of phase in imaging?

Overtones of a string Fourier analysis – all shapes of a string are a sum of harmonics Harmonic content describes difference between instruments e.g. organ pipes have only odd harmonics..

Spatial Harmonics Crystals are spatially periodic structures which exhibit integral harmonics X-ray diffraction reveals amplitudes which gives structure inside unit cell Unit-cell contents? (or instrument timbre?) Ribosome

Semiconductor Bandgaps… Standing waves in a periodic lattice (Bloch Waves) – the phase affects energy and leads to a bandgap “Bloch Waves sent my kids to college” said a solid-state physicist,” and sent them back home” said a student..

Familiarity with the Keyboard C D E F G 1 step = semitone 2 steps = whole tone C D E F G A

How to make a scale using notes with overlapping harmonics Bflat 7/4 1 2 3 4 5 6 7 8 C Concept of intervals – two notes sounded simultaneously which sound good together Left brain meets the right brain… Pythagoras came up with this….

The pentatonic scale * * * * * C D E G A 1 9/8 5/4 3/2 27/16 Demonstrate with Scotland the Brave and Chinese/Native American Melody Harpo 1 9/8 5/4 3/2 27/16 Common to many civilizations (independent experiments?)

Intervals Unison (“first”) Second Third Fourth Fifth Sixth Seventh Octave (“eighth”) Two notes played simultaneously Major, minor, perfect, diminished.. Not all intervals are HARMONIC (although as time goes by there are more.. Harmony is a learned skill, as Beethoven discovered when he was booed)

Natural Scale Ratios Interval Ratio to Fundamental in Just Scale Frequency of Upper Note based on C (Hz) (C-C) Unison 1.0000 261.63 Minor Second 25/24 = 1.0417 272.54 (C-D) Major Second 9/8 = 1.1250 294.33 Minor Third 6/5 = 1.2000 313.96 (C-E) Major Third 5/4 = 1.2500 327.04 (C-F) Fourth 4/3 = 1.3333 348.83 Diminished Fifth 45/32 = 1.4063 367.93 (C-G) Fifth 3/2 = 1.5000 392.45 Minor Sixth 8/5 = 1.6000 418.61 (C-A) Major Sixth 5/3 = 1.6667 436.06 Minor Seventh 9/5 = 1.8000 470.93 (C- B) Major Seventh 15/8 = 1.8750 490.56 (C-C’) Octave 2.0000 523.26

Diatonic Scale “Tonic” is C here C D E F G A B C Doh, a deer “Tonic” is C here Doh, Re, Mi, Fa, So, La, Ti, Doh….

Simple harmony Intervals “perfect” fifth major third minor third the harmonic triads – basis of western music until the romantic era And the basis of the blues, folk music etc. Demonstrate 2 note and 3 note chords re a piece Melody can also fill in Mostly harmony, but also counterpoint Disonance is also a part of the story (but limited) AMAZING GRACE? The chords are based on harmonic overlap minimum of three notes to a chord (to notes = ambiguity which is widely played e.g. by Bach)

The triads in the key of C C E G M3 P5 C Major Triad D F A m3 P5 D Minor Triad E G B m3 P5 E Minor Triad F A G M3 P5 F Major Triad G B D M3 P5 G Major Triad A C E m3 P5 A Minor Triad B D F m3 d5 B Diminished Triad

Three chords and you’re a hit! A lot of folk music, blues etc relies on chords C, F and G Dylan Folk example – blues later e.g. Blowing in the Wind? Gives you Edelweiss – who you cgnna impress

Baroque Music Based only on diatonic chords in one key (D in this case)

Equal temperament scale Note Frequency (Hz) Difference from Just Scale (Hz) (Middle C) C4 261.63 C#4/Db4 277.18 4.64 D4 293.66 -0.67 D#4/Eb4 311.13 -2.83 E4 329.63 2.59 F4 349.23 0.4 F#4/Gb4 369.99 2.06 G4 392.00 -0.45 G#4/Ab4 415.30 -3.31 (Concert A) A4 440.00 3.94 A#4/Bb4 466.16 -4.77 B4 493.88 3.32 C5 523.25 Step (semitone) = 2^1/12 Pianoforte needs multiple strings to hide beats! The Well-Tempered Clavier

