Frequency Modulation related to musical vibratorelated to musical vibrato Vibrato - Periodic variation of frequencyVibrato - Periodic variation of frequency.

Slides:



Advertisements
Similar presentations
Analog Communications
Advertisements

Bandwidth part 1 What does it mean? Different things to different people.
Basic Tools for Understanding Synthesis. Synthesizer A musical instrument that produces waveforms, typically in the audio range of about 20 to 20,000.
Principles of Electronic Communication Systems
Simple FM Instruments John Chowning's FM Designs as shown in Dodge, Computer MusicJohn Chowning's FM Designs as shown in Dodge, Computer Music brass-like.
Frequency modulation and circuits
What makes a musical sound? Pitch n Hz * 2 = n + an octave n Hz * ( …) = n + a semitone The 12-note equal-tempered chromatic scale is customary,
Signals The main function of the physical layer is moving information in the form of electromagnetic signals across a transmission media. Information can.
Comb Filters Good model for exponentially decaying echoesGood model for exponentially decaying echoes impulse input: output: (scaling factor =.9)
EE2F2 - Music Technology 9. Additive Synthesis & Digital Techniques.
ANGLE MODULATION CHAPTER 3 Review on Part 1 Part 2
Chapter 7 Principles of Analog Synthesis and Voltage Control Contents Understanding Musical Sound Electronic Sound Generation Voltage Control Fundamentals.
Storey: Electrical & Electronic Systems © Pearson Education Limited 2004 OHT 5.1 Signals and Data Transmission  Introduction  Analogue Signals  Digital.
Additive Synthesis Any periodic waveform can be expressed as the sum of one or more sine wavesAny periodic waveform can be expressed as the sum of one.
Spectra of FM FM spectra contains the carrier frequency plus sideband components whose amplitudes depend on the Bessel functions (of the first kind).FM.
Principles of analogue modulation
Building the Csound Orchestra: FM Soprano Design a beautiful vibratoDesign a beautiful vibrato Make the vibrato different on every noteMake the vibrato.
PH 105 Dr. Cecilia Vogel Lecture 12. OUTLINE  Timbre review  Spectrum  Fourier Synthesis  harmonics and periodicity  Fourier Analysis  Timbre and.
Angle Modulation.
COMMUNICATION SYSTEM EECB353 Chapter 3(II) ANGLE MODULATION
M -m Signal Phasor: Noise Phasor: s(t)s(t) Phase Deviation due to noise:  n (t) Noise Performance for Phase Modulation For sinusoidal modulation, let.
Modulation of Waves (FM Radio, AM Radio and Television)
"All of RF is Truly FM" SIGA2800 Basic SIGINT Technology
ANGLE MODULATION 1. Introduction 2 Another class of modulation methods are frequency and phase modulation which referred to as angle- modulation methods.
Communications IB physics.
Translations 4.2 JMerrill, 2009 Sine Waves Recorded sounds, that are periodic, are some kind of sine wave. Most of these sine waves are not of the “parent.
Radio Communication SL – Option F.1. Radio communication includes any form of communication that uses radio (EM) waves to transfer information –TV, mobile.
COMMUNICATION SYSTEM COMMUNICATION :
Synthesis advanced techniques. Other modules Synthesis would be fairly dull if we were limited to mixing together and filtering a few standard waveforms.
Modulation. Definition One signal (carrier) varies according to the changes in another signal (modulator) Either amplitude modulation (AM) or frequency.
Copyright © 2011 by Denny Lin1 Simple Synthesizer Part 1 Based on Floss Manuals (Pure Data) “Building a Simple Synthesizer” By Derek Holzer Slides by Denny.
Frequency Modulation. Listening Example Keith Kothman In Time (1986) for clarinet and tape.
Chapter 5: Electronic Music and Synthesizers Who uses electronic musical synthesizers? Each advance in electronic technology is followed by a concomitant.
ELECTRONIC COMMUNICATIONS A SYSTEMS APPROACH CHAPTER Copyright © 2014 by Pearson Education, Inc. All Rights Reserved Electronic Communications: A Systems.
© 2008 The McGraw-Hill Companies 1 Principles of Electronic Communication Systems Third Edition Louis E. Frenzel, Jr.
1 Composite Signals and Fourier Series To approximate a square wave with frequency f and amplitude A, the terms of the series are as follows: Frequencies:
EET260 Frequency Modulation. Modulation A sine wave carrier can be modulated by varying its amplitude, frequency, or phase shift. In AM, the amplitude.
CHAPTER 4 COMPLEX STIMULI. Types of Sounds So far we’ve talked a lot about sine waves =periodic =energy at one frequency But, not all sounds are like.
Lecture 2: AM Transmission
Part 1 Principles of Frequency Modulation (FM)
TRANSMITTER FUNDAMENTALS P-117. Audio Frequency Definition Acoustic, mechanical, or electrical frequencies corresponding to normally audible sound waves.
4-3-3 Frequency Modulation.. Learning Objectives:At the end of this topic you will be able to; sketch, recognise and analyse the resulting waveforms for.
AM, FM, PM.
Principles of Electronic Communication Systems. Chapter 5 Fundamentals of Frequency Modulation.
Chapter 6 Tutorial 6.
UNIT – II ANGLE MODULATION (Part -1/2) Prepared by:
Analog Communications
CHAPTER 3 Frequency Modulation
Modulation of Digital Data
Principles of Electronic Communication Systems
Overview Communication is the transfer of information from one place to another. This should be done - as efficiently as possible - with as much fidelity/reliability.
CS 591 S1 – Computational Audio -- Spring, 2017
FREQUENCY MODULATION “The process of changing the frequency of a carrier wave in accordance with the AF signal.” The Chapter includes: Wave Forms Theory.
Pitch.
Frequency Modulation 2.
Analog Transmission.
FREQUENCY MODULATION “The process of changing the frequency of a carrier wave in accordance with the AF signal.” The Chapter includes: Wave Forms Theory.
Analog Communications
Signals Prof. Choong Seon HONG.
Introduction to Csound 5.
Wavetable Synthesis.
Signal Processing First
All-Pass Filters.
Sound Sound is a type of energy made by vibrations. When any object vibrates, it causes movement in the air particles. These particles bump into the particles.
Frequency Modulation.
Uses of filters To remove unwanted components in a signal
Mr. Haneef Khan Department of Computer Networks College of CS&IS
Musical Notes and Sine Waves
FREQUENCY MODULATION “The process of changing the frequency of a carrier wave in accordance with the AF signal.” The Chapter includes: Wave Forms Theory.
Introduction to Csound 2.
Presentation transcript:

