Analog Synthesizers Yohahn Jo Systems Engineering Class of 2011.

Slides:



Advertisements
Similar presentations
Design of Digital IIR Filter
Advertisements

Basic Tools for Understanding Synthesis. Synthesizer A musical instrument that produces waveforms, typically in the audio range of about 20 to 20,000.
Korg MS 10!! By Elizabeth Laberge!!. History It was made by the Japanese corporation Korg in It was the smallest and cheapest one they made at the.
Chapter 5 Radio Signals & Equipment (Part 2)
What makes a musical sound? Pitch n Hz * 2 = n + an octave n Hz * ( …) = n + a semitone The 12-note equal-tempered chromatic scale is customary,
Lock-in amplifiers Signals and noise Frequency dependence of noise Low frequency ~ 1 / f –example: temperature (0.1 Hz), pressure.
EE2F2 - Music Technology 9. Additive Synthesis & Digital Techniques.
Sampling process Sampling is the process of converting continuous time, continuous amplitude analog signal into discrete time continuous amplitude signal.
Chapter 7 Principles of Analog Synthesis and Voltage Control Contents Understanding Musical Sound Electronic Sound Generation Voltage Control Fundamentals.
Classical Analog Synthesis. Analog Synthesis Overview Sound is created by controlling electrical current within synthesizer, and amplifying result. Basic.
Copyright © 2011 by Denny Lin1 Simple Synthesizer Part 4 Based on Floss Manuals (Pure Data) “Building a Simple Synthesizer” By Derek Holzer Slides by Denny.
Sound Synthesis CE 476 Music & Computers. Additive Synthesis We add together different soundwaves sample-by-sample to create a new sound, see Applet 4.3.
Source 1 Keyboard Out Source 2 Mux Control Microcontroller Analog Output To Record Analog Audio Inputs LCD Osc 1-3 Freq Source Buttons Record Button Stop.
1 Manipulating Digital Audio. 2 Digital Manipulation  Extremely powerful manipulation techniques  Cut and paste  Filtering  Frequency domain manipulation.
EE2F2 - Music Technology 8. Subtractive Synthesis.
Phase Locked Loop Design Matt Knoll Engineering 315.
FM MODULATION AND DEMODULATION. A NGLE M ODULATION To generate angle modulation, the amplitude of the modulated carrier is held constant and either the.
Ayman Khattab Mohamed Saleh Mostafa El-Khouly Tarek El-Rifai
2 Outline Digital music The power of FPGA The “DigitalSynth” project –Hardware –Software Conclusion Demo.
Controlling Systems Using IT (Level 3) Lecture – 1030 Thursday 23/04/2015 Boston College (Rochford Campus)
Lock-in amplifiers
BY MD YOUSUF IRFAN.  GLOBAL Positioning System (GPS) receivers for the consumer market require solutions that are compact, cheap, and low power.  This.
General Licensing Class G7A – G7C Practical Circuits Your organization and dates here.
Digital Signals and Systems
Chapter 8 The Voltage-Controlled Synthesizer Contents History of the Voltage-Controlled Synthesizer The Moog Synthesizer The Buchla Synthesizer Other Commercial.
1 Chelmsford Amateur Radio Society Advanced Licence Course Murray Niman G6JYB Slide Set 6: v1.01, 1-Oct-2004 (4) Transmitters - Principles & Synthesisers.
Synthesis Basics (1) Analog Synthesis Intro to Digital Oscillators.
© The McGraw-Hill Companies, Inc McGraw-Hill 1 PRINCIPLES AND APPLICATIONS OF ELECTRICAL ENGINEERING THIRD EDITION G I O R G I O R I Z Z O N I 15.
GG 313 Lecture 26 11/29/05 Sampling Theorem Transfer Functions.
Receivers.
Synthesis advanced techniques. Other modules Synthesis would be fairly dull if we were limited to mixing together and filtering a few standard waveforms.
Physics 1251 The Science and Technology of Musical Sound Unit 4 Session 37 MWF Synthesizers Unit 4 Session 37 MWF Synthesizers.
Dynamics Processors Riding the wave. What are dynamics? “In music, dynamics normally refers to the volume of a sound or note” -
Reason Devices Subtractor. Oscillators Select Waveform The Subtractor has two oscillators that can be used as sound sources for your patches Tuning Mix:
6.9 How radio works 22 October 2015 What is this image? What other information can you get from it?
TELECOMMUNICATIONS Dr. Hugh Blanton ENTC 4307/ENTC 5307.
Senior Project – Electrical Engineering – 2005 Wireless Baby Monitor Nelson Rosario, Farida Siddiqi Advisors: Professor Ekram Hassib Professor Emad A.
Chapter 5: Electronic Music and Synthesizers Who uses electronic musical synthesizers? Each advance in electronic technology is followed by a concomitant.
The Post-Moog Digitally Controlled Analog Synthesizer Group Members Robert Estelle Toan Ho Greg Hartl Logan Snow.
Subtractive Sound Synthesis. Subtractive Synthesis Involves subtracting frequency components from a complex tone to produce a desired sound Why is it.
Systems (filters) Non-periodic signal has continuous spectrum Sampling in one domain implies periodicity in another domain time frequency Periodic sampled.
Sound Bot Alan Liou Undergraduate Student Computer Engineering.
Quiz 1 Review. Analog Synthesis Overview Sound is created by controlling electrical current within synthesizer, and amplifying result. Basic components:
Sampling BTEC Level 3 Extended Diploma in Music Technology Year 1 Sound Creation & Manipulation Modulation – LFOs & Envelopes.
Copyright 2004 Ken Greenebaum Introduction to Interactive Sound Synthesis Lecture 20:Spectral Filtering Ken Greenebaum.
111 Communications Fall 2008 NCTU EE Tzu-Hsien Sang.
Analog and Digital Filters used in Audio Contexts Tufts University – ME 93 October 22, 2015.
Subtractive Synthesis
Digital Audio Processor William Buttinger and Dimitri Podoliev.
Pulse Modulation Techniques
Digital Signal Processing
Copyright © 2011 by Denny Lin1 Simple Synthesizer Part 3 Based on Floss Manuals (Pure Data) “Building a Simple Synthesizer” By Derek Holzer Slides by Denny.
Computer Sound Synthesis 2 MUS_TECH 335 Selected Topics.
Synthesisers. A Synthesizer is an electronic sound generating device, that creates sounds using oscillators and filters. An Oscillator provides the sound.
Musical Sculpture A Final Project Block Diagram Presentation by: Clare Davis, Chen Li, & Austyn Hill.
TE4201-Communication Electronics 1 9. SSB Demodulation and Receivers SSB demodulation SSB demodulationSSB demodulationSSB demodulation BFO drift effect.
Today’s lesson Discovering and understanding compression Working on club dance portfolios.
z-Plane Analysis of Discrete-Time Control Systems
教育部顧問室光通訊系統教育改進計畫台科大 師大 淡江 東南 萬能 教育部顧問室光通訊系統教育改進計畫 台科大 師大 淡江 東南 萬能 3. 光調變器之性能量測 (Modulation Measurements) Modulation measurement is essential in characterizing.
S Transmission Methods in Telecommunication Systems (4 cr) Carrier Wave Modulation Systems.
Ch7 Operational Amplifiers and Op Amp Circuits
Lock-in amplifiers
Figure 4–1 Communication system.
General Licensing Class
Digital Control Systems Waseem Gulsher
Developing a Versatile Audio Synthesizer TJHSST Computer Systems Lab
Transmitters Advanced Course requires a detailed knowledge of Transmitters and Receivers This session covers Transmitter Block Diagrams, Oscillators and.
Chapter 3 Sampling.
Processing.
Portable Digital Blood Pressure Monitor
Presentation transcript:

Analog Synthesizers Yohahn Jo Systems Engineering Class of 2011

Analog Synthesizer 60s ~ 80s Wave generating machine outputs sound Through filters sounds are modified

Basic Features Voltage Controlled Oscillator Voltage Controlled Filter Voltage Controlled Amplifier Mixer

Filters Use filters to modify the sounds Three commonly used filters: low pass, high pass, band pass

Example: Ideal Low Pass Filter H( ω ) = Frequency response h(t) = impulse response Sinc function extends to future and past times, therefore need an infinite delay to do the convolution

Envelop Generator Trigger and Gate signals Attack Decay Sustain Release (ADSR)

Sample and Hold Uses an internal clock to capture a voltage level of the signal and hold it.

Other Modules Noise Generator Ring Modulator ◦ Multiplies two signals Voltage Processor

Analog Synthesizers… Are hard to use gives much more options in creating unique sounds Replaced by digital synthesizers Digital synthesizers are easier to use, but there are limitations in producing a unique sound

Classic Patch VCOVCFVCA Envelope GeneratorKeyboard GateTrigger

How To Make Sounds Analyze the sound in depth ◦ Listen carefully to the details Decide which modules to use Draw a diagram Test

Drum Machine Low frequency (VCO) Noise generator ADSR Envelope generator VCOVCFVCA Envelope Generator Noise Generator Sample and Hold

Questions

Works Cited pros-and-cons-in-digital-technology/ pros-and-cons-in-digital-technology/ Class Notes by H. Mukai