Author: Angelo Farina – – Skype: “Underwater.

Slides:



Advertisements
Similar presentations
S o f t w a r e D e f i n e d R a d i o
Advertisements

| Page Angelo Farina UNIPR / ASK Industries | All Rights Reserved | Confidential Boundary conditions The external surface of the solid model.
| Page Angelo Farina UNIPR | All Rights Reserved | Confidential Digital sound processing Convolution Digital Filters FFT.
Using Pressure and Gradient to Derive Microphone Patterns Audio Days 2011 Paris David Josephson Josephson Engineering, Inc. Santa Cruz, California.
OTM 1000.
3-D Sound and Spatial Audio MUS_TECH 348. Multi-Loudspeaker Reproduction: Surround Sound.
Basic Audio Production
How to record the sound of works of art Robert Hermann Diplom Tonmeister
Adam Diel.  In 1981 IBM PC 150 introduced the first PC Speaker.  Each game had to write support for it (sound cards were impractical during this time)
Audacity Audacity® is free, open source, cross- platform software for recording and editing sounds. Audacity is available.
Time-Frequency Analysis Analyzing sounds as a sequence of frames
Audio Signal Flow By Jodi Kidneigh Week 1 IMPMOOC.
Numerical Simulation Project University of Parma.
EE2F2 - Music Technology 2. Stereo and Multi-track Recording.
1 Department of Electrical and Computer Engineering Advisor: Professor Zink Team Acoustic Beamformer Midway Design Review 11/25/2013.
Seismic Octave Programming for Analog/Digital Converters Michael W. Siekman Electrical and Computer Engineering Senior Capstone Design Project 2007 Advisor:
etec.dk etec.dk electronic technical engineering & construction ultra low noise hydrophone charge amplifiers PD1102 Pinger Detector Amplifier The ultimate.
Image and Sound Editing Raed S. Rasheed Sound What is sound? How is sound recorded? How is sound recorded digitally ? How does audio get digitized.
Computer Basics 1 Computer Basic 1 includes two lessons:
Top Level System Block Diagram BSS Block Diagram Abstract In today's expanding business environment, conference call technology has become an integral.
PDACS Michelle Berger John Curtin Trey Griffin Aaron King Michael Nordfelt Jeffrey Whitted.
1 PC Audio 2 Sound Card  An expansion board that enables a computer to receive, manipulate and output sounds.
Lecture161 Instrumentation Prof. Phillips March 14, 2003.
Digital Voice Communication Link EE 413 – TEAM 2 April 21 st, 2005.
Project Presentation: March 9, 2006
Source localization from B-format signals Angelo Farina, 2011.
Aloha Proof Module Design Cabled Observatory Presentation School of Ocean and Earth Science and Technology February 2006.
PDACS Final Presentation Michelle Berger John Curtin Trey Griffin Aaron King Michael Nordfelt Jeffrey Whitted.
Results The following results are for a specific DUT device called Single Ring Micro Resonator: Figure 6 – PDL against Wavelength Plot Figure 7 – T max.
Audio & Video Representation CS105. Data Representation Types of data: – Numbers – Text – Images – Audio & Video.
Binaural Sound Localization and Filtering By: Dan Hauer Advisor: Dr. Brian D. Huggins 6 December 2005.
Sound Chapter Types of Sound Waveforms MIDI Sound is related to many things in computers but only Wav and MIDI exist in PCs.
Digital Audio Multimedia Systems (Module 1 Lesson 1)
CoachTurner Vontay Graves DIGITAL AND ANALOG AUDIO.
Self-Calibrating Audio Signal Equalization Greg Burns Wade Lindsey Kevin McLanahan Jack Samet.
DIGITAL VOICE NETWORKS ECE 421E Tuesday, October 02, 2012.
The tendency to reduce the cost of CVGs results in metallic resonator. In comparison to quartz resonator CVG, it has much lower Q-factor and, as a result,
Patrick Lazar, Tausif Shaikh, Johanna Thomas, Kaleel Mahmood
CSP Auditory input processing 1 Auditory input processing Lecturer: Smilen Dimitrov Cross-sensorial processing – MED7.
ELECTRICAL CIRCUIT ET 201 Define and explain characteristics of sinusoidal wave, phase relationships and phase shifting.
Portable Control & Measurement Device Supervisor: Boaz Mizrachi (Zoran)‏ Supervisor: Boaz Mizrachi (Zoran)‏
COMP Representing Sound in a ComputerSound Course book - pages
Art 321 Sound, Audio, Acoustics Dr. J. Parker. Sound What we hear as sound is caused by rapid changes in air pressure! It is thought of as a wave, but.
CSC361/661 Digital Media Spring 2002
Audio. Why Audio Essential tool for – Interface – Narrative – Setting & Mood.
Infinity-project.org The Institute for Engineering Education Engineering Education for today’s classroom. 1 Infinity Project Laboratory Setup.
Industrial Engineering Department
Test your projects… ….from your PC!. Today’s Presentation Background Problem Statement Objectives Milestones Technical Approach Future Work Achievements;
Introduction to Audio. What is "Audio"? Audio means "of sound" or "of the reproduction of sound“. Specifically, it refers to the range of frequencies.
Module 8 Review Questions 1.VGA stands for A. Video Graphic Association B. Video Gradient Array C. Video Graphic Array D. Video Graphic Arrangement.
Automated Bridge Scour Inspection FSU/FAMU College of Engineering Team 7 Proposal 10/27/2010.
S. Viola VLVνT 2015, Rome – 14/09/2015 Characterization and testing of the KM3NeT acoustic positioning system F. Simeone VLVνT 2015 – Rome, 14/09/2015.
MULTIMEDIA INPUT / OUTPUT TECHNOLOGIES
Media. Media Compact Disk A Compact Disc (CD) is an optical disc used to store digital data, originally developed for storing digital audio. The CD, introduced.
By Cheyenne Morgan Unit 1- Set up and operate a DAW.
Scott Hanlon Next. Microphones Loudspeakers Amplifiers Mixing Consoles Signal Processors Software References Contents.
TDOA SLaP (Time Difference Of Arrival Sound Localization and Placement) Project Developers: Jordan Bridges, Andrew Corrubia, Mikkel Snyder Advisor: Robert.
Sound and Digital Sound v © Allan C. Milne Abertay University.
Digital Data-Acquisition Systems Since the late 1950s, computers have been used to monitor, and in many cases to control, the performance of large process.
SIDE SCAN HARDWARE CONFIGURATION
Input and Sensor Input: Any signal or information digital or analog that is processed in a system is known as input. Sensor: A sensor is an object whose.
Developing a Sonar Sub-System for a Submarine to Obtain Time Delays between Received Signals Gary Eades Dy Eang Diana Fuertes 12/04/2007 ECE4884 L03 Dr.
C-POD & C-POD-F.
Audio and Acoustic Analyzer
micro-FlashBack-4 4 Channel SD or 1 x HD Miniature DVR
© 2016 Pearson Education, Inc., Hoboken, NJ. All rights reserved.
Data Representation Keywords Sound
Neurochip3.
Speech Transmission Index
Embedded Sound Processing : Implementing the Echo Effect
Presentation transcript:

