3-D Sound and Spatial Audio MUS_TECH 348. Psychology of Spatial Hearing There are acoustic events that take place in the environment. These can give rise.

Slides:



Advertisements
Similar presentations
Psychoacoustics Perception of Direction AUD202 Audio and Acoustics Theory.
Advertisements

Binaural Hearing Or now hear this! Upcoming Talk: Isabelle Peretz Musical & Non-musical Brains Nov. 12 noon + Lunch Rm 2068B South Building.
Hearing Detection Loudness Localization Scene Analysis Music Speech.
Properties of Sound EQ: How does intensity, loudness, frequency and pitch affect sound waves?
INTRODUCTION TO HEARING. WHAT IS SOUND? amplitude Intensity measured in decibels.
Sensation and Perception - audition.ppt © 2001 Laura Snodgrass, Ph.D.1 Audition Anatomy –outer ear –middle ear –inner ear Ascending auditory pathway –tonotopic.
3-D Sound and Spatial Audio MUS_TECH 348. Wightman & Kistler (1989) Headphone simulation of free-field listening I. Stimulus synthesis II. Psychophysical.
Localizing Sounds. When we perceive a sound, we often simultaneously perceive the location of that sound. Even new born infants orient their eyes toward.
AUDITORY LOCALIZATION Lynn E. Cook, AuD Occupational Audiologist NNMC, Bethesda, MD.
3-D Sound and Spatial Audio MUS_TECH 348. Cathedral / Concert Hall / Theater Sound Altar / Stage / Screen Spiritual / Emotional World Subjective Music.
All you have is a pair of instruments (basilar membranes) that measure air pressure fluctuations over time Localization.
Exam and Assignment Dates Midterm 1 Feb 3 rd and 4 th Midterm 2 March 9 th and 10 th Final April 20 th and 21 st Idea journal assignment is due on last.
Development of sound localization
There are several clues you could use: 1.arrival time 2.phase lag (waves are out of sync) 3.sound shadow (intensity difference)- sound is louder at ear.
Hearing & Deafness (3) Auditory Localisation
AUDITORY PERCEPTION Pitch Perception Localization Auditory Scene Analysis.
Spectral centroid 6 harmonics: f0 = 100Hz E.g. 1: Amplitudes: 6; 5.75; 4; 3.2; 2; 1 [(100*6)+(200*5.75)+(300*4)+(400*3.2)+(500*2 )+(600*1)] / = 265.6Hz.
There are several clues you could use: 1.arrival time 2.phase lag (waves are out of sync) 3.sound shadow (intensity difference)- sound is louder at ear.
OUTLINE NOTES PAGES THE PROPERTIES OF SOUND.
Frequency Coding And Auditory Space Perception. Three primary dimensions of sensations associated with sounds with periodic waveforms Pitch, loudness.
Hearing.
AIM: How do we hear?. Opponent Process Theory Hering proposed that we process four primary colors combined in pairs of red-green, blue- yellow, and black-white.
Alan Kan, Corey Stoelb, Matthew Goupell, Ruth Litovsky
The Auditory System Dr. Kline FSU. What is the physical stimulus for audition? Sound- vibrations of the molecules in a medium like air. The hearing spectrum.
What are some practical ways we use sound energy? The Human Ear.
Sound Overview The Facts of Sound The Ear and Sound Sound Vocabulary Musical Instruments and Sound.
Hearing: auditory coding mechanisms. Harmonics/ Fundamentals ● Recall: most tones are complex tones, consisting of multiple pure tones ● The lowest frequency.
3-D Sound and Spatial Audio MUS_TECH 348. Main Types of Errors Front-back reversals Angle error Some Experimental Results Most front-back errors are front-to-back.
Properties of Sound Physical Science Ms. Pollock
Week 2 Sound Physics, Ranges of Hearing Frequency, Wavelength, Period, Velocity Audio Engineering & Sound Production Unit code: AUD202 AUDIO & ACOUSTICS.
Fundamentals of Audio Production. Chapter 1 1 Fundamentals of Audio Production Chapter One: The Nature of Sound.
 Space… the sonic frontier. Perception of Direction  Spatial/Binaural Localization  Capability of the two ears to localize a sound source within an.
Parts of a Wave Crest Wavelength Trough Normal Rest Position Frequency = 2 waves per second.
How Can You Localize Sound? Ponder this: –Imagine digging two trenches in the sand beside a lake so that water can flow into them. Now imagine hanging.
3-D Sound and Spatial Audio MUS_TECH 348. Physical Modeling Problem: Can we model the physical acoustics of the directional hearing system and thereby.
Hearing: Physiology and Psychoacoustics 9. The Function of Hearing The basics Nature of sound Anatomy and physiology of the auditory system How we perceive.
EQ: How do different mediums affect the speed of sound?
Applied Psychoacoustics Lecture 2: Basic Measurement Methods, Signal Detection Theory Jonas Braasch.
3-D Sound and Spatial Audio MUS_TECH 348. Stereo Loudspeaker Reproduction.
Sound Chapter Properties of Sound Sound waves – Longitudinal Waves – Caused by vibrations – Carry energy outward, which hit your ear.
1 Hearing Sound is created by vibrations from a source and is transmitted through a media (such as the atmosphere) to the ear. Sound has two main attributes:
Hearing Detection Loudness Localization Scene Analysis Music Speech.
Hearing in Distance Or Where is that sound? Today: Isabelle Peretz Musical & Non-musical Brains Nov. 12 noon + Lunch Rm 2068B South Building.
3-D Sound and Spatial Audio MUS_TECH 348. Are IID and ITD sufficient for localization? No, consider the “Cone of Confusion”
On the manifolds of spatial hearing
3-D Sound and Spatial Audio MUS_TECH 348. Environmental Acoustics, Perception and Audio Processing: Envelopment.
Fletcher’s band-widening experiment (1940)
Welcome Back Minions Now we learn about… SOUND!!! (But first a small recap…)
PROPERTIES OF SOUND CHAPTER 2, SECTION 2. Loudness describes your ___PERCEPTION__ of the energy of a sound. The loudness of sound depends on 2 factors:
Properties of Sound. Loudness Loudness describes your perception of the energy of sound – It describes what you hear The closer you are to the sound,
Sound and LightSection 1 Properties of Sound 〉 What are the characteristics of sound waves? 〉 Sound waves are caused by vibrations and carry energy through.
SPATIAL HEARING Ability to locate the direction of a sound. Ability to locate the direction of a sound. Localization: In free field Localization: In free.
Fundamentals of Sensation and Perception
3-D Sound and Spatial Audio MUS_TECH 348. What do these terms mean? Both terms are very general. “3-D sound” usually implies the perception of point sources.
Sound.
PSYCHOACOUSTICS A branch of psychophysics
Review: Hearing.
"Digital Media Primer" Yue-Ling Wong, Copyright (c)2013 by Pearson Education, Inc. All rights reserved.
Unit 6 Chapter 18 & 19 Sound and Light
Sensation Notes 5-3 (obj 11-16)
Localizing Sounds.
Intensity Waves and Sound
Musical Notes and Sine Waves
PROPERTIES OF SOUND CHAPTER 2, SECTION 2
3 primary cues for auditory localization: Interaural time difference (ITD) Interaural intensity difference Directional transfer function.
Properties of Sound EQ: How does intensity, loudness, frequency and pitch affect sound waves?
From sound to hearing Nisheeth 26th February 2019.
Properties of Sound EQ: How does intensity, loudness, frequency and pitch affect sound waves?
Chapter 22B: Acoustics A PowerPoint Presentation by
Lecture 4. Human Factors : Psychological and Cognitive Issues (II)
Presentation transcript:

