Ethics and Archives A perspective from the Arts and Humanities Data Service Alastair Dunning, AHDS Executive Office King’s College London,

Slides:



Advertisements
Similar presentations
Open content licences Creative Commons for open repositories Iryna Kuchma, eIFL Open Access Program Manager, eIFL.net Presented at Using Open Access Models.
Advertisements

Draft JORUM Depositor Licence By Emanuella Giavarra LLM Chambers of Prof. Mark Watson-Gandy Amsterdam and London
Intellectual Property and e-theses Theo Andrew Intellectual Property and e-theses: What you need to know.
Advice on Consent and Confidentiality for Sharing Research Data Ethics and Consent issues: one-day workshop Belfast, 18 January 2005 John Southall.
Depositing Data for Archiving Libby Bishop ESDS Qualidata, University of Essex Changing Families, Changing Food Meeting University of Sheffield 15 March.
Data copyright, rights management and the use of existing data resources Managing research data well workshop London, 30 June 2009 Manchester, 1 July 2009.
DSpace: the MIT Libraries Institutional Repository MacKenzie Smith, MIT EDUCAUSE 2003, November 5 th Copyright MacKenzie Smith, This work is the.
Pre Workshop Quiz –TRUE/FALSE. 1. Copyright is the only law relevant in OER. 2. As long as we have a licence for a work, we can include it. 3. Fair Dealing.
Legal & Ethical Aspects of Access Management DELAMAN Access Management Workshop Nov 2004 Heidi Johnson (AILLA)  Gary Holton (ANLC)
Research Contracts and IP Services TRAINING WORKSHOPS ON HORIZON 2020 – 27 NOV 2014 The Grant Agreement Roger Wallace – Research Contracts & IP Services.
Hosted at the Institute for Learning and Research Technology, University of Bristol. Wiltshire Museums Copyright Seminar - 25-Nov-2003 Copyright and Online.
Copyright management in open access projects Iryna Kuchma Open Access Programme Manager Attribution 3.0 Unported.
Research Development for Android Coopman Tom. What is Android?  Smartphone operating system  Google  Popular  ‘Easy to develop’  Open-Source  Linux.
DATA PROTECTION and Research University Research Ethics Committee – David Cauchi Office of the Data Protection Commissioner.
Intellectual Property in the Digital Age Series “Don’t I Own My Own Work?” Negotiating to Keep Your Copyright Intellectual Property in the Digital Age:
Is Mobility of Data a Special Problem for Qualitative Research? John Southall ESDS Qualidata A service provider of the UK Data Archive.
Depositing and Disseminating Digital Resources Alan Morrison Collections Manager AHDS Subject Centre for Literature, Linguistics and Languages.
1 Sharing Learning Objects in Health Care - 24 th March 2009www.jorum.ac.uk Repositories and communities: how Jorum can enhance sharing Nicola Siminson.
Archiving Data. Essential stuff to know Why deposit? Digital repositories ADS Guidelines Deposit evaluation & requirements Deposit checklist & template.
1 CS 502: Computing Methods for Digital Libraries Lecture 25 Access Management.
Collections from the Arts and Humanities Data Service (AHDS)
INTERNET and CODE OF CONDUCT
Elizabeth Newbold and Samantha Tillett GL8 New Orleans, December 2006
Supporting further and higher education Digital Preservation: Legal Issues Chinese National Academy of Sciences July04 Neil Beagrie, BL/JISC Partnership.
1 Copyright & Other Legal Issues. 2 WHAT IS COPYRIGHT? Copyright is the form of protection provided by the laws of the United States to authors of “original.
~ Copyright ~ Steering through uncharted waters; otherwise known as going with the flow… April 20, 2010 Sharon C. Bender.
New copyright challenges for the users digital works Dragutin Nemec Library of the Faculty of law in Zagreb LIBRARIES IN THE DIGITAL AGE (LIDA) 2007.
Copyright and Digitisation Alastair Dunning Arts and Humanities Data Service, King’s College London i am not a lawyer do not take any legal responsibility.
DATA MANAGEMENT SUPPORT FOR RESEARCHERS …………………………………………
Funded by: © AHDS Arts and Humanities Data Service RSC London, November 2004 Alastair Dunning Arts and Humanities Data Service Executive King’s College.
