Michele Ballantyne, Associate General Counsel Julie McAdams, Associate General Counsel Copyright Updates.

Slides:



Advertisements
Similar presentations
COPYRIGHT BASICS Linda Sharp Marsha Stevenson
Advertisements

Copyright Law & Your Websites Computer Science 201 November 21, 2005 Sarah Garner, J.D., M.L.I.S. Law Library Director,
Copyright Dos and Don’ts
Copyright and Fair Use Dr. Barbara Lovato UNM-Valencia Campus Library.
Copyright Law David G. Post Temple Law School Feb. 2004
Copyright and Alternatives to Copyright Why now? Rita S. Heimes Director, Technology Law Center University of Maine School of Law Rita S. Heimes Director,
The T.E.A.C.H. Act New standards and requirements for the use of copyrighted materials in distance education.
The T.E.A.C.H. Act New standards and requirements for the use of copyrighted materials in education.
Educators and the Law COPYRIGHT BY: LAUREN D. WILLIAMS.
An Introduction to Copyright Central Michigan University Libraries January, 2013.
For Teachers & Students By: Terri Hall. The Copyright Law (U.S. Code, Title 17) was established to balance the rights of authors, composers, performers.
C OPYRIGHT — W HAT ’ S THE B IG D EAL Copyright in an Academic Setting.
Copyright Issues for Course Management Systems © Washtenaw Community College
1 Copyright & Other Legal Issues. 2 WHAT IS COPYRIGHT? Copyright is the form of protection provided by the laws of the United States to authors of “original.
C©PYRIGHT & FAIR USE.
Copyright and Fair Use in Distance Education shops/copyquiz.html.
Examples of problems with teacher/school site violations: A company’s logo and link on footer of homepage when company is not their business partner—only.
Copyright and Fair Use Guidelines: Using Protected Materials to Enhance Instruction.
Copyright and the Classroom What do I do? Johnny Tilton Fall 2013.
Copyright and the Classroom The ABC’s of using copyrighted material in the classroom EDUC 5306: Ranelle Woolrich.
Copyright 101 Understanding the Basics 1. Myths You can use anything you can download from the Internet If a work does not contain the copyright symbol.
IN EDUCATION Copyright and Fair Use Terri L. Gibson. (Aug, 2013)
Copyright and Fair Use in Education By: Rachel Searcy June 18, 2006.
Applying Copyright in Scholarship and Instruction Gail McMillan Digital Library and Archives University Libraries, Virginia Tech
Future Ready Schools BMA-IBT DEMONSTRATE ETHICAL AND LEGAL ACTIONS WITH REGARDS TO PLAGIARISM, FAIR USE, AND COPYRIGHT LAWS.
12 Basic IQ Skills: Copyright and Fair Use. The four pillars of IQ! Find Retrieve Analyze Use Understanding copyright is part of the ethical and legal.
COPYRIGHT IS A FORM OF PROTECTION GROUNDED IN THE U.S. CONSTITUTION AND GRANTED BY LAW FOR ORIGINAL WORKS OF AUTHORSHIP FIXED IN A TANGIBLE MEDIUM OF EXPRESSION.
Copyright in Online Education ETLO ©. Janis H. Bruwelheide, Ed.D.  Professor of Education  Montana State University  Project Director, BATE.
Who owns the Bits? Digital copyright issues are continually evolving. IP address do not map to a single person – hard to trace user Music and movie industry.
Copyright and Fair Use. Topics Intellectual Property What is Copyright? What is Fair Use? Common Violations Guidelines TEACH Act 2002.
Intellectual Property Laws and Fair Use Guidelines for Educational Multimedia.
Becky Albitz Electronic Resources/Copyright Librarian
COPYRIGHT LAW Zahra Hadi Educational Technology EDUC 5302.
Copyrights on the internet vincent yee. Digital Millennium Copyright Act October 28, 1998, President Clinton signed the Act into law.
Copyright & Fair Use Barbara McLeod Crisp County High School.
Copyright: What is Fair Use?. Copyright is protection for the authors of creative works, but what does it protect?
Copyright: What Every Teacher and Student Should Know Katie Amend Casey Moffett.
Becky Albitz Electronic Resources Librarian
1.The Nature, Impact, and Issue of Information Technology 1.5Basic Legal Framework relating to the Use of IT.
Copyright Law A Guide for Educators. Jolene Hartnett, RDH, BS Seattle Central College © 2015 Certain materials in this program are included under the.
BY KAYLA WEIDENBACH COPYRIGHT AND FAIR USE WHAT IS COPYRIGHT? Copyright- Exclusive rights granted by law to copyright owners for protection of their.
Copyright Roxanne Payne. Penalty for Copyright Infringement: "Federal law provides severe civil and criminal penalties for the unauthorized reproduction,
??????  1. Understand and explain the purpose of Fair Use.  2. Identify and explain the four factors of Fair Use.  3. Practice completing the Checklist.
LIBS100 Intellectual Property Copyright and Fair Use July 25, 2005.
Can I use that? An introduction to using Creative Commons and copyrighted material in your courses Kathleen DeLaurenti, Digital Scholarship and Music Librarian.
Legal Tightrope Walking: Copyright and Fair Use in Digital Libraries, WebCT, etc. Applying Copyright in Scholarship and Instruction Gail McMillan Digital.
Fair use and Libraries Dave Hansen March 20, 2012.
Slides prepared by Cyndi Chie and Sarah Frye1 A Gift of Fire Third edition Sara Baase Chapter 4: Intellectual Property.
COPYRIGHT AND FAIR USE By: Linda Corriveau. “In the United States, copyright law protects the authors of "original works of authorship, including literary,
PENALTY FOR COPYRIGHT INFRINGEMENT FAIR USE CLAUSE USE OF MULTIMEDIA IN THE CLASSROOM CONDITIONS FOR USING SOMEONE ELSE’S WORDS CONDITIONS FOR USING ANOTHER’S.
Subject Experts Librarians Doctors Engineers  Digitization interest on cultural heritage  Works locked up  Orphan works inaccessible.
Haley Gayden. Copyright is a law of protection given to the authors or creators of “original works of authorship,” only allowing people with permission.
Intellectual property (IP) refers to creations of the mind: inventions, literary and artistic works, music, movies, symbols, names, images, and designs.
Ethical and Legal Concerns Tyler Veak, PhD Scholarly Communication Librarian Guillermin Library July, 2012.
Hosted By: Nathan Shives Jeremy Donalson.  A copyright is a form of protection given by the laws of the United States to authors of original works. 
6/18/2016 COPYRIGHT AND Fair Use Guidelines “Respect Copyright, Celebrate Creativity”
The Fair Use Defense to Copyright Infringement An Overview Aaron K. Perzanowski.
A GUIDE TO COPYRIGHT & PLAGIARISM Key Terms. ATTRIBUTION Identifying the source of a work. For example, a Creative Commons "BY" or attribution license.
COPYRIGHT FAIR USE CREATIVE COMMONS LICENSING CHARLOTTE ROH, SCHOLARLY COMMUNICATION RESIDENT LIBRARIAN UNIVERSITY OF MASSACHUSETTS AMHERST MARCH 13, 2015.
Disclaimer This presentation is for informational purposes only and does not constitute legal advice.
Margaret Burnett April 2017
CopyRight or CopyWrong? Fair Use and Faculty Reserves
Copyright Law David G. Post Temple Law School Feb David
Copyright Issues associated with the Regents’ On-Line Degree Program
Fair Use in the Classroom
Who owns the Bits? Digital copyright issues are continually evolving.
Copyright By: Grace Collins.
Copyright and E-reserves
Copyright Rules for Teachers and Students
Who owns the Bits? Digital copyright issues are continually evolving.
Presentation transcript:

Michele Ballantyne, Associate General Counsel Julie McAdams, Associate General Counsel Copyright Updates

Scope of Copyright Protection  U.S. Constitution – authorized Congress to protect “writings” to increase knowledge.  The Copyright Act protects “original works of authorship fixed in any tangible medium of expression.”  Copyright protects the expression of an idea, not the idea itself 2

Rights of Copyright Owners  Make Copies  Create derivative works  Distribute the work to the public  Display and/or perform the work publicly  Perform sound recordings by means of a digital transmission (new right) 3

Fair Use  Purpose and character of the use  Nature of the copyrighted work  Amount and substantiality of the portion used in relation to the copyrighted work as a whole  Effect of the use upon the potential market for or value of the copyrighted work 4

Purpose and Character of the Use Favor Fair Use if  Nonprofit  Educational  Personal  Criticism  Commentary  News Reporting  Parody  Otherwise “transformative” use 5

Purpose and Character of the Use Weighs Against Fair Use  Commercial  Not transformative 6

“Imagine”  Creators of the movie “Expelled” used a 15 second excerpt from the song “Imagine,” “Nothing to kill or die for/ And no religion too” over four brief sequences showing children dancing, then a military parade, then Stalin waving. Clip preceded by comments against religion. Is this a transformative fair use? 7

