Funded by the Andrew W. Mellon Foundation Additional support provided by the Samuel H. Kress Foundation Available at: collegeart.org/fair-use cmsimpact.org/fair-use.

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Presentation transcript:

Funded by the Andrew W. Mellon Foundation Additional support provided by the Samuel H. Kress Foundation Available at: collegeart.org/fair-use cmsimpact.org/fair-use

Code of Best Practices in Fair Use for the Visual Arts Why fair use is important in the visual arts Fair use: the basics Why a code of best practices? What’s in the CAA code More support What you can do Why fair use is important in the visual arts Fair use: the basics Why a code of best practices? What’s in the CAA code More support What you can do OVERVIEW

Code of Best Practices in Fair Use for the Visual Arts WHY IT MATTERS: 2014 CAA ISSUES REPORT 70% of respondents say they use copyrighted material in doing their own work

Museum uses Code of Best Practices in Fair Use for the Visual Arts Writing about art Making art Organizing documentation Teaching about art

“I found a suitable image online to illustrate my article. Do I still need a license?” Code of Best Practices in Fair Use for the Visual Arts FOR INSTANCE

Can I use some photos I took of an artist’s work on my online course site?” Code of Best Practices in Fair Use for the Visual Arts AND

“I’m making art from found images. Do I need to get permission to use them.” Code of Best Practices in Fair Use for the Visual Arts AND

“Can I use pictures from our exhibition in museum publications?” Code of Best Practices in Fair Use for the Visual Arts AND

“Can we put our archival collection online?” Code of Best Practices in Fair Use for the Visual Arts AND

WHAT IS FAIR USE? Code of Best Practices in Fair Use for the Visual Arts

Code of Best Practices in Fair Use for the Visual Arts THE PURPOSE OF COPYRIGHT

Code of Best Practices in Fair Use for the Visual Arts ONE PURPOSE: TO PROMOTE THE CREATION OF CULTURE

Code of Best Practices in Fair Use for the Visual Arts BY Rewarding creators with limited monopoly Encouraging new makers to use existing culture

Code of Best Practices in Fair Use for the Visual Arts Non-infringing, unauthorized use of copyrighted material — under some circumstances Non-infringing, unauthorized use of copyrighted material — under some circumstances FAIR USE BIGGEST BALANCING FEATURE

Code of Best Practices in Fair Use for the Visual Arts “FOUR FACTORS” 1. Purpose of the use 2. Kind of work used 3. Amount used 4. Effect on the market

Code of Best Practices in Fair Use for the Visual Arts Judges balance interests in fair use analysis Supreme Court: Fair use promotes free speech Judicial interpretation has changed a lot since 1990 GOOD NEWS:

Code of Best Practices in Fair Use for the Visual Arts 1.Is the use for a new “transformative purpose”? (in terms of context, audience, added insight, etc.) 1.Does it employ an appropriate amount to fulfill the transformative purpose? JUDGES ASK:

Code of Best Practices in Fair Use for the Visual Arts

Code of Best Practices in Fair Use for the Visual Arts Custom and practice of individual creative communities… … especially when well-documented JUDGES ALSO CONSIDER: Custom and practice of individual creative communities… …especially when well-documented

Code of Best Practices in Fair Use for the Visual Arts WHY DON’T WE EMPLOY FAIR USE MORE FULLY?

