Location Sound II. Pre-Production 1.Location Scouting. Listen for Noise and Reverb. 2.Budget Time: Cost of ADR recording and editing are VERY HIGH, so.

Slides:

Advertisements

Similar presentations

Copyright © 2007 – Berklee College of Music. All rights reserved. v1.0 JL Clock Signals Clock signals are SPEED reference signals that are used in applications.

Advertisements

Studio Interconnections Video Sync Video Sync Master W/C Master W/C VHS VTR VHS VTR Digital Console DAW DA-88 W/SY-88 DA-88 W/SY-88 Micro Lynx Micro Lynx.

McGraw-Hill/Irwin Copyright © 2011 by The McGraw-Hill Companies, Inc. All rights reserved. Chapter 12 Producing Ads for Print, Electronic, and Digital.

Editing Process –Set up Decks, Monitors –Prepare Master Tape –Know operation of edit controller.

Pro Tools Session Secrets Professional Recipes for High Octane Results.

Intro To Sound Level 1 Film Technology Film Technology CE

CHAPTER 7 SOUND. CHAPTER OBJECTIVES Examine the role of Sound in Video Production; Survey the tools for Sound Recording and Design; Explore the process.

Location Sound I. Sound from MOS HAND IN NEXT WEEK: one page of your sound report two audio files one sync sound one wild sound.

Introduction to Video Communications The Production Process TGJ2O – Grade 10 Comm-Tech Bluevale Technology.

Recording Audio. Audio Problems Microphones pick up every sound within their range! A noisy background can degrade sound quality. To have good audio,

AUDIO: SOUND CONTROLS AND HOW TO PRODUCE SOUND AESTHETICS Pertemuan 8 Matakuliah: O0382 – Dasar-dasar Produksi Siaran Televisi Tahun: 2010.

C HAPTER 19: V IDEO E DITING. V OCABULARY : Assemble Edit Mode: Linear editing process in which using a blacked tape in the recorder is not necessary.

Miking and Digital Recording. Gain Staging No level should be higher than its previous point in the recording stage (i.e. going from field mixer into.

Audio for Video Or, how to make sound that doesn’t suck.

Q G WGBH Public Television Quality Workshop 1 Can You Hear Me Now? - Recording Location Audio - G. John Garrett, CAS.

Arens|Schaefer|Weigold

Audio Post Production Workflow

Video Production Process By: Jessica Wise. Pre-Production: Phase 1 Client Meetings Objective/ConceptTreatment Treatment approval Script Draft 1 Client.

Dialogue Editing What’s that? Goals of Dialogue Editing.

V IDEO R EVIEW / A UDIO T ECHNOLOGY Instructor: Ms. Copeland.

 VIDEO CAPTURE USING FIREWIRE  VIDEO CAPTURE USING A VIDEO CARD  CAPTURING VIDEO CONNECTING EQUIPMENT AND CAPTURING DIGITAL VIDEO.

CMPD273 Multimedia System Prepared by Nazrita Ibrahim © UNITEN2002 Multimedia System Characteristic Reference: F. Fluckiger: “Understanding networked multimedia,

Windows Movie Maker Getting Started. What is Windows Movie Maker? Windows Movie Maker allows a user to capture (from a video camera) or import audio,

Lesson 4 Media Assets and Types of Equipment AOIT Digital Video and Digital Media.

Desktop Video. Basics Desktop Video Desktop Video Frame Rate Frame Rate.

Audio Checklist You may have a good clear speaking voice, this didn’t mean that it sounded good as digital audio. Learning content that may look great.

Production Process The steps to follow when making digital videos.

Sound in an environment Sound wave –Compression / rarefaction Frequency / Measured in hertz Amplitude / Measured in decibels (db-spl) –AM/FM, kHz / MHz.

David Edwards. Motion Capture week 1  What to expect from this module  Lectures and tutorials  Assignment  Getting started with motion capture.

Sound and Recording. Overview Soundtracks Sound Basics Recording Dialogue Effects Music Mixing.

EE Audio Signals and Systems Room Acoustics Kevin D. Donohue Electrical and Computer Engineering University of Kentucky.

DIRECTING FormFunction. THE DIRECTOR  Interpreter Creator  Benevolent dictator  All knowing  Writer, adapter  Budget conscious  Organized.

Our Class Camera! BodyLens LCD Screen Viewfinder Built-in microphone Record Button Zoom Settings menu Power Source Ports/Jacks Hard Disk Drive.