Author: Angelo Farina – – Skype: “Underwater applications of the Brahma and Citymap technologies for the Interreg project: “ MANagement of anthropogenic NOISE and its impacts on terrestrial and marine habitats in sensitive areas ” University of Parma Industrial Engineering Department

Goals Explanation of the Ambisonics technology, as currently employed in room acoustics Brahma: the first underwater 4-channels digital sound recorder A tetrahedrical hydrophone array for Brahma Sound source localization from Ambisonics (B-format) recordings Noise immission mapping employing a modified version of the CITYMAP computer program

Ambisonics technology Ambisonics was invented in the seventies by Michael Gerzon (UK) It was initially a method for recording a 4- channel stream, which later was played back inside a special loudspeaker rig It is based on the pressure-velocity decomposition of the sound field at a point It makes it possible to capture the complete three-dimensional sound field, and to reproduce it quite faithfully

Ambisonics recording and playback Reproduction occurs over an array of 8-24 loudspeakers, through an Ambisonics decoder

RecordingProcessing Playback Encoding B-Format Decoding Speaker-feeds Ambisonics Technology

The Soundfield microphone This microphone is equipped with 4 subcardioid capsules, placed on the faces of a thetraedron The signal are analogically processed in its own special control box, which derives 4 “B-format” signals These signals are: W : omnidirectional (sound pressure) X,Y,Z : the three figure-of-eight microphones aligned with the ISO cartesian reference system – these signals are the cartesian components of the “particle velocity” vector

Other tetrahedrical microphones Trinnov, DPA, CoreSound, Brahma are other microphone systems which record natively the A-format signals, which later are digitally converted to B-format

The B-format components Physically, W is a signal proportional to the pressure, XYZ are signals proportional to the three Cartesian components of the particle velocity when a sound wave impinges over the microphone from the “negative” direction of the x- axis, the signal on the X output will have polarity reversed with respect to the W signal

A-format to B-format The A-format signals are the “raw” signals coming from the 4 capsules, loated at 4 of the 8 vertexes of a cube, typically at locations FLU-FRD-BLD-BRU