3-D Sound and Spatial Audio MUS_TECH 348

Psychology of Spatial Hearing There are acoustic events that take place in the environment. These can give rise to the perception of auditory events that are subjective experiences. In the same way that sound intensity has a relationship with perceived loudness and frequency has a relationship with perceived pitch, the spatiality of these acoustic events has a relationship with the spatiality of the auditory events and that relationship is complex.

Psychology of Spatial Hearing What are some of the spatial aspects of auditory events? Left/Right PositionFocusRoom dryness/wetness ElevationVolumeRoom size Close/FarDepthRoom dryness/wetness Front/Back PositionDirection of motionSpeed OrientationEnclosednessInside/Outside Head Width/Heightand more

Psychology of Spatial Hearing What is included in ‘spatial hearing’? Properties of auditory events other than those of the sounding objects themselves---includes the perceived auditory environment and position of events with it. Considers acoustic direct and indirect sound. What is included in ‘localization’? Spatial properties of auditory events other than those related to the direct perception of the environment---includes the perceived direction and distance of events. Mostly considers direct sound but also considers indirect sound’s effect on the perception of direct sound. What is included in ‘directional hearing’? Localization properties of auditory events---includes the direction and distance of events but only considers direct sound. The truth is that everything is interrelated in spatial hearing. The scope of terms can depend on context, but for the most part:

Psychology of Direction Hearing Some important questions What are the spatial attributes of auditory events? What is the relationship between physical acoustic information and people’s perception of these attributes? How do you measure the properties of perceived events? How do you ask subjects to respond and what tasks do you give them?

Directional Hearing Historical Legacy: Before there was equipment to measure HRTFs, hearing scientists could experiment with ITD and IID There is a lot to learn with simple means.

Directional Hearing Duplex Theory of Localization (Rayleigh 1907) Good First Approximation 1) Interaural Time Difference (ITD) ITD ranges up to 800 microseconds ITD works best below 1500 Hz 2) Interaural Intensity Difference (IID) IID ranges up to 14 dB at high frequency IID works best above 1500 Hz

Let’s do some simple experiments Establish test conditions: 1.Blocking one ear with ear plug 2.Inserting tubes of unequal length over the ears 3.Changing the shape of the pinna 4.Comparing localization of complex vs impoverished sound sources (square plate with many sine waves vs. circular plate with one sine wave) Duplex Theory of Localization

What did/should we learn in our simple experiments? #1 Blocking one ear with ear plug The listener’s judgment of sound location was biased toward the ear with the greater intensity. (IID) #2 Inserting tubes of unequal length around the ears The listener’s judgment of sound location was biased toward the ear with the shorter tube. (ITD) #3 Changing the shape of the pinna (or using two ear plugs) The listener’s judgment of sound elevation was greatly diminished. (Pinna Cues) #4 Comparing localization of complex vs impoverished sound sources (square plate with many sine waves vs circular plate with one sine wave) The listener could easily localize the rich sound and hardly localize the sine wave. Other: Despite some very unnatural acoustics, listeners perceived a single source location for the sound event. Duplex Theory of Localization

With the invention of electronic equipment, Testing mostly done with headphones! Because they provide a test situation that seems controlled. ITD and IID only move sound image left and right inside the head. How do you ask listeners to describe their experience?

“Laterialization” Left and Right positioning inside the head In headphone listening, sound sources typically lack ‘externalization.’

ITD Alone / IID Constant The pairing of ITD and IID do not have to match ‘normal’ physical acoustics.

Time and Intensity Trading ITD and IID can be traded off against one another.

High frequency and low frequency content have different trade-offs. Absolute level has an impact on the results!

Are IID and ITD sufficient for localization? No, consider the “Cone of Confusion”