World War I Part II - Pessimism. 1. Otto Dix, Selbstbildnis als Soldat (Self-Portrait as a Soldier), 1914.

Slides:



Advertisements
Similar presentations
Art of World War I
Advertisements

"It is our duty to let Great Britain know and to let the friends and foes of Great Britain know that there is in Canada but one mind and one heart and.
Soldiers digging trenches during the First World War (1914–18).
Images of WWI In order to get a better perspective on what it was like during the Great War, I have complied a “photographs” of soldiers, battlefields,
Cross-section of a front-line trench Arrival in France (Etaples)
The Great War: Life in the Trenches, Courcelette from the Cemetery (1919), David Milne.
World War I. Propaganda Support the War effort Propaganda Attack the Enemy.
Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two.
Fig. 1. Middleton, Colin. The Dark Tower Oil on canvas.
TRENCH WARFARE WWI. Battle of the Somme Communication Trench Diagram.
Canadians in Battles of WW1 Second Battle of Ypres, April 1915 This was Canada’s first major battle. Soldiers had Ross rifles. Soldiers were positioned.
 2500 Canadian women joined medical and field ambulance corps during the war; some served as nurses during the war.  Canadian nurses were called “ Bluebirds.
Practise Exam Questions World War One. Source B is about conditions on the Western Front Source B The trenches stretched from the Swiss Alps to the English.
Des Quinn and Martin Williams Press the ‘Esc’ key at any time to stop the presentation.
Paul Nash During World War I Paul Nash was employed as an official war artist by the Ministry of Information and the Air Ministry. He produced the following.
Dr Johnson’s House Biography and display Morwenna Rae Donald Hyde Curator Dr Johnson’s House.
Artist Nicolas Poussin. Landscape with the Blind Orion Looking for Sun The Metropolitan Museum of Art, New.
Tough Times In The Trench
Somme Battle Plan: You have… Study the Source. What does it suggest happened at the Battle of the Somme? From the RGA 69 th Siege Battery Study the Source.
BRITISH ART AND THE GREAT WAR The Great War promoted the breakthrough of modernism in British literature, but it discouraged avant-garde experimentation.
FROM: l/britpost/posters.htm Great Britain, 1879 by Septimus Edwin b. Scott. This poster is very aggressive.
The Great War and Cultural Memory. Thiepval Memorial to the Missing of the Somme.
HIST 2509 A History of Germany Lecture W3-2 The 1920s.
: The World at War : The World at War.
ENGL 2020 Themes in Literature and Culture: The Grotesque Otto Dix ( ), German Painter.
The Great War and Cultural Memory. Cenotaph The Cenotaph in Whitehall.
Chapter 24, Section 3: Americans in Battle Main Idea: The United States did not enter the First World War until 1917, but its fresh troops and supplies.
Total Casualties 107 Million men mobilized 107 Million men mobilized 13.5 million killed 13.5 million killed 34 million wounded 34 million wounded 11.7.
Changing attitudes Source Analysis Task 5. Task 1.Analyse the three examples of war art on the following pages using the scaffold and the directions in.
Canadians in Battles of WW1 Second Battle of Ypres, April 1915 This was Canada’s first major battle. Soldiers had Ross rifles. Soldiers were positioned.
: The World at War : The World at War.
World War One Central Historical Question: In 1578, an English poet wrote “the rules of fair play do not apply in love and war,” does this idiom justify.
Charles Butler, Blood and Iron, Lucy Kemp Welch, Forward the Guns, 1917.
BY: AMINA TROTTER-LOCKETT
Nash was the son of a successful lawyer, and born in London on 11 May He was educated at St Paul's School and spent a year at the Slade School of.
Cubism (the first style of abstract art)
Chapter 24, Section 3: Americans in Battle Main Idea: The United States did not enter the First World War until 1917, but its fresh troops and supplies.
Mr. Snyder QUESTION OF THE DAY Define nationalism and imperialism. How do you think these concepts relate to World War I?.
“Oppy Wood” – John Nash, 1917 “Paths of Glory” C. R. W. Nevinson, 1917.
Prepare for the following!!!! 1. How are these causes of WWI? 1. How are these causes of WWI? Militarism Militarism Nationalism Nationalism Imperialism.
The Great War and Cultural Memory. Memory of WW1 The origin of ‘modern memory’ Shell-shock, trauma: individual and collective 9 million casualties Britain:
Art History Pt2. JAN DAVIDSZ DE HEEM, 1640 MEINDERT HOBBEMA, 1689.
Portraits and Self-portraits. Self Portrait, 1991 Chuck Close Oil on canvas 100” x 84 “
: Art and World War I : Art and World War I.
John Constable’s self-portrait (1806) John Constable, portrait by the English school (date?)
Daniel Mytens, Charles I (1600–1649), King of England, 1629
Art & World War I                                                                          William Roberts, “The First German Gas Attack at Ypres”, 1918,
Expressionism ( s).
: The Great War.
Alexander Watson Ideas and Identities 12 February 2015
The Great War and Cultural Memory
: The World at War.
Disillusionment As you view the following slides and sources, write down notes that help define or explain the disillusionment resulting from WWI.
How did the First World War transform Europe?
: СВЕТ У РАТУ.
Standard Grade History: International Co-operation and Conflict
Art Between the Wars.
America Joins the Allies
: The World at War A very brief overview.
CUBISM.
Ending the War US Enters the War in April of 1917
-What were the characteristics of British Art during World War I ?
Expressionism What is the best way to express emotion?
1 Gassed John Singer Sargent 1919.
3rd British Battalion, Nigerian Brigade
Snapshot: Battle of the Somme
Painting of World War I.
John McCrae (1872–1918): Doctor–Soldier–Poet
By: Ms. Susan M. Pojer Horace Greeley H. S. Chappaqua, NY
Otto Dix ( ) Otto Dix was a German artist, painter and print maker. He was born in 1891 in Untermhaus, Thuringia.
Presentation transcript:

World War I Part II - Pessimism

1. Otto Dix, Selbstbildnis als Soldat (Self-Portrait as a Soldier), 1914

2. Egon Schiele, Heinrich Wagner, Leutnant i. d. Reserve (Portrait of Reserve Lieutenant Heinrich Wagner), 1917

3. John Nash, Over the Top, oil on canvas, Imperial War Museum, London.

4. C. R. W. Nevinson, Machine-gun, 1915

5. William Roberts, The First German Gas Attack at Ypres, 1918.

6. Otto Dix, Sturmtruppe geht unter Gas vor (Assault under Gas), 1924.

7. Félix Vallotton, Dans l'ombre (In the Shadow), 1916.

8. Fernand Léger, La partie de cartes (Soldiers Playing at Cards), 1917.

9. Otto Dix, Officer’s Game of Cards

10. C. R. W. Nevinson, Returning to the Trenches,

11. John Nash, Oppy Wood, 1917.

12. Paul Nash, The Ypres Salient at Night,

13. C. R. W. Nevinson, A Taube,

14. Eric Kennington, Gassed and Wounded, 1918.

15. Otto Dix, Lichtsignale (The Flare), 1917.

16. Unknown.

17. George Clausen, In The Gun Foundry at Woolwich Arsenal, oil on canvas, Imperial War Museum, London.

18. Otto Dix, The Flappers.