Aims and Objectives “ The Archaeology Data Service (ADS) supports research, learning and teaching with high quality and dependable digital resources.
Guidelines for data preparation - ESRC Datasets Policy Louise Corti ESDS/UKDA Social Science Data Archives for Social Historians: creating, depositing.
Responsible Data Use: Data restrictions Robert R. Downs, PhD NASA Socioeconomic Data and Applications Center (SEDAC) Center for International Earth Science.
Contract Models for Virtual Teaching Helsinki University Porthania III 24 October 2001 Kristiina Harenko Attorneys at Law Borenius & Kemppinen Oy.
CRICOS No J a university for the world real R Managing the legal issues: practical steps for handling copyright, IP and other legal issues Kylie.
Electronic Copyright and Digitisation Unit Linda Swanson Resource Development Co ordinator University of Derby.
ESRC Datasets Policy and Qualitative Data Preparation Gill Backhouse Senior Acquisitions and Liaison Officer Qualidata.
The selection, appraisal and retention of social science data in the UK K. Schürer UK Data Archive and Economic and Social Data Service CODATA/ERPANET.
Funded by: © AHDS Digitisation – Other Issues Houghton-le-Spring, November 2005 Alastair Dunning Arts and Humanities Data Service Executive King’s College.
Queensland University of Technology CRICOS No J The OAK Law Project Legal Issues in Data Management: A Practical Approach.
THE ROLE OF CIRCUMSTANCES AND AGREEMENTS IN DETERMINING OWNERSHIP OF COPYRIGHT AND OTHER INTELLECTUAL PROPERTY IN FACULTY CREATED WORKS. Faculty Created.
Coping with Copyright IPR and Third-Party Copyright: the HumBox Perspective Dr Erika Corradini Subject Centre for LLAS University of Southampton IPR and.
AHDS Digitisation Workshop University of Edinburgh 3rd April 2003.
National Smartcard Project Work Package 8 – Intellectual Property Report.
CRICOS No J a university for the world real R The OAK Law Project Queensland University of Technology CRICOS No J 1.
ER-0317/2/99 G R U P O S G A E DIGITAL RIGHTS MANAGEMENT INTRODUCTION/ OPTIONS EdReNe Seminar March 2008 Paul Sire Sociedad Digital de Autores y Editores.
Web 2.0: Making the Web Work for You, Illustrated Unit B: Finding Media for Projects.
Copyright for Book Artists Ariadni Athanassiadis Kyma Professional Corporation CBBAG, Ottawa December 11, 2013.
LEGAL ASPECTS OF DIGITAL LIBRARIES By TALWANT SINGH ADDL DISTT. & SESSIONS JUDGE; DELHI.
The Quest for Copyright Understanding Miguel Guhlin
Depositing with the AHDS With particular reference to IPR.
Responsible Data Use: Data Restrictions Robert R. Downs, PhD NASA Socioeconomic Data and Applications Center (SEDAC) Center for International Earth Science.
INTELLECTUAL RIGHTS AND HISTORIC CORPORA Mark Sandler University of Michigan ICOLC, March, 2003.
International Seminar on Collective Management of Copyright in the Digital Environment Bangkok, 22 August 2013 Kevin Fitzgerald Chief Executive UK Copyright.
Data for secondary analysis: the experience of the UK Data Archive Hilary Beedham UK Data Archive.
The Basics of Copyright Joy Kirchner & Amy Buckland Auburn, ALMay 8, 2015 ACRL Scholarly Communications Roadshow INTELLECTUAL PROPERTY: ©
Legal and copyright issues: experiences and advice Morag Greig.
© 2004 The IPR-Helpdesk is a project of the European Commission DG Enterprise, co-financed within the fifth framework programme of the European Community.
Copyright Issues in Data Management CHRISTINE FRUIN / SCHOLARLY COMMUNICATIONS LIBRARIAN.
Patent Review Overview Summary of different types of Intellectual Property What is a patent? Why would you want one? What are the requirements for patentability?
Connectivity to bank and sample account structure
CESSDA SaW Training on Trust, Identifying Demand & Networking
Ethical and Legal Issues
Research Governance and Ethics Workshop 8th February 2007
National Contact Points (NCP) Training
GENERAL DATA PROTECTION REGULATION (GDPR)
Copyright and Higher Degree Students
INTELLECTUAL PROPERTY RIGHTS (IPR) IN FP7
Copyright and Higher Degree Students
Copyright and Higher Degree Students
Presentation transcript:

Ethics and Archives A perspective from the Arts and Humanities Data Service Alastair Dunning, AHDS Executive Office King’s College London, Research Governance and Ethics Workshop 8 th February 2007

How is the AHDS Organised? Established in 1996 Managing Executive (King’s College, London) AHDS Literature, Languages and Linguistics (Oxford Text Archive, Oxford Uni.) AHDS History (UK Data Archive, Uni. of Essex) AHDS Archaeology (Archaeology Data Service) AHDS Performing Arts (Uni. of Glasgow) AHDS Visual Arts (University for Creative Arts) Funded by the JISC and the AHRC

What does the AHDS do? Advises on the creation of digital data Collects, preserves and distributes high-quality digital resources for research and teaching These resources are online for free for educational and private use – national collections at subject levels

Relevant digital subjects & material Oral history Linguistics Medical history Copyright Moral rights (Soft ethics?) Data protection and copyright cause overlapping problems Text, images, video, audio, GIS …

Interaction with AHRC Giving advice to applicants with any technical component Marking Technical Appendices Collecting digital material from successful applicants Dissemination of material Preservation of material Issues relating to monitoring legal status of materials occur at each stage

Technical Appendix Obligatory for Research Grant and some other AHRC applications Candidate shows proficiency in digital context – project management, data development, access, rights issues Marked by AHDS – feedback provided to AHRC Peer Review Panels – applications can be rejected or labelled conditional

Resource Creation Projects are informed on best practice in clearing copyright or gaining consent –Lack of fixed practice a problem –Projects unaware of time / cost issues –Project unaware of positive aspects –Many assume copyright does not apply to them –Less naivety about data protection

Archiving All digital material should be deposited with AHDS Depositor signs AHDS licence – –Non-exclusive –No rights transferred –Depositor ensures he has appropriate permissions –AHDS / University involved accepts no responsibility –(Licence needs updating …)

that the Depositor is the owner of the copyright and associated intellectual property rights in the whole Data Collection or is duly authorised by the owner, or owners, of these rights and is capable of granting under this agreement, a licence to hold and disseminate copies of the material. that the Data Collection is not and shall be in no way a violation or infringement of any copyright, trademark, patent, or other rights whatsoever of any person. that the Data Collection does not and will not contravene any laws, including but not limited to the law relating to defamation, or obscenity. that the Depositor is not under any obligation or disability created by law, contract or otherwise which would in any manner or to any extent prevent or restrict him from entering into and fully performing this Agreement. to notify the AHDS of any change of copyright ownership affecting the Data Collection. to notify the AHDS of any confidentiality, privacy or data protection issues pertaining to the Data Collection.

Delivery Options (I) Freely available –Material available to everyone –Obviously depends on depositor Higher Education Only –Disseminate collection to HE users only –But difficult to authenticate addresses –Rather useless boundary in legal terms Preservation Only –Material only available to depositor –Legally safe but data is not circulated –What happens when contact with depositor is lost?

Some examples Preservation Only –TV Times –Newcastle Corpus Access Restricted –French Learner Language Oral Corpora Freely available –Spanish Civil War posters Dependent on idiosyncrasies of depositor as well as legal position

Delivery Options (II) – in the future Making index terms available freely –Therefore letting others at least know of material’s existence Encouraging data preparation (e.g. anonymization) –Matter of course in some subject area –Easy-ish to anonymize some data (e.g. census data); Can be difficult for other data types (e.g. transcription) More sophisticated authentication?

From the user’s point of view All users must agree with AHDS Common Access Agreement – common-access.htm –Use in non-commercial research or teaching only –Rights still remain with depositor –(who reads it by the way….?)

Issues Proper monitoring (currently taking word of depositors on trust) Getting permission for distributed archiving; and for use and re-use Preparing material for re-use –Projects have little time for others –Keeping the chief on top Agreeing and circulating best practice –Managing creators’ expectations