文藝復興. I. 緒論 1. 「文藝」復興 ? 2. 全才藝術家 ? 3. Art: 藝術還是技術 ? 機械技術 (arts méchaniques) 自由技術 (arts libéraux)

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Presentation transcript:

文藝復興

I. 緒論 1. 「文藝」復興 ? 2. 全才藝術家 ? 3. Art: 藝術還是技術 ? 機械技術 (arts méchaniques) 自由技術 (arts libéraux)

II. 藝術與科學的結合

新柏拉圖主義

Botticelli 1484 Venus

Da Vinci 1492 selon Vitruve

Bramante 1502 Tempietto

Bramante st peter's plan

佛羅倫斯大教堂與新的藝術目標 Ghiberti vs. Brunelleschi

Florence cathedral

Ghiberti 1401 Issac

Brunelleschi 1401 abraham

Ghiberti North door

Ghiberti Porte de Paradis

Ghiberti Porte de Paradis Essau

Ghiberti Porte de Paradis Selfportrait

Florence cathedral dome

Florence cathedral plan

III. 數學性的繪畫法則：線性透視 (Linear perspective) 的「發明」 ( 再發現 ?) perspective ← perspicio ★ Giotto ★ Brunelleschi 的實驗

Giotto Chapel Arena

Giotto chapel Arena

Brunelleschi Perspective

Brunelleschi perspective

Masaccio 1428 Trinity perspective

Masaccio 1427 Eexpulsion

Perspective 1435 Alberti

perspective 1435 Alberti

透視的功能與意義

Uccello 1450 Battle san Romano

Da Vinci 1484 Virgin

Da Vinci Last Supper

Da Vinci - refectory-supper

Della Francesca 1460 Flagellation

Della Francesca schema

Fouquet 1458 Entrée Charles IV à St. Denis

Da Vinci 1485 Codex Atlanticus

Holbein 1533 Ambassadors

IV. 古典主義：米開朗基羅 ( )

Statue de Miche-ange

Michel-ange Pietà

Enguerrand Quarton Pietà de Villeneuve-lès-Avignon

Michel-Ange David

Donatello 1432 David Bernini David Michel-ange

Michel Ange Moise

Michel-ange Sixtine Ceiling

The Erythraean Sibyl

Zechariah

Isaiah

The Delphic Sibyl

Joel

Jeremiah

Ezekiel

V. 矯飾主義：

Michel-Ange victory

Michel-Ange Last Judgment

St Peter

Jean the Baptist

St. Lawrence

St Bartholomew

The Elect

Last Trumpet

Soul Ascending to Heaven

Soul carried down To Hell

Charon’s Bark

Minos, King of Hell

Sistine Chapel

Pieta with self-portrait

結論：米開朗基羅之後

Bronzino St. Lawrence

Parmigianino 1534 Modonna of long neck

FIN