Frequency Modulation related to musical vibratorelated to musical vibrato Vibrato - Periodic variation of frequencyVibrato - Periodic variation of frequency A simple signal:A simple signal: sample(time) = sin(2 freq(time)time) with vibratowith vibrato freq(time) = freq 1 + vib wid sin(2 vib rate time) vib wid = vibrato widthvib wid = vibrato width amount of vibratoamount of vibrato vib rate = vibrato ratevib rate = vibrato rate frequency of vibratofrequency of vibrato

VibratoVibrato Typical vibrato values:Typical vibrato values: vib rate = 5 Hertzvib rate = 5 Hertz normal range:normal range: 1-6 Hertz, with slight acceleration during tone vib widvib wid minimum: 0 (none)minimum: 0 (none) usual maximum for instruments:usual maximum for instruments:.01*freq 1 (1%) usual maximum for voices:usual maximum for voices:.05*freq 1 (5%) maximum for special effects:maximum for special effects: SR/2 - highest frequency in signal

[iii:1] Tenor Voice Vibrato Tenor voice has 5 Hertz vibrato rate and vibrato width of 4.5%Tenor voice has 5 Hertz vibrato rate and vibrato width of 4.5%

Vibrato in Csound [iii:2] synthesized tenor without vibrato[iii:2] synthesized tenor without vibrato [iii:3] synthesized tenor with vibrato[iii:3] synthesized tenor with vibrato [iii:1] the real tenor[iii:1] the real tenor

Vibrato in Csound orchestra:orchestra: aviboscili ivibwidth, ivibrate, 1; modulator asigoscili iamp, ifreq+avib, 2; carrier out asig; output score:score: f ; for modulator f whatever …; for carrier

[iii:4] Vibrato Rate vib rate = > 10 Hertz (over 10 seconds)vib rate = > 10 Hertz (over 10 seconds) vib wid =.01 * freq 1 (1%)vib wid =.01 * freq 1 (1%) slow vibrato fast vibrato

Vibrato Rate orchestra:orchestra: ;fmbasic.orc - use with fmbasic.sco instr 1 ; increase vibrato rate idur= p3 ; (10) iamp= p4 ifreq= p5 ivibwidth=.01*ifreq iwave1= 1 kvibratelinseg 0, idur, 10 aenvlinseg 0,.1, 1, idur-.3, 1,.2, 0 aviboscili ivibwidth, kvibrate, iwave1 asigoscili iamp, ifreq+avib, iwave1 out asig * aenv endin

Vibrato Rate score:score: ; fmbasic.sco – use with fmbasic.orc f ; sine ; start dur amp freq i ; Middle C

[iii:5] Vibrato Amount vib rate = 5 Hertzvib rate = 5 Hertz vib wid = >.05 * freq 1 (0-5% over 0:10)vib wid = >.05 * freq 1 (0-5% over 0:10) small vibrato large vibrato

