Copyright licensing: a virtuous circle Peter Shepherd

Slides:



Advertisements
Similar presentations
Telecom Regulatory Authority of India An introduction.
Advertisements

SGEUR Mitko CHATALBASHEV (CISAC) WIPO/CISAC National Seminar Tashkent, 03/04/2012 – 04/04/2012 Original language : English Collective management.
Copyright in Saudi Arabia Royal Decree M/11 - Copyright protection to works first published in Saudi Arabia or whose author is a Saudi Arabian national.
Copyright & PR Presented by John MacPhail Partner.
Accessing Cultural Heritage Out-of-Commerce Works MoU Olav Stokkmo, CEO of IFRRO Licence for Europe WG 3 4 March 2013,Brussels.
Accessing Cultural Heritage The Role of Collective Management Olav Stokkmo, CEO of IFRRO ARIPO-IFRRO-NCC-Repronig-WIPO conference, 17 September 2013,Lagos.
>>0 >>1 >> 2 >> 3 >> 4 >> “PROPERTY CONCEPTS REVISITED”
Copyright Collective Management Role and Functioning of RROs Olav Stokkmo, CEO of IFRRO Repronig – IFRRO – NCC – ARIPO – WIPO Conference 17 September 2013Lagos.
Digital Copyright Questions and the Library _________ RobTiessen/University of Calgary Library.
1 Information Online 2009 Rights management – does copyright still matter in the 21st century? 20 January, 2009 Caroline Morgan General Manager, Corporate.
ER-0317/2/99 G R U P O S G A E Intellectual Property Rights in digitisation of education Part 1. Current problems in the face of digitisation. Massive.
1 Electronic Resource Management: copyright and licensing context Dr. Alicia Wise, Publishers Licensing Society.
The Beijing Treaty on Audiovisual Performances How can the Treaty support the economic sustainability of the audiovisual sector? Benoît MULLER, attorney,
DEVELOPMENTS IN COPYRIGHT LICENSING Continuing to balance access with fair reward Sarah Brear Senior Business Development Manager – Education.
LIMITLESS POTENTIAL | LIMITLESS OPPORTUNITIES | LIMITLESS IMPACT Copyright University of Reading IMPACT AND THE LIFE SCIENCES Anthony Atkin (Research Impact.
How can libraries and rightsholders co-operate to enhance accessibility to copyright works?' Benjamin White Head of Intellectual Property
New copyright challenges for the users digital works Dragutin Nemec Library of the Faculty of law in Zagreb LIBRARIES IN THE DIGITAL AGE (LIDA) 2007.
FINIDINGS OF A SURVEY ON RROs AND OTHER CMOs IN ARIPO MEMBER STATES Keitseng Nkah Monyatsi Copyright Officer African Regional Intellectual Property Organisation.
Copyright Strategies in the Networked Environment Andrew Charlesworth, Senior Research Fellow Centre for IT & Law, University of Bristol, United Kingdom.
1 The Public Awareness of Intellectual Property Rights in Lithuania: experience and future perspectives Media Literacy Conference Prague, 18/20 March 2009.
1 Spanish Model of RRO: CEDRO Magdalena Vinent Chief Executive of CEDRO President of IFRRO 5 April 2011.
Key Functions and Operation of RROs Lagos, 17 September 2013 Madeleine Pow International Rights Manager UK Copyright Licensing Agency.
Legal and Business Considerations of Legislating Collective Rights in the U.S. Lois F. Wasoff Kernochan Center Symposium 2011.
Accessing Cultural Heritage The Role of Collective Management Rainer Just, President of IFRRO August 2013Bangkok, Thailand.
2 ND EDITION ROD JONES Copyright © Pearson Australia (a division of Pearson Australia Group Pty Ltd) 2010 PowerPoint presentation to accompany.
Dimiter Gantchev, Deputy Director, Culture an Creative Industries Sector, WIPO An Intellectual property Based Approach to Surveying the Economic Contribution.
Electronic Copyright and Digitisation Unit Linda Swanson Resource Development Co ordinator University of Derby.
RRO Rights Management in Digital Environment Olav Stokkmo, Chief Executive, IFRRO 5 April 2011Polska Kziaska Conference, Krakow.
F. Eberhard Providing Access to Content Licensing Digital Uses in Swiss Schools / Universities Example of a Legal Licence.
IFRRO and the Work of the Reproduction Rights Organisation - RRO Olav Stokkmo, IFRRO Chief Executive 6 April 2011Polska Kziaksa, Krakow.
SUSTAINABLE ENERGY REGULATION AND POLICY-MAKING FOR AFRICA Module 5 Energy Regulation Module 5: STRUCTURE, COMPOSITION AND ROLE OF AN ENERGY REGULATOR.