The Role Of The Editor To Combine both the technical and Conceptual aspects of editing into one integrated process.

Standard Operating Procedures Producer’s Craft Spring 2009.

Basic Film Production.

Digital Audio II. Volume Scaling The volume of a digitized audio source may be increased or decreased by multiplying each sample value by an appropriate.

The Production Process

SOUND EDITING The Critical Stage. INTRODUCTION  Often ignored  Can make/break a production  Realist –Sounds as close to natural as possible  Modernist.

V IDEO R EVIEW / A UDIO T ECHNOLOGY Instructor: Ms. Copeland.

What is Foley?. What is Foley Read the piece on What is Foley? What is Foley Sound by Sound Ideas Foley is the process of live recording of sound effects.

Location Sound I. Sound from MOS Next week bring in one page of your sound report (or have your director).

The goal of any sound track is to make it as clean as possible.

Basic Film Production. Production Phases There are three phases of production common to most professionally produced motion pictures. These are: Preproduction.

Dan Nichols Head of Recording Services Internet2 Multimedia Specialist Northern Illinois University Your TV IS TOO SLOW.

TECH DEMO QUIZ sound. 1. How do we set the audio switches on the C100 camera to enable the on board mic to be activated?

Introduction to Digital Video. Essential Question: How does understanding time based media effectively enhance the multimedia process?

Objective Sound and Psychoacoustics. Viers on Location Sound Gathering production sound Nat, b-roll, interview, dialog “Technique will trump technology”

Location Sound I. Sync Sound Record sound while camera is rolling Read scene/take number Clap sticks together You now have a sync point - a visual and.

Using Office Mix Click and Play. Insert Audio Recording Click Record button in Office Mix tab Turn off camera in Office Mix screen if it’s on Click Record.

EE599-2 Audio Signals and Systems

Objective % Understand advanced production methods for digital video.

Location Sound I.

Filming Interviews Indoors.

From Filming to the Screen

PRODUCTION ROLES FEATURE FILM.

Audio Technology Part 3.

What do they have in common?

Field Recording Cutting the Cord.

HOMEWORK IS DUE.

PRINCIPLES OF SOUND DESIGN

The Sound Department The Complete Guide to Film & Digital Production:

Specialisms Lesson 1.

Production Worflow and the Crew

Editing Picture and Sound

CHAPTER 7 SOUND.

Audio Review Most of the Final Exam will be focused on ‘Basic Media Production’ – audio and video. Test 4 will focus on lighting and sound. This is an.

The Camera Department The Complete Guide to Film & Digital Production:

Presentation transcript:

Location Sound II

Pre-Production 1.Location Scouting. Listen for Noise and Reverb. 2.Budget Time: Cost of ADR recording and editing are VERY HIGH, so take time to record clean dialogue on set. Assignment: Due March 9. The production triangle: Fast, cheap or good? Choose two only.

On Set: Reverb/Reflections Reverb/Reflections What causes it? Why do we want to minimize reflections? How do we minimize reflections? Which location will present a larger problem for recording dialogue, a large, reverberant room (gymnasium) or a small reverberant room (small, empty bedroom)? On Set: Noise Control Can you control the source? Can you control the transmission path? Can you isolate the receiver (the mic)? If you answer no to all of the above, prepare for a noisy, unprofessional soundtrack, and/or heavy sound editing, and/or ADR

The Time Code Slate (we missed you) 1. sync audio and video by matching time code. Run TC from 702T to slate and possibly camera (if it has TC capabilities) 2. Manually sync in post by matching the visual (sticks meeting) and audio (waveform) sync points

The TC Slate (Smart Slate) TC Rate : DVX 29.97ND, so is slate 29.97ND fps RUN mode

Time Code: 702T Settings First, set time of day if necessary 57) Time/Date: Set > Then, select time code mode 40) TimeCode: Frame Rate > ) TimeCode: Mode > 24 Run

Time Code: Jam Slate to 702T Power off slate Connect to 702T Turn on slate Automatically jams (time code should read exactly the same on 702T and slate) Any time you power off the slate you have to re-jam.

Review - Set Calls “can I get a frame line?” AD: “Roll Sound” you:“Speed” AD: “Roll Camera” DP:“rolling” AD: “Call it”Clapper: “scene two Clapper: “Mark it”Clapper: [clap sticks] DP: “Frame”director: “Action” Record the rehearsals!

Review: Line Up Tones To know: VU or Peak meters (analog or digital)

Review: Signal Flow