Localizing Sounds. When we perceive a sound, we often simultaneously perceive the location of that sound. Even new born infants orient their eyes toward.

Slides:



Advertisements
Similar presentations
Auditory Localisation
Advertisements

Sound Localization Superior Olivary Complex. Localization: Limits of Performance Absolute localization: localization of sound without a reference. Humans:
Perception Chapter 11: Hearing and Listening
Psychoacoustics Perception of Direction AUD202 Audio and Acoustics Theory.
Binaural Hearing Or now hear this! Upcoming Talk: Isabelle Peretz Musical & Non-musical Brains Nov. 12 noon + Lunch Rm 2068B South Building.
3-D Sound and Spatial Audio MUS_TECH 348. Psychology of Spatial Hearing There are acoustic events that take place in the environment. These can give rise.
Hearing Detection Loudness Localization Scene Analysis Music Speech.
Properties of Sound EQ: How does intensity, loudness, frequency and pitch affect sound waves?
3-D Sound and Spatial Audio MUS_TECH 348. Wightman & Kistler (1989) Headphone simulation of free-field listening I. Stimulus synthesis II. Psychophysical.
1 Auditory Sensitivity, Masking and Binaural Hearing.
AUDITORY LOCALIZATION Lynn E. Cook, AuD Occupational Audiologist NNMC, Bethesda, MD.
Development of sound localization
Hearing & Deafness (3) Auditory Localisation
AUDITORY PERCEPTION Pitch Perception Localization Auditory Scene Analysis.
Spectral centroid 6 harmonics: f0 = 100Hz E.g. 1: Amplitudes: 6; 5.75; 4; 3.2; 2; 1 [(100*6)+(200*5.75)+(300*4)+(400*3.2)+(500*2 )+(600*1)] / = 265.6Hz.
A.Diederich– International University Bremen – USC – MMM – Spring Onset and offset Sounds that stop and start at different times tend to be produced.
Plasticity in sensory systems Jan Schnupp on the monocycle.
Sound involves the compression and rarefaction of a medium like air.
Frequency Coding And Auditory Space Perception. Three primary dimensions of sensations associated with sounds with periodic waveforms Pitch, loudness.
Hearing.
Hearing Part 2. Tuning Curve Sensitivity of a single sensory neuron to a particular frequency of sound Two mechanisms for fine tuning of sensory neurons,
Translations 4.2 JMerrill, 2009 Sine Waves Recorded sounds, that are periodic, are some kind of sine wave. Most of these sine waves are not of the “parent.
Waves Topic 4.4 Wave characteristics. What is a Wave? v A wave is a means by which energy is transferred between two points in a medium without any net.
Puzzler 1 Imagine that you have three boxes, one containing two black marbles, one containing two white marbles, and the third, one black marble and one.
Speech Perception 4/6/00 Acoustic-Perceptual Invariance in Speech Perceptual Constancy or Perceptual Invariance: –Perpetual constancy is necessary, however,
The Auditory System Dr. Kline FSU. What is the physical stimulus for audition? Sound- vibrations of the molecules in a medium like air. The hearing spectrum.
By: Ellie Erehart, Angie Barco, Maggie Rieger, Tj Myers and Kameron Thomas.
Hearing: auditory coding mechanisms. Harmonics/ Fundamentals ● Recall: most tones are complex tones, consisting of multiple pure tones ● The lowest frequency.
3-D Sound and Spatial Audio MUS_TECH 348. Main Types of Errors Front-back reversals Angle error Some Experimental Results Most front-back errors are front-to-back.
Chapter 12: Auditory Localization and Organization
Chapter 5: Normal Hearing. Objectives (1) Define threshold and minimum auditory sensitivity The normal hearing range for humans Define minimum audible.
Pure Tone Audiometry most commonly used test for evaluating auditory sensitivity delivered primarily through air conduction and bone conduction displayed.
 Space… the sonic frontier. Perception of Direction  Spatial/Binaural Localization  Capability of the two ears to localize a sound source within an.
Chapter 12: Sound Localization and the Auditory Scene.
Audio Systems Survey of Methods for Modelling Sound Propagation in Interactive Virtual Environments Ben Tagger Andriana Machaira.
How Can You Localize Sound? Ponder this: –Imagine digging two trenches in the sand beside a lake so that water can flow into them. Now imagine hanging.
3-D Sound and Spatial Audio MUS_TECH 348. Physical Modeling Problem: Can we model the physical acoustics of the directional hearing system and thereby.
Spatial and Spectral Properties of the Dummy-Head During Measurements in the Head-Shadow Area based on HRTF Evaluation Wersényi György SZÉCHENYI ISTVÁN.
Sensation and Perception: Hearing. Sound Sound comes in waves. The waves are produced by vibration. Sound is vibration Ex. Clap your hands causes the.
Perception: Hearing Sound: Amplitude – loudness (decibels)
Auditory System. Adequate Stimulus for the auditory system is sound What is sound? Two components of sound displacement component movement of molecules.
Auditory Neuroscience 1 Spatial Hearing Systems Biology Doctoral Training Program Physiology course Prof. Jan Schnupp HowYourBrainWorks.net.
Fundamentals of Sensation and Perception THE AUDITORY BRAIN AND PERCEIVING AUDITORY SCENE ERIK CHEVRIER OCTOBER 13 TH, 2015.
Listeners weighting of cues for lateral angle: The duplex theory of sound localization revisited E. A. MacPherson & J. C. Middlebrooks (2002) HST. 723.
1 Hearing Sound is created by vibrations from a source and is transmitted through a media (such as the atmosphere) to the ear. Sound has two main attributes:
Coordinate Plane.
3-D Sound and Spatial Audio MUS_TECH 348. Are IID and ITD sufficient for localization? No, consider the “Cone of Confusion”
Energy, Stereoscopic Depth, and Correlations. Molecules Levels of Information Processing in the Nervous System 0.01  m Synapses 1m1m Neurons 100 
Development of Sound Localization 2 How do the neural mechanisms subserving sound localization develop?
$ studying barn owls in the laboratory $ sound intensity cues $ sound timing cues $ neural pathways for sound location $ auditory space $ interaural time.
PSYC Auditory Science Spatial Hearing Chris Plack.
 Sound is a disturbance that travels through a MEDIUM as a LONGITUDINAL WAVE.
Fletcher’s band-widening experiment (1940)
The owl Ecology and behavior
SPATIAL HEARING Ability to locate the direction of a sound. Ability to locate the direction of a sound. Localization: In free field Localization: In free.
Fundamentals of Sensation and Perception
3-D Sound and Spatial Audio MUS_TECH 348. What do these terms mean? Both terms are very general. “3-D sound” usually implies the perception of point sources.
Sound Localization and Binaural Hearing
Auditory Localization in Rooms: Acoustic Analysis and Behavior
PSYCHOACOUSTICS A branch of psychophysics
Review: Hearing.
The barn owl (Tyto alba)
3) determine motion and sound perceptions.
"Digital Media Primer" Yue-Ling Wong, Copyright (c)2013 by Pearson Education, Inc. All rights reserved.
How We Hear.
Presented by Kesler Science
Localizing Sounds.
3 primary cues for auditory localization: Interaural time difference (ITD) Interaural intensity difference Directional transfer function.
Properties of Sound EQ: How does intensity, loudness, frequency and pitch affect sound waves?
Properties of Sound EQ: How does intensity, loudness, frequency and pitch affect sound waves?
Presentation transcript:

Localizing Sounds

When we perceive a sound, we often simultaneously perceive the location of that sound. Even new born infants orient their eyes toward sound sources. Interestingly, a given sound contains absolutely no physical property that designates its location. So the ability to localize a sound must be caused entirely by neural events, since we can’t “pick-up” positional cues from the stimulus itself.

Localizing Sounds Ideally, it would be adaptive for an organism to localize sounds in all three spatial dimensions. For simplicity, we’ll begin omitting the depth dimension (i.e., the “z” -axis). We’ll return to that later. Azimuth: Position along the horizontal plane (“x”-axis). Elevation: Position along the vertical plane (“y”-axis). Let’s see a diagram of these planes….

Localizing Sounds Both azimuth and elevation are relative to head position (or more precisely, “ear level”).

Localizing Sounds So, psychophysicists describe locations by using two coordinates, one for azimuth and one for elevation. The two coordinates seem to be specified to the listener by different neural events. Let’s first consider the neural events that pertain to the azimuth (horizontal plane)…

Localizing Sounds Interaural Intensity Difference (IID): The disparity between the amount of acoustic energy that reaches the left and right ears. IIDs vary with the azimuth (i.e., horizontal position) of the source, and the frequency of the stimulus, as shown here…

Localizing Sounds For 6,000 Hz tone, the acoustic energy differs by 20 dB in the two ears.

Localizing Sounds For 6,000 Hz tone, the acoustic energy differs by 20 dB in the two ears. BUT, this is not true for the 200 Hz tone, which produces no IIDs with azimuth.

Localizing Sounds Interaural Time Difference (ITD): The disparity between the time-of-arrival at the left and right ears. ITDs vary with the azimuth (i.e., horizontal position) of the source.

Localizing Sounds ITDs are largest (0.6 msec) when the sound originates from the left or right.

Localizing Sounds The Duplex Theory Of Sound Localization: ITDs are used to localize low frequency sounds, and IIDs are used to localize high frequency sounds. Localization for adult humans is particularly poor between 2,000 and 4,000 hertz: We are not very sensitive to either ITDs or IIDs in that range. ITDs and IIDs are both vulnerable to certain ambiguities. Specifically, a given ITD (or a given IID) can arise from more than one location in space, as shown here…

Localizing Sounds The same IID occurs for two horizontal positions.

Localizing Sounds Or here, the same IID occurs for two horizontal positions. “Front / Back” errors are very common.

Localizing Sounds The same ITD occurs for different horizontal positions.

Localizing Sounds Again, the same ITD occurs for different horizontal positions. “Front / Back” errors are very common.

Localizing Sounds Localization errors can be reduced by moving one’s head. However, head movements usually require a fairly long time (by neural standards), say, 500 msec. So, head movements are only helpful in localizing sounds of relatively long durations. Another factor that minimizes localization errors has to do with the pinnas -the outer most portion of the ear.

Localizing Sounds Sound “bounces” around the pinna before entering the auditory canal. The number and direction of the bounces depends on the direction from which the sound originates. This is equally true for vertical and horizontal displacements of sound, so unlike ITDs and IIDs, the pinnas could play a role in vertical localization. Apparently, people can identify locations when they hear recordings from their own (“post-pinna”) auditory canal, but not from some one else’s (“post-pinna”) auditory canal…

Localizing Sounds Here are two pinnas from two different people.

Localizing Sounds Each unique pinna produced unique waveforms in the auditory canal

Localizing Sounds Apparently, our brains adapt to the sounds that come from our own pinnas. Finally, it seems that monaural cues are sufficient for vertical localization (via the pinna), since people can perform vertical localization equally well in monaural and binaural conditions.