Chapter 5. Slide 1 Digital Archives, Collections Digital Archives, CollectionsObjectives  To provide or improve access to the most valuable and unique.

Slides:



Advertisements
Similar presentations
E-Content Service Group Virtual Meeting Digital Preservation: How to Get Started.
Advertisements

Multimedia: Digitised Sound Data Section 3. Sound in Multimedia Types: Voice Overs Special Effects Musical Backdrops Sound can make multimedia presentations.
Services Digitisation & Content Management. 600 People – India.
“Can you digitise this for me please?” The University of Auckland's approach to managing digitisation proposals John Garraway Digital Services & Information.
1 CS 502: Computing Methods for Digital Libraries Lecture 9 Conversion to Digital Formats Anne Kenney, Cornell University Library.
Minnesota Digital Library Coalition Survey What we learned...
Dale & Lewis Chapter 3 Data Representation. Representing color Similarly to how color is perceived in the human eye, color information is encoded in combinations.
Multimedia for the Web: Creating Digital Excitement Multimedia Element -- Graphics.
Introduction to Multimedia SMDC Staff Training 6/9/06.
Digital Video 1.
-Multimedia Basics- Digital Video Integrating Technology into the Curriculum © Jim Lockard 2004.
Digital Still Images ETT June Multimedia Assets Still Images Audio Video.
Digitization of Historical Materials Dana Logalbo-Baij LIBR559L June 9, 2011.
Audio & Video Representation CS105. Data Representation Types of data: – Numbers – Text – Images – Audio & Video.
NOBLE Digital Library. How does it work? The NOBLE Digital Library uses the DSpace platform. Image files and metadata are imported into DSpace using.
Overview of the Compression Techniques for Creating Digital Archives Bogdan Smolka Silesian Technical University, POLAND.
Technology Bootcamp January 18, 2014 Large-Scale Digital Libraries Digitization Process Krystyna K. Matusiak, Ph.D. Assistant Professor Library & Information.
Digitisation Mick Eadie Visual Arts Data Service.
 Scanned or digitally captured image  Image created on computer using graphics software.
HBCU-CUL Digital Imaging Workshop, November 2005
Analog and Digital Cameras  History of Digital cameras  Advantages and Disadvantages / Similarities and Differences of both types of cameras  Types.
What is it a scanner? An optical input device that uses light- sensing equipment to capture an image on paper or some other subject. The image is translated.
Digitisation of Archival and Manuscript Materials in Libraries Presentation by Martin Bradley.
Connecticut History Online A digital library? By Todd Vandenbark.
Erin Kinney, Wyoming State Library. Motivation #1 priority that came out of 2004 statewide digitization meeting WSL received many reference questions,
DIGITISING IMAGES IAN WALKER SEARCH TECH MANAGER MEDIA EQUATION.
Planning a digital library How to Build a Digital Library Ian H. Witten and David Bainbridge.
3. Multimedia Systems Technology
Mark Sullivan Digital Library of the Caribbean. Imaging  Imaging Theory & Specifications  Recommended Equipment and Software 2 dLOC Training (7/29/2013)
1 CP Lecture 8 PC and Media exchange standards.
Video.
Digital Reformatting and File Management Public Library Partnerships Project Sheila A. McAlister Director, Digital Library of Georgia and Sandra McIntyre.
Integrating a Statewide Web Gateway With Digital Collections ______________________ Eric Weig and Beth Kraemer University of Kentucky and KCVL.
Digitizing Photographs For Sustainable Heritage Workshop, June 12-15, 2014 By Steven Bingo Project Archivist, Washington State University.
Planning a digital library How to Build a Digital Library Ian H. Witten and David Bainbridge.
Data Compression. Compression? Compression refers to the ways in which the amount of data needed to store an image or other file can be reduced. This.
Image Compression Supervised By: Mr.Nael Alian Student: Anwaar Ahmed Abu-AlQomboz ID: IT College “Multimedia”
Data delivery Adolf Knoll National Library of the Czech Republic.
Digitization Programmes National Library of the Czech Republic Adolf Knoll
University of Florida Digital Collections.
Digital Image Capture of Musical Scores Jenn Riley, Indiana University Digital Library Program Ichiro Fujinaga, McGill University.
Graphics workshop Library and Information Services University of St Andrews.
Best Practices for Digital Imaging and Metadata Roy Tennant The Library, University of California, Berkeley
PAN-European Exploitation of the Results of the Libraries Programme - EXPLOIT German Libraries Institute Berlin EXPLOIT 1 Electronic library materials.
 Scanned or digitally captured image  Image created on computer using graphics software.
Multimedia ETD Questions Bill Savage UMI Dissertations Publishing ETD 2002 Provo, Utah Saturday, June 1, 2002.
Preservation of Obsolete Media: The Need for Managed Digital Storage Bruce Whisler Director of Music Technology Clemson University.
National Library of the Czech Republic as End-User of the Research Networks Adolf Knoll deputy director
Digital library of Spanish old newspapers and magazines National Library of Spain.
Advanced AV Production Practicum Math for The Audio Video Professional Calculating Audio and Video File Sizes Copyright © Texas Education Agency, 2015.
Digital Imaging, Photography, Videography. Photography Writing with light.
The Digital Revolution Changing information. What is Digital?  Discrete values used for  Input  Processing  Transmission  Storage  Display  Derived.
EXAMPLES OF DIGITAL ARCHIVES AND LIBRARIES Advanced Techniques in Processing Images Advanced Techniques in Processing Images Chapter 6. Slide 57.
MULTIMEDIA Multimedia is the field concerned with the computer- controlled integration of text, graphics, drawings, still and moving images (Video), animation,
Martin Jacobson Director, Special Media Preservation Division.
PRESERVATION IN A DIGITAL WORLD Presented By: Darrell Garwood Imaging Lab Manager Library and Archives Division Kansas State Historical Society
Laurie N. Taylor Lourdes Santamaría-Wheeler The Basics of Digitizing Collections.
Introduction to Scanning. Why Digitize? Provide better access Protect fragile or valuable materials in your collections Digital surrogates will help preserve.
HOW SCANNERS WORK A scanner is a device that uses a light source to electronically convert an image into binary data (0s and 1s). This binary data can.
Advanced AV Production Practicum Math for The Audio Video Professional Calculating Single File Sizes Copyright © Texas Education Agency, All rights.
Opportunities & Obstacles: Prospects of Digital Assets.
Software Design and Development Storing Data Part 2 Text, sound and video Computing Science.
DIGITIZATION 101: To Digitize or Not to Digitize? That is the Question.
DIGITIZATION OF PAPER DOCUMENTS OF INSTITUTE OF OCEANOGRAPHY’S LIBRARY
Digitisation in academic libraries: Experience from Makerere University Library, Kampala Uganda By Patrick Sekikome Presented at the CERN-UNESCO School.
Multimedia: Digitised Sound Data
Digital Images.
University of Florida Digital Collections
Web Design and Development
"Digital Media Primer" Yue-Ling Wong, Copyright (c)2013 by Pearson Education, Inc. All rights reserved.
Presentation transcript:

Chapter 5. Slide 1 Digital Archives, Collections Digital Archives, CollectionsObjectives  To provide or improve access to the most valuable and unique cultural documents cultural documents  To eliminate a risk of the potential damages of documents  To enlarge a number of interested users  To develop commercial exploitation of a library, archive  Long – term reservation of documents

Chapter 5. Slide 2 Digital Archives, Collections Digital Archives, Collections Type of Material Considered  Rare books  Historical maps  Photographs and postcards  Prints and engravings  Audio tapes, records, early video material

Chapter 5. Slide 3 Digital Archives, Collections Digital Archives, Collections Digitisation Versus Microfilming  In digital delivery:  image quality is better  the storage requirements are modest  Regarding the needs of preservation  digital materials are more vulnerable  specific hardware and software required  no guarantee for continuing access to digitized materials of enduring value materials of enduring value For details see:

Chapter 5. Slide 4 Digital Archives, Collections Digital Archives, Collections Criteria of Selection for Digitising Major Criteria: 1. Influence on the history of the world on the country 2. Contribution to understanding of the world (region) country at a important time in its history 3. Place – it contains important information on the world (region) country (region) country 4. People – a special association with the life or works of a person or people

Chapter 5. Slide 5 Digital Archives, Collections Digital Archives, Collections Criteria of Selection for Digitising ( Continued ) 5.Subject / Theme 6.Form and Style (a rare example of an outstanding form or style) 7.Social Value Secondary Criteria: (a)Integrity (b)Rarity

Chapter 5. Slide 6 Digital Archives, Collections Digital Archives, Collections From what to Digitise, Requirements  Some kind of reproduction: photograph, slide, microfilm  Originals  Audio documents – directly form the original Requirements:  Book protection  No pressure on binding  No contact with book  Cold light  No ultraviolet light  Reproduction quality (full grey scale, diminition of stains, enhancement of light zones) enhancement of light zones)

Chapter 5. Slide 7 Digital Archives, Collections Digital Archives, Collections Typical Solutions  Image material  Total depth:  grayscale: 8 bits/pixel;  color: 24 bits/pixel  Format: TIFF  Compression: uncompressed  Spatial resolution:  from 500 X 400 to 1200 X 1000 pixels  from 3000 X 2000 to 5000 X 4000 pixels  Example of storage requirement is 1.3 MB

Chapter 5. Slide 8 Digital Archives, Collections Digital Archives, Collections Typical Solutions ( Continued )  Maps  Color 24 bits/pixel  Format TIFF  Compression: uncompressed  Spatial resolution: 300 dpi  Example of storage requirements is 60 MB

 Moving images ( Resolution from moderate to law )  Image size: 320 X 240 px to 160 X 120 px  Frame rate: 30 fps  Data rate: ca. 150 Kb/s to 100 Kb/s  Compression: MPEG - 1  Format: mpg  Storage requirement: from 43 Mb MPEG file to 2.1 MB Chapter 5. Slide 9 Digital Archives, Collections Digital Archives, Collections Typical Solutions ( Continued )

Chapter 5. Slide 10 Digital Archives, Collections Digital Archives, Collections Typical Solutions ( Continued )  Audio material  Attributes: kHz sample rate 16 bit word, mono  Format: WAVE (MS)  Typical storage requirement is 2.4 MB WAVE For details see:

Chapter 5. Slide 11 Digital Archives, Collections Digital Archives, Collections Cataloging Electronic Versions of Documents  Where? – in the main catalogue or in separate  What form? – electronic, Website  Access, reproduction, Copyright  Preservation of digitised documents

Chapter 5. Slide 12 Digital Archives, Collections Digital Archives, CollectionsExamples  Archivo General de Indias, Spain  UNESCO projects  Digitisation project in Hungary Additional information: