SUMI-E INK PAINTINGS

History of Sumi-e Sumi-e is a style of painting that is characteristically Asian. It has been practiced for well over a thousand years. Literally ink painting, it is an art form that strives to distill the essence of an object or scene in the fewest possible strokes. A few carefully placed broad strokes that fade off abruptly, a few thin lines and a dot, and a bird is clearly called into being on the paper.

…additional History Sumi-e is sometimes confused with calligraphy, because the tools used are the same. Calligraphy is the graceful, artistic representation of written characters, using ink and brush, while sumi-e is painting a scene or object. In the West, sumi-e is often called Chinese Brush Painting, although it has been a major art form in Japan and Korea as well.

The Four Treasures This refers to the must-haves of sumi-e: An  ink stone An ink stick A brush Paper

Sumi-e Supplies The ink stone is a stone with a shallow depression carved into it; it is used to prepare and hold the ink for the painter. The ink stick is a black stick composed of pine soot, bound into a hardened form with resin. It is typically molded in cylinders or rectangles with a lavishly decorated bas relief, such as dragons, on the surface. The reliefs are often painted in gold or other colors, making the utilitarian stick of ink a work of art in itself.

The Sumi-e painter creates the ink immediately before beginning the painting, by sprinkling a few drops of water on the stone and then holding the ink stick upright, making circles with the stick on the stone. The end of the ink stick releases some of the soot into the water, making the ink. A skilled Sumi-e painter knows how much ink to prepare for the painting he or she has in mind and makes enough, but not too much. Ink is not stored to be used later. Making the ink is a form of moving meditation for the painters, during which they prepare themselves mentally for the painting process.

Brushes used in sumi-e are usually wolf-hair in bamboo - 'wolf hair' can actually be horsehair, boar bristle or other animal hair. The brush's ability to hold and retain a point is critical to a sumi-e painter, since one brush is used to create the widest and thinnest of lines.

Paper is very important; it must be absorbent without being too absorbent. A paper that draws all the ink of out the brush at once will be impossible to work with, yet it must be able to draw up some of the ink, since some strokes depend on the brush lingering to fatten a line. Most  watercolor papers are not suitable, since the paint stays mostly on the surface. Rice paper is the most common paper used in sumi-e painting.

Bamboo Orchid Chrysanthemum Plum Tree The paint strokes out of which most paintings can be made are called the Four Gentlemen; these are the bamboo, the orchid, the chrysanthemum and the plum tree.

Vocabulary- Pronunciation Sumi-e Brush = FUDE (foo-day) Ink Stick = SUMI (soo-me) Ink Stone = SUZURI (suh-zur-ee) Paper = KAMI (kam-me)

The Red Seal A sumi-e painting is often accented with a red seal. The seal can represent the artist, or some message or theme the artist wants to incorporate. While many sumi-e artists add color to their painting, in its purest form, black ink on white paper is thought to be sufficient to convey the qi(variously, 'chi')-- the essence or spirit of the thing.

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Learning Targets Become familiar with and utilize vocabulary specific to that of Sumi-e Ink Paintings. Create preliminary brushstroke exercises before creating a final piece of art work. Create a painting in the Sumi-e style and approach- complete with a red seal. Create a series of The Four Gentleman. Create an animal sumi-e painting. Assess work and make changes based upon those observations.