Unlocking Potential presented by Lauren Avery & Hilary Burns Visual Model for 1:1 What’s the alternative?

Slides:



Advertisements
Similar presentations
Knowledge & Innovation in Education: A 3D Virtual Experience on Second Life Noor Faridah KM Conference Sept 2010.
Advertisements

A Masters in Education in eLearning The University of Hull.
Dr Di Drummond Leeds Trinity University College. All Single Honours History students took Dissertation at level 3. (Now choice between this and Research.
Design, prototyping and construction
Academic assessment of work placement – made easy?
Exams and Revision Some hints and tips.
Graphics AS and A2 Who is the course for? This is a chance to extend your skills and to learn more about Graphic Designers, along with improving and developing.
BMAF Conference 2009 Writing from Experience Helen Pokorny London Metropolitan University
The 3rd International Conference on Professional Doctorates
Using ‘real’ tasks and real organisations to improve student learning and motivation Miguel Moital, PhD Senior Lecturer in Events.
Academic Writing Support in Geography Kirsty Williams 17 th June 2009.
Improving Students’ understanding of Feedback
Academic Leadership Workshop # 1: Looking at Canada over the last decade – Challenges & Successes How might this apply to Central’s context? Mark A. Miller.
1. 2 Beliefs people hold about their most basic qualities and abilities.
The Idea Factory An exercise to engage undergraduate students in self-directed learning David Stuart Department of Biochemistry.
Discussion examples Andrea Zhok.
Specialist support for dyslexic students in HE. Dyslexia 1:1 Specialist Support How the dyslexic profile affects acquisition of knowledge The difference.
Media Studies Evaluation for OCR coursework. Media Studies This is worth up to 20 marks.
Action Research: For Both Teacher and Student
Title Inclusive Skills Competitions. This workshop explores the idea of skills competitions for young people with learning difficulties or disabilities,
INTERACTIVE ASSESSMENT For Students Challenged by Special Needs &/or Various Disabilities Presented by Teresa Plaggemeyer March 8 th, 2015 Instructional.
1. Roles, responsibilities and relationships in lifelong learning 2. Understanding inclusive learning and teaching in lifelong learning 3. Using inclusive.
Why am I talking to you today? Preparing year 8 students assessments in English, Science and Maths Because we as a Year 8 team CARE about you Message from.
Personal and Professional Development - Term 2 Goals for session Further re-enforce your understanding of: –Personal Development Planning Process –Personal.
Chapter 8: Developing, Willing, and Able Writers Kristine Stout.
Effective Meetings Meetings are one of the major forms of communication for projects and in the general business environment These can be positive and.
Professor Norah Jones and Alice Lau Putting Assessment at the Heart of Learning – The Story at The University of Glamorgan.
Partners for Success: A Model for Tutoring Programs.
Welcome to the Breakout Session for Fine Arts: Enthusiasm, Mindset, and Self Directed Learning in the Arts Alex Graham –Canyon High School ( Film, Multimedia,
Practitioner partnership model delivers transformative student learning experience Chris Cutforth Senior Lecturer, Sport.
OUR INTERNATIONAL HYMN na_all.wav.
Overview Prototyping and construction Conceptual design
'Learner Autonomy through the production of a public history resource' Emma Robertson.
Cat 5 -- Creative Arts Training, 6 March IS Projects Competition Prelims Monday, 6 April 2015.
NSF GRFP Workshop Sept 16, 2016 Dr. Julia Fulghum
1 st Quarter Self- Reflection English I. The Grade Profile The purpose of a grade profile is to give students the opportunity to take responsibility for.
Personal and Professional Development - Term 2
Art Department Outline. The Department of Art at ISAS offers art training that emphasizes experimentation and encourages students to draw from many disciplines.
Research Proposal The Alignment between Design, Implementation and Affordances, in Blended and Distance Learning.
Exploring Reflective Statements: what mid-career professionals choose to reveal about their learning and its effects Eileen Carnell and Anne Gold Institute.
March E-Learning or E-Teaching? What’s the Difference in Practice? Linda Price and Adrian Kirkwood Programme on Learner Use of Media The Open University.
Άννα Κ. Ζαρκάδα Διαφήμιση & Προώθηση Πωλήσεων ΜΠΣ στη Διοίκηση Υπηρεσιών Αξιολόγηση : Reflective journals.
Small Group Work as Teaching Strategy By P. Anand Ganesh Resource person & PGT ( CS) K V 2 Golconda, Hyderabad.
Teacher and student experiences of collaborative writing at Masters Level Emily Beaumont and Ken Gale.
Evaluating Engagement Judging the outcome above the noise of squeaky wheels Heather Shaw, Department of Sustainability & Environment Jessica Dart, Clear.
Design, prototyping and construction(Chapter 11).
THE FINAL MAJOR PROJECT. ASSESSMENT CRITERIA 1. Understand the requirements of an art and design project 1.1 Analyse the requirements and parameters of.
The Year of the Curriculum: Life Without Levels The programme consists of a bridging unit and five further units: © Curriculum Foundation1 Bridging Unit.
MA Digital Documentary Portfolio Review Stage 2. Student Profile: who are our students? Standard offer: 2.1 equivalent plus applicants without this level.
The Quality Assurance Agency for Higher Education ‘Tutoring for the 21 st Century’ 28 January 2015 Harriet Barnes Natalja Sokorevica Standards, Quality.
BSc Honours Project Introduction CSY4010 Amir Minai Module Leader.
LEADERSHIP SKILLS FOR THE 21 ST CENTURY. PRESENTATION OVERVIEW 10 Critical questions Discovering the leader in you Characteristics of a 21 st Century.
Drama 2.5 Perform a substantial acting, technical or production role V2 Credits5.
Affording effective transition to Higher Education John Knight and Rebecca Rochon Learning Development Unit Bucks New University.
Developing Your Study Skills Alan Glasper and Colin Rees How to Write Your Nursing Dissertation, First Edition. Alan Glasper and Colin Rees. © 2013 John.
INSTRUCTORS Please review the slides below and update the given examples with information relevant to your state and/or institution: 9 Achievable, Relevant,
Supporting Foreign Language Learners with Dyslexia
Statement of Teaching Philosophy and Practice
Get Ahead in your first year
The structure of the dissertation
Revising Relief (Printmaking)
Advanced Higher Modern Languages
Reflective writing The Early Years Teacher Programme: Reflective Practice Reflective Writing for the PG Certificate.
Knowledge & Innovation in Education: A 3D Virtual Experience on Second Life Noor Faridah KM Conference Sept 2010.
Facilitation guide for Building Team EQ skills.
THE FINAL MAJOR PROJECT
Welcome to the School of Education
Dr Revati(Rae) Subramaniam Kent Institute Australia
Teaching future ready graduates
Embedding employability in programmes and qualifications
Presentation transcript:

Unlocking Potential presented by Lauren Avery & Hilary Burns Visual Model for 1:1 What’s the alternative?

"Everybody is a genius. But if you judge a fish by its ability to climb a tree, it will live its whole life believing that it is stupid." Albert Einstein

1.Who are we? 2.What brought us here? 3.What are we here to do?

Workshop Proposal Workshop begins with a 20 minute film of a student’s (and Specialist Tutor's) voyage through his undergraduate degree and the development of an alternative learning methodology to support a strong visual spatial ability… …a student who learns holistically, processing primarily in pictures then words; not linear, sequential. Participants will be invited to discuss the pros and cons of this approach and consider the viability of film as a form of alternative assessment?”

“The results obtained indicate that Chris has a severe specific learning difficulty (dyslexia) associated with reading, spelling, speed of working and the organisation of written work.” Assessment Profile

Lauren’s Methodology p.1 1st year: turning his written brief into a visual one, also visual mind maps for his lecture notes and log book. 2nd year: Research sessions – Chris would make initial mind maps on A1 then edit and structure into storyboards on A2. These research sessions were filmed which enabled Chris to edit from his reflections. We learnt from the 2nd year that reading back written words on his storyboards blocked him.

Lauren’s Methodology p.2 3rd year: The A2 storyboards were reduced to a series of A4 chapters in a coherent structure for 'reading'. Chris now drew symbols which served as his memory prompts for recalling and applying theory. Chris was filmed 'reading' his chapters over one day at a time in order not to overload him.

Chris 'reading' his storyboard

Confronting Challenges Please consider the following as you watch – implications for your own practice implications for inclusive practice implications for your institution FILM Post-film In groups, please discuss the challenges that you think might arise within your practice.

Confronting Challenges in the following areas? Assessor 1:1 Tutor Institution Student

“I really think that this film should be made available to a wide audience. I know that there would be a lot of interest. The technique that is used will be innovative for many, whilst at the same time being relatively simple. I am sure that there are other students who would benefit from this approach.” Dr. Caroline Davies, Consultant, IMPACT Associates Reflections on A Visual Dissertation

“The way that the film shows Chris' potential being unlocked is compelling. It also shows very graphically that someone who could have been regarded as a 'hopeless case' and not suitable for an HE course, could be transformed and could achieve his dream.” Dr. Caroline Davies, IMPACT Associates. Reflections on A Visual Dissertation

“Chris developed a confidence that was completely lacking at the start of his university study. He informs me that he continues to use this storyboard method to work out ideas, plan projects and in preparation to communicate with others about his artworks and exhibitions. It was wonderful to watch him grow from feeling unable and unhappy within his academic practice to a motivated, confident and creative student, who has gone on to be a very successful artist.” Lauren Avery (2012)

Reflections on A Visual Dissertation “In principle, we found that the assessment criteria were quite easy to move from one medium to another.” “The discussion of the quotations, and the use that's made of them in relation to the research question, is extremely important... there really isn't any reason why this can't be assessed in a visual documentary…. the more convinced I become that a well-made filmed documentary is a near-perfect equivalent of a written dissertation. ” Dr. Angeline Morrison, OU.

Reflections on A Visual Dissertation “It's particularly easy to pack as much detail, thorough research, convincing argument and good examples into a filmed documentary dissertation as it is to do so with a written dissertation.” Dr. Angeline Morrison, OU.

Host Institutional response MA TV production reframed their long project to include an appropriate multi-media application to the final project (so not standard dissertation). BA Film use blogs and critical incident reviews to engage with research and critical reflection. Caroline Cash, Course Leader, PGCHE, University College Falmouth (2012)

Elsewhere… “A number of people have seen your film and the general consensus is ‘blimey’. The transformation in the student is obviously radical and worthy of enormous praise to yourself and the flexible systems at Falmouth that allowed such progress to be made.” Jim Campbell Senior Lecturer The Arts Institute at Bournemouth.

SPACE Project… The research by Plymouth University on assessment.