The Well-Tempered Clavier 1 2 3 4 6 5

Mostly Mozart From his Sonata in A Major Note erroneous corrections on manuscript preserved for centuries – Must have frustrated Mozart (stupid referees – somethings are universal) From his Sonata in A Major

D dim c.f. D min

Minor and Major Major and Minor on piano Brilliant major, e.g. Beethoven, Tchaikovsky

The “Dominant 7th” The major triad PLUS the minor 7th interval E.g. B flat added to C-E-G (in the key of F) B flat is very close to the harmonic 7/4 Exact frequency 457.85 Hz, B flat is 466.16 Hz B is 493.88 Hz Desperately wants to resolve to the tonic (F) B flat is not in the diatonic scale for C, but it is for F Also heading for the “blues”

Circle of Fifths Allows modulation and harmonic richness Needs equal temperament “The Well Tempered Clavier” Allows harmonic richness Musical example? And circle and more notes

Diminished Chords A sound which is unusual All intervals the same i.e. minor 3rds, 3 semitones (just scale ratio 6/5, equal temp -1%) The diminished chord has no root Ambiguous and intriguing An ability of modulate into new keys not limited by circle of fifths And add chromatic notes The Romantic Period was lubricated by diminished chords Chopin’s Nocturne in E Flat C diminished

Romantic music.. A flat diminished (c.f. B flat dominant 7th) 2 1 3 4 5 C diminished (Fdominant 7th)

Beethoven’s “Moonlight” Sonata in C# Minor 1 5 F# dim 9 Diminished based on C base only – very clever and foreboding…. 13 F# (or C) dim

“Blue” notes Middle C = 261.83 Hz E flat = 311.13Hz Blue note = perfect harmony = 5/4 middle C = 327.29 Hz – slightly flatter than E E = 329.63 Hz Can be played on wind instruments, or bent on a guitar or violin. “Crushed” on a piano 12 Bar Blues - C F7 C C F7 F7 C C G7 F7 C C The “St Louis Blues”

Crushed notes and the blues

Not quite ready for the blues 1904

Four-tone chords Minimum for Jazz and Contemporary Music The Rich sounds of James Bond – For Your Eyes Only Also classic Motown And more: 9th, 11th s and 13th s (5,6 and 7note chords)

Ambiguities and Axioms Sophisticated harmonic rules play on variation and ambiguity Once people learn them they enjoy the ambiguity and resolution Every now and then we need new rules to keep us excited (even though we resist!) Similarity with mathematics

Using Music to Explain Physics Quantum Mechanics general teaching Imaging and Phase phase retrieval is important in lensless imaging, e.g. 4th generation x-ray lasers

The Wave-particle Duality Can be expressed as fourier uncertainty relationship Df DT ~ 2 p 2p/f DT Demonstrated by musical notes of varying duration (demonstrated with Mathematica or synthesizer) Wave-nature  melody Particle-nature  percussive aspect

Ants Pant! Phase-enhanced imaging Westneat, Lee et. al..

Phase Contrast and Phase Retrieval Much interest in reconstructing objects from diffraction patterns “lensless” microscopy ios being developed with x-ray and electron scattering Warning, for non-periodic objects, phase, not amplitude, is most important…..

Fun with phases… Helen Gibson Margaret Gibson

Fourier Transforms Helen Marge Amp Phase

Swap phases Helen with Marge’s phases Marge with Helen’s phases Phases contain most of the information… (especially when no symmetry)

Sound Examples Beethoven Clapton Clapton with Beethoven’s phases Beethoven with Clapton’s Phases

Conclusion Music and physics and mathematics have much in common Not just acoustics Musician’s palette based on physics Consonance and dissonance Both involved in pleasure of music Right and left brain connected? Is aesthetics based on quantitative analysis? Music is great for illustrating physical principles “My Kind of Town”