A-format to B-format The A-format signals are converted to the B-format signals by matrixing: W' = FLU+FRD+BLD+BRU X' = FLU+FRD-BLD-BRU Y' = FLU-FRD+BLD-BRU Z' = FLU-FRD-BLD+BRU and then applying proper filtering:

X Y Z W Directional components: velocity Omnidirectional component: pressure Soundfield Microphone Polar Diagram B-FORMAT Recording Encoding ProcessingDecoding and Playback Recording

Encoding Processing 0W 1 X Y Z =0,707 =cos(A)cos(E) =sin(A)cos(E) s(t)= =sin(E) *s(t) Decoding and Playback Encoding (synthetic B-format)

Rotation Tilt Tumble Recording Encoding ProcessingDecoding and Playback Processing

Decoding & Playback Each speaker feed is simply a weighted sum of the 4 B-format signals. The weighting coefficients are computed by the cosines of the angles between the loudspeaker and the three Cartesian axes Recording Encoding ProcessingDecoding and Playback

Software for Ambisonics decoding Audiomulch VST host Gerzonic bPlayer Gerzonic Emigrator

Software for Ambisonics processing Visual Virtual Microphone by David McGriffy (freeware)

Rooms for Ambisonics playback University of Bologna University of Ferrara ASK (UNIPR) – Reggio Emilia

Rooms for Ambisonics playback University of Parma (Casa della Musica)

BRAHMA: 4-channels recorder A Zoom H2 digital sound recorder is modified in India, allowing 4 independent inputs with phantom power supply

BRAHMA: 4-channels recorder The standard microphone system is usually a terahedrical probe equipped with 4 cardioid electrect microphones

Hydrophones for Brahma Brahma provides phantom power (5V) for transducers equipped with integral electronics. Hence the ideal hydrophone is the Acquarian Audio H2A: Aquarian Audio Products A division of AFAB Enterprises 1004 Commercial Ave. #225 Anacortes, WA USA (360)

Underwater probe for Brahma For underwater recordings, a special setup of 4 screw- mounted hydrophones is available:

Underwater case for Brahma Due to the small size (like a cigarette packet) it is easy to insert the Brahma inside a waterproof cylindrical container, sealed with O-rings An external lead-acid battery can be included for continuous operation up to one week (in level-activated recording mode) cable 6V 12 Ah battery

BRAHMA: 4-channels recorder The probe can be mounted on a weighted base, allowing for underwater placement of the recorded, inside a waterproof case. However, the cables are long enough (15m) also for keeping the recorder on the boat

BRAHMA: 4-channels underwater recorder The system is aligned vertically by means of a bubble scope, and horizontally by means of a magnetic compass:

BRAHMA: 4-channels underwater recorder Once placed on the sea bed, the system is usually well accepted (and ignored) by the marine life:

Brahmavolver: the processing software Brahma records A-format signals. They can be converted to standard B-format by means of the Brahmavolver program, running on Linux / Windows / Mac-OSX

BRAHMA: technical specs Sampling rates: 44.1 kHz, 48 kHz, 96 kHz (2 ch. only) Recording format: 1 or 2 stereo WAV files on SD card Bit Resolution: 16 or 24 bits 3 fixed gain settings, with 20 dB steps (traceable) Memory usage: 1.9 Gbytes/h 44.1 kHz, 24 bits, 4 ch.) Recording time: more than 16 hours (with 32 Gb SD card) Power Supply: 6 V DC, 200 mA max Automatic recording when programmable threshold is exceeded The SD card can be read and erased through the USB port

Source localization from B-format signals At every instant, the source position is known in spherical coordinates by analyzing the B-format signal  = azimuth -  = elevation x y z buoy Tetrahedrical hydrophonic probe boat  

Trajectory from multiple recording buoys Employing several buoys, the complete trajectory can be triangulated

The CITYAMP computer program Developed by University of Parma and Italian Ministry for the Environment in 1995 during the EU-funded DISIA project CITYMAP makes it possible to map the sound pressure level in large urban areas, due to noise sources such as roads, railways and industrial plants

Sound sources CITYMAP manages 4 types of sound sources: –Roads –Railways –Wide-area industrial plants –“point sources” CITYMAP contains an comprehensive data- base of noise emission of Italian vehicles (cars, trucks, motorbikes, trains, etc.)

Measurements of noise emission The emission data base is formed on recordings of vehicle pass-bys recorded in octave bands, with 0.5s time resolution, so that the time profile of each pass-by was obtained Time profile of the pass-by of a car - d=7.5 m Integrating this area, the Single Event Level (SEL) is obtained: SEL = Leq + 10log[T]

Data-Base of SEL – road vehicles Averaging over a large number of pass-bys,the typical value of SEL was obtained for 5 categories of vehicles, 8 speeds and 5 types of rolling surfaces: Vehicle Type V1 - cars V2 – small trucks, bus; V3 – heavy trucks, double-decker bus; V4 - TIR; V5 - motorbykes. Velocity ranges C1 - 0<V<25 km/h acceler.; C2 - 25<V<50km/h acceler.; C3 - 0<V<25 km/h deceler.; C4 - 25<V<50 km/h deceler.; C5 - 50<V<70km/h; C6 - 70<V<90km/h; C7 - 90<V<110km/h; C8 - V > 110 km/h. Type of rolling surface: A1 – standard bitume – slope negligible; A2 – standard bitume, slope > +5%; A3 –standard bitume, slope < -5%; A4 - pavé, slope negligible; A5 – sound absorbing road pavement, slope negligible.

Data-Base of SEL – railway vehicles Averaging over a large number of pass-bys,the typical value of SEL was obtained for 3 categories of vehicles, 4 speeds and 2 types of rolling surfaces: Vehicle type V1 – freight train; V2 – passenger (regional); V3 – passenger (intercity); Speed ranges C1 - 0<V<60 km/h C2 - 60<V<90km/h C3 - 90<V<120 km/h C4 - V > 120 km/h. Type of rails A1 – Continuous Welded Rail on concrete sleepers and ballast; A2 – Short rails with open joints on wood sleepers and ballast.

Computation formulas First of all, we get the Leq at 7.5m from axis of the road: Or from the axis of the track (railways):

Propagation at distant receivers The total sound power emitted by each segment of linear source is regrouped at its center: Then the sound level at a distance d is computed as if it was a point source: At each receiver, the contribuition of all segments of roads and railways are energetically summed

Effects of screens CITYMAP computes a simplified screening effect due to obstacles, such as building or noise barriers: Frequency f is assumed equal to 340 Hz B C A  = B + C -A

CITYMAP software architecture CITYMAP reads the geometry from a DXF file, the traffic flow data are inserted, the emission value of each vehicle is read from the data- base, or from a specific SPK file for point sources. Citymap computes the sound pressure level at a number of receivers, which can be located also on a regular grid. The resulting GRD file is later post-processed by Surfer, for creating the map

Geometry definition in AutoCAD Relevant entities are 3DPOLY on layers named as STRADE, BINARI, CASE, BARRIERE

Import of DXF file in Citymap It is possible to select what entities are to be imported, and if they have to be appended

Traffic flow data for roads and railways Clicking on an entity, a new window appears, making it easy to assign traffic data.

Single-point computation It is very fast to compute the sound pressure level in selected points (entity CIRCLE on layer PUNTI)

Computation on a grid of receivers It is also possible to define a regular grid of receivers, for charting SPL maps

Post-processing with Surfer Surfer converts the GRD file created by Citymap in a countor map chart

From Surfer back to AutoCAD Finally the contour map is imported back over the original plan, for showing the noise map

Underwater extension of Citymap If Citymap is to be employed for underwater applications, two main modifications are required: –A new data-base of marine noise sources needs to be compiled –The propagation algorithm must be replaced with a more realistic one, which takes into account the inhomogeneous medium and the multiple reflections between sea surface and sea floor. The first task is accomplished by performing thousands of recording of pass-by recordings with various types of boats, at various speeds, and with different sea state The second task requires a substantial effort for the software developer, who will have to rewrite completely the subroutine which performs the computations

Example of usage of Underwater Citymap Mapping of underwater sound pressure level due to a boat along a trajectory

Times and costs The prototype of the recording buoy has just been finalized and tested! – the cost has been anticipated by UNIPR and AIDA (our spinoff company) The series production of buoys will start at beginning of The estimated cost is 3000 € each, and it is scheduled to build 6 of them The recordings for compiling the source emission database will begin in summer 2010, and will last 6 months, employing 3 buoys and 2 people (12 man-months, €)

Times and costs The recordings for performing surveys in the selected marine sites will also start in summer The total number of buoys will be 6 (3 used also for boat recordings, 3 only for site surveys), and a lot of work will be required fopr deploying and recvering the buoys. The estimate cost for the surveys is € The modification of the Citymap program will tale one year for one programmer (cost €) The analysis of the survey recordings and the elaboration of noise maps is also to be defined, depending on the amount of data to be processed and on the extension of the areas to be mapped. It is actually estimated at €

Internet resources All the papers previously published by Angelo Farina can be downloaded from his personal web site: The CITYMAP program can be downloaded from: Its use is free for academic research in public institutions (password issued on request)