Vibrato Amount orchestra:orchestra: ;fmbasic.orc - use with fmbasic.sco instr 2 ; increase vibrato width idur= p3 ; (10) iamp= p4 ifreq= p5 ivibrate= 5 iwave1= 1 kvibwidthlinseg 0, idur,.05 * ifreq aenvlinseg 0,.1, 1, idur-.3, 1,.2, 0 aviboscili kvibwidth, ivibrate, iwave1 asigoscili iamp, ifreq+avib, iwave1 out asig * aenv endin

Vibrato -----> FM A sine wave with vibrato becomes a full spectrum when vib rate is in the audio range (above 20 Hz), especially as vib rate approaches freq 1.A sine wave with vibrato becomes a full spectrum when vib rate is in the audio range (above 20 Hz), especially as vib rate approaches freq 1. Since it is no longer vibrato, we use the term modulation frequency instead of vibrato rate.Since it is no longer vibrato, we use the term modulation frequency instead of vibrato rate. When vib rate is above 20 Hz:When vib rate is above 20 Hz: freq mod = vib rate

Vibrato -----> FM With FM, we may not get the frequency out that we put in.With FM, we may not get the frequency out that we put in. We call the base frequency of the outer sine wave the carrier frequency freq car :We call the base frequency of the outer sine wave the carrier frequency freq car : sample(time) = sin(2 freq(time)time) with: freq(time) = freq car + vib wid sin(2 freq mod time)

Vibrato -----> FM FM uses a modulation index as well as the vibrato width to describe the amount of modulation. The relationship between them is:FM uses a modulation index as well as the vibrato width to describe the amount of modulation. The relationship between them is: vib wid = Index * freq mod or: Index = vib wid / freq mod Typical values for modulation index:Typical values for modulation index: 0 <= Index <= 10

[iii:6] Vibrato -----> FM freq mod = 1 ---> 6 Hz ---> Hz (= vib rate )freq mod = 1 ---> 6 Hz ---> Hz (= vib rate ) (vib) (FM) (vib) (FM) Index =.02Index =.02 (vib wid =.02 * freq mod )(vib wid =.02 * freq mod ) When the frequency of the modulator reaches 6 Hertz (at 5 seconds), the effect changes from vibrato to FM.When the frequency of the modulator reaches 6 Hertz (at 5 seconds), the effect changes from vibrato to FM.

Vibrato -----> FM The amplitude of the first harmonic remains the same...The amplitude of the first harmonic remains the same... Harmonic 1 Amplitude

Vibrato -----> FM … but the amplitudes of the other harmonics change.… but the amplitudes of the other harmonics change. Amplitudes of the Other Harmonics

Vibrato -----> FM The frequency changes of all the harmonics get much faster during FM.The frequency changes of all the harmonics get much faster during FM. Harmonic 1 Frequency

Vibrato -----> FM The frequency changes of all the harmonics get much faster during FM.The frequency changes of all the harmonics get much faster during FM. Harmonic 2 Frequency

Vibrato -----> FM orchestra:orchestra: ;fmbasic.orc - use with fmbasic.sco instr 3; vibrato --> fm idur= p3; (10) iamp= p4 ifreq= p5 ivibwidth=.02 * ifreq; (~5.2 Hertz) iwave1= 1 kvibratelinseg 1, idur *.5, 6, idur *.5, ifreq aenvlinseg 0,.1, 1, idur-.3, 1,.2, 0 amodoscili ivibwidth, kvibrate, iwave1 acaroscili iamp, ifreq+amod, iwave1 out acar * aenv endin

Modulation Index Index = 0 (no modulation)Index = 0 (no modulation) Index = (vibrato range)Index = (vibrato range) As modulation index increases, the spectrum bandwidth increases (and gets brighter).As modulation index increases, the spectrum bandwidth increases (and gets brighter).

[iii:7] Modulation Index freq mod = Hertzfreq mod = Hertz index = > 20 (over 0:10)index = > 20 (over 0:10) Harmonic Amplitude vs. Time Bessel Function, orders 0 - 3

Modulation Index freq mod = Hertzfreq mod = Hertz index = > 20 (over 10 seconds)index = > 20 (over 10 seconds) Frequency vs. Time

Modulation Index orchestra:orchestra: ;fmbasic.orc - use with fmbasic.sco instr 4; vibrato --> fm idur= p3; (10) iamp= p4 ifreq= p5 imodfr= ifreq icarfr= ifreq iwave1= 1 kindexlinseg 0, idur, 20 aenvlinseg 0,.1, 1, idur-.3, 1,.2, 0 amodoscili kindex*imodfr, imodfr, iwave1 acaroscili iamp, icarfreq+amod, iwave1 out acar * aenv endin

Frequency Modulation Block Diagram

Add Noise Random Noise VariationRandom Noise Variation anoiserandi.3, 15, giseed giseed=frac(giseed* ) anoise=anoise + 1 avratelinseg1, idur, 10 avrate=avrate * anoise avibwid=ivibwid * anoise Try different combinations of the parameters to find one that really suits your soundTry different combinations of the parameters to find one that really suits your sound