Code of Best Practices in Fair Use for the Visual Arts PERCEIVED RISK: Legal trouble Lost relationships Bad publicity

Code of Best Practices in Fair Use for the Visual Arts WHAT’S THE BIGGEST PROBLEM? 1. Restrictive publishing contracts 2. High licensing fees 3. Difficulty of obtaining clearances 4. None of the above

Code of Best Practices in Fair Use for the Visual Arts SELF-CENSORSHIP

Code of Best Practices in Fair Use for the Visual Arts ASSESSING RISK? CONSIDER BOTH! ASSESSING RISK? CONSIDER BOTH! Legal risk associated with pursuing mission Mission risk associated with failing to act

CAA REPORT: Code of Best Practices in Fair Use for the Visual Arts 1/3 of the visual-arts community have avoided or abandoned work because of copyright concerns

WE HAVE A PROBLEM… Code of Best Practices in Fair Use for the Visual Arts SELF- CENSORSHIP Copyright Hypercompliance

Code of Best Practices in Fair Use for the Visual Arts RIGHTS EFFECTIVE RISK MANAGEMENT BEGINS WITH KNOWING YOUR RIGHTS

Code of Best Practices in Fair Use for the Visual Arts CODES OF BEST PRACTICES

Code of Best Practices in Fair Use for the Visual Arts CODES, IN FOUR STEPS: 1. Research discovers most common problems 2. Creative community discusses terms of fair use 3. Consensus synthesized 4. Lawyers check work 1. Research discovers most common problems 2. Creative community discusses terms of fair use 3. Consensus synthesized 4. Lawyers check work

Code of Best Practices in Fair Use for the Visual Arts DOCUMENTARY FIMMAKERS DOCUMENTARY FIMMAKERS

Code of Best Practices in Fair Use for the Visual Arts COMMUNICATION SCHOLARS

Code of Best Practices in Fair Use for the Visual Arts POETS

Code of Best Practices in Fair Use for the Visual Arts LIBRARIANS

Code of Best Practices in Fair Use for the Visual Arts …AND MORE!

Code of Best Practices in Fair Use for the Visual Arts NOT LIKE FAIR USE “GUIDELINES”! A guide to reasoning, not a set of rules No arbitrary limits or metrics Based on professional consensus Not negotiated with copyright holders

Code of Best Practices in Fair Use for the Visual Arts INFORMED RISK ASSESSMENT  BETTER PRACTICE EXAMPLES Documentary filmmakers: Fair use now gets insured Librarians: Collections digitized Scholars: New work published Archivists: Digital exhibits online

Code of Best Practices in Fair Use for the Visual Arts

Code of Best Practices in Fair Use for the Visual Arts University of Colorado, Boulder: YES to digital format shifting

Code of Best Practices in Fair Use for the Visual Arts

Code of Best Practices in Fair Use for the Visual Arts

Code of Best Practices in Fair Use for the Visual Arts DEVELOPING CAA’S CODE Nationwide fact-finding 10 discussion sessions in 5 cities Confidential meetings building consensus Input from CAA Fair Use Task Force Review by Legal Advisory Committee Nationwide fact-finding 10 discussion sessions in 5 cities Confidential meetings building consensus Input from CAA Fair Use Task Force Review by Legal Advisory Committee

Code of Best Practices in Fair Use for the Visual Arts SITUATIONS Museum uses Writing about art Making art Archives online Teaching about art

FOR EACH SITUATION IN THE CODE: Code of Best Practices in Fair Use for the Visual Arts DescriptionPrincipleLimitations

Use the Code Tell a colleague Tell a student Tell a publisher Find an endorser WHAT YOU CAN DO Code of Best Practices in Fair Use for the Visual Arts

MORE INFORMATION: Code of Best Practices in Fair Use for the Visual Arts THE CODES AND MUCH MORE ( VIDEOS! PRESENTATIONS! FAQS! ) cmsimpact.org/fair-use collegeart.org/fair-use

Code of Best Practices in Fair Use for the Visual Arts

Code of Best Practices in Fair Use for the Visual Arts FAIR USE Practice Makes Practice

Code of Best Practices in Fair Use for the Visual Arts Please feel free to share this presentation in its entirety. For excerpting, kindly employ the principles of fair use. Please feel free to share this presentation in its entirety. For excerpting, kindly employ the principles of fair use.

THANK YOU! Code of Best Practices in Fair Use for the Visual Arts CONTACT INFO