Making cultural heritage available to the public Managing Orphan and Out-of-Print Works Olav Stokkmo, Chief Executive, IFRRO 5 April 2011Polska Kziaska.
IFRRO Legal Issues Forum Brussels – 9 June 2011 Martin Delaney Legal Director.
RROs’ activities & operations (3) Licensing in the digital era.
DIGITAL TECHNOLOGY AND CHALLENGES TO COPYRIGHT Inštitut za intelektualno lastnino Dr. Maja Bogataj Jančič., LL.M., LL. M.
Global Meeting on Emerging Copyright Licensing Modalities - Facilitating Access to Culture in the Digital Age Making Orphan Works Available: a Licensing.
On the Benefits of Copyright (Panel session: ”Copyright: how can we balance the needs of authors, publishers, users, researchers and clients”) Dragos Iliescu.
IFRRO’s aims & activities. What is IFRRO? International body linking © community 136 members o 81 RROs o 55 rightholder bodies o In 64 countries Governed.
RROs’ activities & operations (1) Models of operation.
COMBINING ACCESS TO CULTURAL HERITAGE AND INTELLECTUAL PROPERTY RIGHTS Brussels November 2010 Victor Vazquez Senior Legal Counsellor, Digital Future.
Unlocking IP 2006 “Emerging Licence Models in the Schools Sector” National Education Access Licence for Schools (NEALS) Delia Browne National Copyright.
© Copyright Licensing Agency Limited 2007 CLA Licence for NHS England.
(c) Paul Pedley1 Copyright – staying legal IFEG/MI/AEBIG meeting.
Key Functions & Operation of HKRRLS Derek Lee Deputy Chairman 22 August 2013.
Controlling and monetising press cuttings Ljubljana, 2011.
International Seminar on Collective Management of Copyright in the Digital Environment Bangkok, 22 August 2013 Kevin Fitzgerald Chief Executive UK Copyright.
 Copyright Collective - Not for profit company  Established 1988 by PANZ in response to copyright abuse  Jointly owned PANZ/NZSA  Member of IFRRO.
Copyright Compliance. Overview Who is the Copyright Agency? The Statutory Education Licence Why do I have it? How I can use it Digital vs Hardcopy – the.
WIPO-INSME INTERNATIONALTRAINING PROGRAM Geneva, May 11 to 13, 2005 Victoriano Colodrón Technical Director. CEDRO OUTREACH AND SUPPORT PROGRAMS IN THE.
PRACTICAL ASPECTS & APPLICATION OF TRANSACTIONAL COPYRIGHT LICENCING Presented by: Herman Blignaut Spoor & Fisher
IFRRO and the Work of the Reproduction Rights Organisation - RRO Olav Stokkmo, IFRRO Chief Executive 27 May th Slovenian Publishers Convention, Portorož.
Developments in Enterprise Compliance Solutions Copyright Compliance in Multinational Business Content Workflow 2015.
Licensing of Orphan Works Olav Stokkmo, Chief Executive, IFRRO 26 October 2009European Commission, Orphan Works hearing.
Copyright and the Freedom of Accessing Information in the Cyberspace András Szinger András Szinger copyright expert ARTISJUS, Hungary.
Getting Permission When Your Use is Not Fair Slides produced by the Copyright Education & Consultation Program.
Collective Management: The Role of RROs and IFRRO Presenter name and job title Date Venue, country.
RROs’ activities & operations (6) RRO approaches in practice.
RROs and Access to Content by Persons with Print Disability Olav Stokkmo, Chief Executive, IFRRO 22 October 2009IFRRO AGM 2009, Oslo.
Making IPR administration work for smaller and vulnerable economies. Halldór Th. Birgisson hrl. Chair of Fjölís – RRO Iceland. Comments – Jamaica
Copyright for teaching. 2 katelyncollins/category/week-5 CC BY.
Tom Adam Copyright Advisor to the Provost all images:
Criteria for the Determination of the Tariffs Victoriano Darias.
Licensing and delivering digital coursepacks WG2 Brussels May 2013 Hans-Petter Fuglerud Deputy Excecutive Director Kopinor.
Measures for a national outcomes based audit model Stakeholder consultations.
RROs and the user community
CLA and the Legal Sector
Copyright Training Day
Sub-Regional Meeting for ASEAN Countries on the Marrakesh Treaty and the Production and Exchange of Accessible Books by the World Intellectual Property.
Caroline Morgan, CEO of IFRRO Malaysian National Seminar
Key Data, Arbiter’s Valuation, Jan 2016
Presentation transcript:

Copyright licensing: a virtuous circle Peter Shepherd

About this presentation  Role of RROs  Some practicalities of licensing  Rightsholders and users  Benefits of © licensing

About RROs  Reproduction Rights Organisations:  Meet need for licensing of © works where rightsholders cannot act individually  Draw authority from national legislation and/or contracts with rightsholders  Issue licences to end users  Handle royalty collection and distribution  Promote respect for ©

What an RRO licence usually authorises:  Copying of a portion of a publication  In limited numbers of copies  For internal use of institutional users  Access to other countries’ © works through agreements between RROs

Copyright made user friendly  Increase understanding of ©  Increase respect for ©  IFRRO´s activities include  Awareness raising  Training  Loans and grants for developing RROs  RROs’ © promotion programmes include  User guidelines  Leaflets  Posters  Awards  Public and institutional awareness raising  Students, teachers, researchers, librarians, business managers, professionals … legislators and government …  Protect copyright, encourage creativity

What a typical RRO licenses  Photocopying and scanning  Licences tailored by sector  Education  Schools  Further education  Higher education  Government  Businesses  Professions

Licence types 1. Statutory 2. Voluntary - blanket  No individual clearances  Flat fee per student/employee per year  Controls within licence for example:  Authorised persons  Licensed premises  Copying limits 5%, 1 chapter, 1 article  Excluded works/categories (few)  Rights of access by CLA to licensed premises Transactional  Fee per transaction e.g. document delivery

Outline of typical licence: Higher education CLA UK  Type:Blanket  Photocopy/scan:Photocopy with scanning option (trial)  Fee metric:FTES  Fee:£4.42  Extent limit:Standard  Authorised Persons: All staff and students  Negotiating body:UUK  Copy from copies: Yes subject to conditions  Survey rights:Yes CLA has right to survey  Audit rights:Yes subject to conditions  Storage restrictions:No (photocopying) yes (scanning)

RROs achieve equilibrium  Requirements of rightsholders  Needs of users  Access to cultural, scientific and educational works  Protection of moral and economic rights

Governed by rightsholders …  Rightsholders are the creators of our culture  Rightsholders govern RROs  Rightsholders grant mandate to issues licences  Rightsholders agree data collection methodology  Surveys, reporting, audits  Categorical research, analysis, interpretation, etc  Rightsholders agree the means of distribution  Aim to distribute as closely as possible to the copyright holders of the works actually copied – authors, visual creators, publishers  Creators are remunerated fairly for the copies made of their works

… with users in mind  Needs of users researched by consultation  Model licences can be developed for specific sectors e.g.:  Schools  Business and professions  Model licences are developed by RRO with sector’s own representative bodies  Model licences share many core features  Licences are easy to operate  Fee levels may be negotiated with sector representative bodies  – or by tariff based on levels of usage, set by RRO or tribunal body  Users receive fair value for money

Creating a successful licensing structure  Key features of a successful licence are:  Efficiently administered by RRO  Simple terms and conditions  Good value  Help and support to end users  Benefits to users include:  Able to copy © material  Easy and no legal concerns  Benefits to rightsholders include:  Payment for use of works  Moral rights protected  Benefits to society include:  © awareness and compliance  TRIPS, Berne compliance

The digital environment  Threat and opportunity  Increased access  Loss of control / remuneration  Scanning from paper to digital  About 50% 0f RROs mandated  Licensing from born digital  Several RROs have / are developing solutions  IFRRO 3-year plan  Facilitate exchange of digital mandates  Develop trial licence for use by RROs  Extensive consultation programme under way with rightsholders  Similar consultation programme planned for users

Important considerations  Fairness  Value for money  Ease of use  Comprehensiveness  Transparency  Cost effectiveness  Efficiency  Protection and reward for creators of cultural works

National culture  National creators and publishers are greatest beneficiaries of © licensing  Generally receive 85% of fees distributed  © exceptions may damage national culture by removing incentive to create  © licensing schemes help to:  Encourage growth of local publishing industry  Stimulate creation of literature, textbooks, etc  Promote diversity and richness of culture  Protect national culture, encourage national creativity

Copyright licensing: a virtuous circle Peter Shepherd