Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 12 February 20, 2002.

Slides:



Advertisements
Similar presentations
Copyright Duration and Ownership Victor H. Bouganim WCL, American University.
Advertisements

COPYRIGHT LAW SPRING 2002 CLASS 17 March 22, 2002.
Tuesday, January 21, 2014 Review Copyright Basics and Fair Use (for test) Share “Case Research”
Chapter 18 – The Judicial Branch
Copyright Law: Fall 2006 Professor Susanna Fischer CLASS of October 11, 2006 OWNERSHIP: WORKS FOR HIRE, JOINT WORKS.
Copyright Law Boston College Law School January 30, 2003 Initial Ownership.
Useful Articles, Works for Hire
Joint Works, Collective Works, and Duration Intro to IP – Prof Merges
Unit Eight The Judicial Branch.
Intellectual Property Boston College Law School January 18, 2008 Copyright – Ownership, Duration.
Ownership of Intellectual Property: Textbooks and Inventions Frank Lancaster UT Office of the General Counsel Presented at The University of Tennessee.
Agents and Employees OBE 118 Fall 2004 Professor McKinsey The first step in understanding employment law is understanding what an agent is. Agency law.
UNITED STATES COPYRIGHT OFFICE Copyright Registration for Musical Compositions.
Test Review Chapter 27. Difference between EmployeeContractor Someone who agrees to be supervised for pay Works under YOU, therefore represents the business.
Constitutional Law Part 4: The Federal Judicial Power Lecture 1: Interpretive Limits.
April 7, 2011 Copyright Law. Copyright Infringement?
What is copyright? the exclusive legal right, given to an originator or an assignee to print, publish, perform, film, or record literary, artistic, or.
The Federal Court System
Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 10 February 10, 2003.
Agency Law. “If you want something done right, do it yourself.” “Many hands make light work.” Anonymous folk sayings.
COPYRIGHT LAW 2003 CLASS 15 Mar. 10, 2003 Welcome Back From Spring Break!
Copyright: Protecting Your Rights at Home and Abroad Michael S. Shapiro Attorney-Advisor United States Patent and Trademark Office.
COPYRIGHT LAW FALL 2006 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA OCTOBER 10, 2006.
COPYRIGHT LAW 2006 Columbus School of Law The Catholic University of America Prof. Fischer April 18, 2006.
Introduction to Intellectual Property: Fall 2003 Professor Susanna Fischer CLASS of OCT OWNERSHIP, DURATION.
AGENCY The Agency Relationship. Creation of Agency An Agreement of two parties that on party (the agent) will act for the benefit of the other (the principal)
LEE BURGUNDER LEGAL ASPECTS of MANAGING TECHNOLOGY Third Ed. LEGAL ASPECTS of MANAGING TECHNOLOGY Third Ed.
Intellectual Property Who owns it?. Copyright Laws US Constitution under Article 1, Section 8, “The Congress shall have Power…To promote the Progress.
Webster vs Reproductive Health Services
Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 11 February 18, 2002.
Intellectual Property Laws and Fair Use Guidelines for Educational Multimedia.
Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 13 February 25, 2002.
Presentation Pro © 2001 by Prentice Hall, Inc. Magruder’s American Government The Federal Court System.
The Quest for Copyright Understanding Miguel Guhlin
Copyright Law: Spring 2004 Professor Susanna Fischer CLASS of March 8, 2004.
COPYRIGHT LAW 2006 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA FEBRUARY 16, 2006.
Copyright Law: Spring 2003 Professor Susanna Fischer CLASS 11 February 12, 2003.
Intellectual Property: Introduction to Copyright Peter B. Hirtle Intellectual Property Officer Cornell University Library
COPYRIGHT LAW 2004 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA FEBRUARY 23, 2004.
COPYRIGHT LAW 2001 Columbus School of Law The Catholic University of America Prof. Fischer Class 19 (MARCH 26, 2002)
Copyright Law Ronald W. Staudt Class 12 March 2, 2009.
Copyright Law: Fall 2008 Professor Susanna Fischer CLASS of October 22, 2008 Copyright Renewal, Termination.
Copyright Law: Spring 2003 Professor Susanna Fischer CLASS 12 February 19, 2003.
1.The Nature, Impact, and Issue of Information Technology 1.5Basic Legal Framework relating to the Use of IT.
Copyright Law A Guide for Educators. Jolene Hartnett, RDH, BS Seattle Central College © 2015 Certain materials in this program are included under the.
COPYRIGHT LAW 2006 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA FEBRUARY 14, 2006.
AGENCY. Definition of Agency A fiduciary relationship. –Trust and confidence Mutual agreement of two persons –that one person (agent) will act on the.
Copyright Law: Fall 2008 Professor Susanna Fischer CLASS of October 8, 2008 – Joint Works.
COPYRIGHT FALL 2008 Formalities I. REVIEW OF TERMINATION Siegel v. Warner Bros. Entertainment, Inc. (C.D. Cal. 2008)
Copyright Law: Spring 2003 Professor Susanna Fischer CLASS 14 Feb. 27, 2003.
INTRODUCTION TO INTELLECTUAL PROPERTY LAW Copyright Ownership Monday October
COPYRIGHT LAW : FALL 2006 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA October 4, 2006.
2012 ADVANCED TRADEMARK LAW SEMINAR March 14, 2012 ACC Quick Hit Joseph Petersen Partner Kilpatrick Townsend.
Copyright Law: Spring 2006 Professor Susanna Fischer CLASS of Feb. 21, 2006.
Intellectual Property & the Constitution Class 25 Notes Law 507 | Intellectual Property | Spring 2004 Professor Wagner.
COPYRIGHT LAW 2003 Columbus School of Law The Catholic University of America Prof. Fischer March 19, 2003.
UNIT 4: SECTION 1 JUDICIAL BRANCH: ROLES, RESPONSIBILITIES, AND POWERS Essential Questions: How are Supreme Court justices appointed and confirmed by the.
COPYRIGHT LAW 2008 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA OCT
Copyright Law: Spring 2006 Professor Susanna Fischer CLASS of March 16, 2006.
COPYRIGHT LAW 2003 Columbus School of Law The Catholic University of America Prof. Fischer Class 13 (FEB. 24, 2003)
The National Judiciary 18.1 Laws are a dead letter without courts to expound and define their true meaning and operation.
Employment Law OBE 118 Fall 2004 Professor McKinsey.
Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 16 March 13, 2002.
COPYRIGHT LAW FALL 2006 Columbus School of Law The Catholic University of America Prof. Fischer November 15, 2006.
Bell Ringer – if you were not here last class, don’t ask me questions…. RQ #7 – STUDY!
Administrative Agencies
Eldred v. Ashcroft.
Relief Veterinarians: Employees or Independent Contractors
Public Domain.
Copyright Law and Fair Use
Presentation transcript:

Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 12 February 20, 2002

ANNOUNCEMENT U.S. Supreme Court yesterday granted certiorari to review Eldred v. Ashcroft, case brought by HTML book publisher Eric Eldred challenging retrospective term extensions in Sonny Bono Copyright Term Extension Act of Case argued in D.C. Circuit Court of Appeals by Stanford Law Professor Lawrence Lessig

GOALS FOR CLASS To finish up doctrine of works made for hire To learn about another authorship doctrine, joint works

WRAP UP POINTS: GOVERNMENT WORKS Under section 105, “works of the United States Government”, as defined in s. 101, are not copyrightable U.S. Government employees copyright works made outside of their government duties Copyright Act does not prohibit copyright for works made under Government contract or grant, but House Report notes that there may be cases where copyright should be denied as not in the public interest.

WRAP UP POINTS: COPYRIGHT IN OBSCENE WORKS There is no defense of “obscenity” or “unclean hands obscenity” to copyright infringement suits (Mitchell Bros.) However, in Devil’s Films, a district court in a different circuit found that it had equitable discretion to refuse a TRO application to seize obscene films in a copyright infringement action.

WRAP UP POINT: OBSCENITY According to Mitchell Bros, it is not constitutionally necessary that each work sought to be copyrighted promotes the progress of knowledge Thus, the Copyright Office does not have to make an obscenity determination before registration of a work PTO can refuse to register immoral or scandalous trademarks (though rarely does so in practice)

WRAP UP POINTS: AUTHORSHIP 3 philosophical concepts of authorship: A. Conception of the work B. Execution of the Work C. Financing the Work The Lindsay and Andrien decisions reflect the predominant view preferring A over B. However, according to the work made for hire doctrine, C may also be a crucial determinant of authorship

WRAP UP POINTS: WORKS MADE FOR HIRE A “work made for hire” is defined in section 101 works prepared by employees AND within the scope of employment (and also 201(b) requirement that work be prepared FOR employer) specially ordered or commissioned works - must be within certain categories and there must be a written work made for hire agreement.

CONSTITUTIONALITY OF WORK MADE FOR HIRE DOCTRINE ? To think about: is the work made for hire doctrine constitutional? Can providing money to create a work amount to “authorship”?

CCNV v. Reid What are the relevant facts of this dispute, and what issue did the U.S. Supreme Court have to rule on?

CCNV v. Reid: Who is an “employee”? According to the U.S. Supreme Court, is the work a work for hire under either part of the definition in section 101 of the 1976 Copyright Act? What is the Court’s reasoning? What is the correct test for determining when a work was prepared by an employee?

