Midterm Review: Gothic to Mannerism

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Presentation transcript:

Midterm Review: Gothic to Mannerism ART HISTORY 2051 Midterm Review: Gothic to Mannerism

Midterm: Review Gothic (c. 1300 AD) principal artists: Cimabue Duccio Giotto

Midterm: Review Early Renaissance (c. 1425-1485) sculpture comparison between Donatello & Ghiberti comparison between early & late Donatello

Midterm: Review Early Renaissance Early Renaissance painting: Masaccio - c. 1425 Fra Angelico - 1450 Domenico - c. 1450 Francesca - c. 1450 Uccello - c. 1450 Castagno - c. 1450 Mantegna - c. 1450 Early Renaissance painting: (cont.) Perugino - c. 1475 Bellini - c. 1475 Botticelli - c. 1475 di Cosimo - c. 1475

Midterm: Review High Renaissance (c. 1485-1520) sculpture Michelangelo Donatello vs. Michelangelo’s David Classicizing vs. Hellenistic tendencies Classicizing vs. Mannerist tendencies

Midterm: Review High Renaissance (c. 1500) painting: Leonardo Michelangelo Raphael

Midterm: Review Venetian Renaissance (c. 1525-50) painting: Giorgione Titian themes: religious reclining nude (re: Giorgione) mythological/Humanist compositions: dynamic application of paint: painterly

Midterm: Review Mannerism (c. 1525-1600) principal artists: Fiorentino - c. 1525 Pontormo - c. 1525 Corregio - c. 1525 Bronzino - c. 1550 Tintoretto - c. 1575 El Greco - c. 1600

IMAGE INDEX Slide 3: (Left) CIMABUE’s Madonna Enthroned (c. 1300 AD); and (right) Late Byzantine Madonna Enthroned (late 13th century AD). Slide 4: DUCCIO. Madonna Enthroned, (c. 1300 AD). Slide 5: GIOTTO. Madonna Enthroned (c. 1300 AD). Slide 6: GIOTTO. The Lamentation (c. 1300 AD). Slide 8: (Left) DONATELLO’s St. Mark (c. 1400); and (right) GHIBERTI’s St. John the Baptist (1400). Slide 9: (Left) DONATELLO’s David (c. 1425); and (right) DONATELLO’s Mary Magdalen (c. 1450).

IMAGE INDEX Slide 11: MASACCIO. The Holy Trinity (c. 1425). Slide 12: MASACCIO. The Tribute Money (c. 1425), in the Brancacci Chapel. Slide 13: MASACCIO. Madonna Enthroned (c. 1425). Slide 14: FRA ANGELICO. Descent from the Cross (c. 1450). Slide 15: DOMENICO. Madonna and Child with Saints (c. 1450). Slide 16: FRANCESCA. The Resurrection (c. 1450). Slide 17: UCCELLO. Battle of San Romano (c. 1450).

IMAGE INDEX Slide 18: CASTAGNO. The Last Supper (c. 1450). Slide 19: MANTEGNA. St. Sebestain (c. 1450). Slide 20: PERUGINO. Delivery of the Keys (c. 1475). Slide 21: BELLINI. St. Francis in Ecstasy (c. 1475). Slide 22: BOTTICELLI. The Birth of Venus (c. 1475). Slide 23: DI COSIMO. Discovery of Honey (c. 1500). Slide 25: (Left) MICHELANGELO’s David (c. 1500); and (right) DONATELLO’s David (c. 1425). Slide 26: (Left) MICHELANGELO’s classicizing styled David (c. 1500); and (right) Hellenistic tendencies in The Rebellious Slave (c. 1515).

IMAGE INDEX Slide 27: (Left) MICHELANGELO’s classicizing tendencies in Pieta (c. 1500); and (right) Mannerist tendencies in Pieta (c. 1550). Slide 29: LEONARDO. The Last Supper (c.1500). Slide 30: LEONARDO. Mona Lisa (c. 1500). Slide 31: Detail of MICHELANGELO’s Creation of Adam (c. 1500). Slide 32: MICHELANGELO. Fall of Man (c. 1500). Slide 33: MICHELANGELO. The Last Judgment (c. 1535-40). Slide 34: RAPHAEL. Marriage of the Virgin (c. 1500).

IMAGE INDEX Slide 35: RAPHAEL. Madonna of the Meadow (c. 1500). Slide 36: RAPHAEL. The School of Athens (c. 1500). Slide 37: RAPHAEL. Transfiguration of Christ (c. 1520). Slide 39: GIORGIONE. Sleeping Venus (c. 1500), Slide 40: TITIAN. Assumption of the Virgin (c. 1525). Slide 41: TITIAN. Madonna of the House of Pesaro (c. 1525). Slide 42: TITIAN. Bacchanal (c. 1525).

IMAGE INDEX Slide 43: TITIAN. The Venus of Urbino (c. 1550). Slide 44: TITIAN. Pope Paul III and His Grandsons (c. 1550). Slide 45: TITIAN. Christ Crowned with Thorns (c. 1575). Slide 47: (Left) FIORENTINO’s Descent from the Cross (c. 1525); and (right) PONTORMO’s Descent from the Cross (c. 1525). Slide 48: CORREGGIO. Assumption of the Virgin (c. 1525). Slide 49: PARMIGIANINO. Madonna with the Long Neck (c. 1525).

IMAGE INDEX Slide 50: (Left) TINTORETTO’s Last Supper (c. 1600); and (right) LEONARDO’s Last Supper (c. 1500). Slide 51: EL GRECO. Burial of Count Orgaz (c. 1600). Slide 52: (Left) TITIAN’s Man with Gloves (c. 1525); and EL GRECO’s Portrait of a Cardinal (c. 1600). Slide 53: EL GRECO. View of Toledo (c. 1600).