Nature of the Work Fair Use  Fact  Published  More Protected if  Creative  Unpublished 8

Amount and Substantiality of Portion Used Fair Use  Small amount  Not the heart of a work  Appropriate in light of purpose Not Fair Use  More than small amount  Heart of the work 9

Effect on the Market  If this kind of use were widespread, what effect would it have on the market for the original or for permissions? 10

Effect on the Market (cont.)  Get Permission if  Directly competes with sales of the original?  Avoids payment for permission in established permissions market? 11

Ravens 1 Shield 12

Ravens 2 Shield 13

Gaylord – Original Column 14

Alli Photograph of the Column 15

US Postal Stamp 16

Obama Photo and Poster 17

The Catcher in the Rye 18

Salinger v. Colting The Catcher in the Rye, original work 60 Years Later Coming Through the Rye Book billed as “sequel,” Mr. C – Holden Caulfield, similar plot and characters Trial and appeals court found no fair use 19

Fair use analysis Not sufficiently transformative – rejected argument it was a parody or commentary Original novel creative Amount used was substantial (characters and plot) Significant detrimental effect on market for derivatives 20

University Copying of Copyrighted Works Policy Reg  Copying of Copyrighted works Reg  Performance or display of copyrighted works Reg

Online Fair Use Evaluator 22

UCLA Streaming Lawsuit 2005 UCLA began converting titles faculty requested into streamable format Examples: Shakespeare productions for English classes; foreign language films for linquistic and foreign language classes Password protected sites; enrolled students; via UCLA intranet; no up- or downloading 23

AIME and AVP Claims Copyright violation by copying films purchased from Plaintiffs, then streaming AIME and AVP offer streaming licenses Lawsuit filed December

UCLA Arguments Fair Use  Educational use – purpose of teaching rather than entertainment  Nature of work?  Amount used?  Because can show same film in classroom, no real market harm 25

Face-to-face teaching exception  Classroom or similar place devoted to instruction TEACH Act distance learning  Are these “reasonable and limited portions”?  Are they all “nondramatic literary or musical works”?  Are they works marketed for distance ed? 26

Georgia State E-Reserves Cambridge and Oxford Presses filed suit alleging use of electronic systems to reproduce and distribute excerpts from copyrighted works to students – injunctive relief New Georgia State copyright policy 2009 – instructor must complete Fair Use Checklist; if conclude is fair use, can use e-reserve. 27

Court ruling on motions for summary judgment October 2010 – record did not establish whether the new policy encourages the proper application of fair use. Plaintiffs will need to show that new 2009 “Policy resulted in ongoing and continuous misuse of fair use defense.” 28

Digital Millennium Copyright Act Prohibits circumvention of certain technological measures employed by or on behalf of copyright owners to protect their works 29

Exemptions to the DMCA Register of Copyrights and Library of Congress charged to balance copyright protections and the public’s ability to make non-infringing uses If scrambling software makes it too difficult to make non-infringing uses, an exemption will be granted (evaluated every three years) 30

Short portions of motion pictures (DMCA exemption) What  Motion pictures (not video games or slide presentations)  Contained in a college or university library 31

Short portions of motion pictures (DMCA exemption) Why  Motion picture used for the purpose of criticism & comment  Reasonable belief that circumvention is necessary to fulfill the purpose of the use Educational uses Documentary filmmaking Non-commercial videos 32

Short portions of motion pictures (DMCA exemption) Who  College or university professors  Film & media studies students 33

Installation of third-party software on smart phones (DMCA exemption) Circumvention of the technological measures that prevent third-party software applications from being installed on smart phones is permitted under fair-use Consistent with congressional interests in interoperability 34

Installation of third-party software on smart phones (DMCA exemption) Fair-use  Purpose: private, non-commercial use  Nature of the work: customary for third-party programs to interoperate  Portion taken: unauthorized derivative work, but small amount modified (1/160,000 th ) undermines the importance of this factor  Effect on the market: likely to increase, not decrease sales 35

“Unlocking” smart phones (DMCA exemption) An individual owner of a smart phone is allowed to “unlock” his/her smart phone so that it can be used on the wireless network of the owner’s choice This does not apply to “bulk resellers” who purchase new smart phones for resale 36

Many patient intake or assessment questionnaires require permission Use standardized tests and assessments only with permission from the copyright holder (or the company acting on his/her behalf) If you are unsure of whether a test or assessment you wish to use is copyrighted, find out prior to using it (the Office of General Counsel can help determine if a work is copyrighted) 37