CCNV v. Reid 4 possible tests for when a work is prepared by employee in scope of employment 1. RIGHT TO CONTROL test 2. ACTUAL CONTROL test 3. AGENCY LAW test 4. FORMAL SALARIED EMPLOYEE test Supreme Court uses statutory interpretation, legislative history, and policy argument based on need for certainty to conclude that (3) applies.

AGENCY TEST Must consider “the hiring party’s right to control the manner and means by which the product is accomplished” look at nonexhaustive list of factors to determine this (see CB p. 272) Applying these factors, was Reid an employee?

REID IS AN INDEPENDENT CONTRACTOR True, some control by CCNV in providing specifications for sculpture But weighing against that: skilled occupation, provision of own tools, work in own premises, no daily supervision of work by CCNV, absolute freedom to decide when and how long to work, payment for specific job, total discretion in hiring and paying assistants, CCNV not in the sculpture business, CCNV did not pay payroll or social security taxes or pay other employee benefits

WHO IS THE COPYRIGHT OWNER OF THE SCULPTURE? If it is not a work for hire, doesn’t Reid own copyright in the sculpture?

WHO IS THE COPYRIGHT OWNER OF THE SCULPTURE? If it is not a work for hire, doesn’t Reid own copyright in the sculpture? Supreme Court says CCNV may be a joint author. Remands for determination of this issue. Submitted to mediation.

CONSENT JUDGMENT in CCNV (Jan. 7, 1991) Consent judgment: CCNV sole owner of original physical sculpture while Reid is sole author of the work. Reid has exclusive right to make 3-D reproductions of sculpture (without base/inscription), while both Reid and CCNV can make 2-D reproductions (if CCNV gives credit to Reid). Further dispute about Reid’s access to original sculpture when he sought to make a master mold. Parties came to some agreement in unpublished order.

AYMES v. BONELLI (2d Cir. 1992) Were Aymes computer programs works made for hire? Why or why not? Which CCNV factors were the most significant?

AYMES v. BONELLI (2d Cir. 1992) CB p. 274 Were Aymes computer programs works made for hire according to the 2d Circuit? Why or why not? No. Some factors are more significant than others, and these caused balance to weigh in Aymes’ favor Which CCNV factors were the most significant? Right to control means & manner of creation, skill required, provision of employee benefits, tax treatment of hiring party, whether hiring party has right to assign additional projects to hired party

CARTER V. HELMSLEY- SPEAR (2d Cir. 1995) p. 275 Why did it matter whether the sculpture was a work made for hire? What CCNV factors were critical?

CARTER V. HELMSLEY- SPEAR Why did it matter whether the sculpture was a work made for hire? If it was a work for hire it would not get the protection of VARA which introduced certain moral rights into the Copyright Act What CCNV factors were critical? Right to control means & manner of creation, skill required, provision of employee benefits, tax treatment of hiring party, whether hiring party has right to assign additional projects to hired party

SCOPE OF EMPLOYMENT CCNV dealt with when an author is an employee. How do the courts determine “scope of employment”?

SCOPE OF EMPLOYMENT CCNV dealt with when an author is an employee. How do the courts determine “scope of employment”? Rely on test in Restatement (Second) of Agency. Employer must show: 1. Work of type employee hired to perform 2. Creation of work occurred “substantially within the authorized time and space limits” of the job 3. Work “actuated, at least in part, by a purpose to serve” interests of employer

SCOPE OF EMPLOYMENT: Work at home outside of normal business hours Compare Avtec (4th Cir. 1994) (CB p. 277) and Cramer (4th Cir. 1995) (CB p. 277) (both concern development of computer programs at employee’s home outside of normal business hours). Can these cases be reconciled?

Food Lion Inc. v. Capital Cities/ABC (M.D.N.C. 1996) Affirmed by Fourth Circuit (1997) What were the works at issue in this case? Were they works for hire?

THE TEACHER EXCEPTION What is it? Does it still exist under the 1976 Act? Does it make sense?

THE TEACHER EXCEPTION If the teacher exception exists, it is an exception to the work made for hire doctrine for academic writings Issue is whether the 1976 Act abolished it See draft CUA IP Policy at: mainpage/

SPECIALLY ORDERED/COMMISSIONED WORKS Lulirama v. Axcess Broadcasting (5th Cir. 1997) Was there a work made for hire agreement? Were the jingles works made for hire? Why or why not?

SPECIALLY ORDERED/COMMISSIONED WORKS Lulirama v. Axcess Broadcasting (5th Cir. 1997) Was there a work made for hire agreement? There was a jingle writing agreement with notation by Axcess that it was a work for hire Were the jingles works made for hire? No Why or why not? Did not fall into statutory categories in section 101. Audio works only - not audiovisual works