Layout: Play, poem or prose? Plays, poems and prose (novels) are all very different, particularly in the way in which they are formatted or set out. Can.

Slides:



Advertisements
Similar presentations
The people Look for some people. Write it down. By the water
Advertisements

Of.
POETIC TERMS A reference to a historical figure, place, or event A reference to a historical figure, place, or event.
The Wise Man and the Foolish Man The Wise man build his house upon the rock (3X) And the rain came tumbling down The rain came down and the flood came.
A.
If I find. he had to I know them be there.
Dolch Words.
The.
The Third Asian Privacy Scholars Network Conference Faculty Academic Conference Centre, 11/F, Cheng Yu Tung Tower, Centennial Campus The University of.
Sacrament of Confirmation 14 May 2011, Saturday 12.30noon Mater Maria College Warriewood NSW.
Chapter 1 Our Story of Faith. Vocabulary  Bible – amazing story of God’s love for us; God’s word written down by humans; the Church’s holy book, also.
Catcher in the Rye Analysis. Chapters Even though Holden “doesn’t feel like going into it” on page 1, what do you learn about him and his family.
Uso unicamente didattico - © sergio ortolan © isabella campello 02/04/2012 In this book the author narrates the adventures of Robinson Crusoe. In this.
Derek Walcott--Biographical Sketch /23born in St. Lucia Photo Credit: Nancy Crampton 1950 founded the St. Lucia Arts Guild 1953 BA from UWI--Mona.
Comfort In Crisis Crisis = Turning Point! 13:18-30; :6.
The Passage ARIEL  You are three men of sin, whom Destiny  (That hath to instrument this lower world,  And what is in't) the never surfeited sea 
The Cross John 12:27-36 Matthew 26:18 He said, “Go into the city to a certain man and say to him, ‘The Teacher says, My time is at hand. I will keep.
METAPHYSICAL POETRY PG. 449 John Donne is best known Met. Poet 17 TH Century poets rejected Elizabethan lyric poetry and wrote in the manner of everyday.
An intellectual movement in France and other parts of Europe that emphasized the importance of reason, progress, and liberty. The Enlightenment, sometimes.
Definition of Ambiguity
Intercultural Education. Challenges in a Postmodern Society.
On Caregiving; Care for the Family Caregiver : A Place to Start ; and The Art of Condolences: Gratitude for Whatever Life Brings Us **November is National.
Mohammed and Alan. Beatrice: “She is wronged, she is slandered, she is undone.” Act 4 Scene 1 The quote emphasises her strong opinions. This is unusual.
Annabel Lee By Edgar Allan Poe
Proverbs 31: Charm is deceptive, and beauty is fleeting; but a woman who fears the Lord is to be praised. 30 Charm is deceptive, and beauty is.
Matt 7: "Therefore whoever hears these sayings of Mine and does them I will liken him to a wise man who built his house on the rock: 25 and.
An FAQ on Civic Studies Mundy 2008 Or, “What to tell your parents when they ask ‘So, what IS this course you’re taking?’”
T HE L EGACY BY J OHN D ONNE Sara Sanchez Caroline Oviedo Mrs. Aleman Period 5.
POETIC TERMS English 112 Ms. Skilliter A reference to a historical figure, place, or event A reference to a historical figure, place, or event.
I am ready to test!________ I am ready to test!________
Sight Words.
HE’S SO GOOD HE WALKS ON WATER!. Matthew 14:22-27 During the fourth watch of the night Jesus went out to them, walking on the lake. When the disciples.
Friendship Old and New Peter Fitch, St. Croix Vineyard Sunday, February 1, 2015.
By: Matthew Matusovskiy. Once upon a time Odysseus was on an island with Calypso, a goddess. Calypso deeply wanted Odysseus to stay on the island with.
1. 2 John 20: Then the disciples went back to their homes, 11 but Mary stood outside the tomb crying. As she wept, she bent over to look into.
He could never leave me behind…and I Had chosen to remain close to his side -- Beowulf.
Lover Like a man comes to an altar, He came into this town With the world upon His shoulders, and promises passed down And He went into the water, His.
Macro-Micro Linkages Abhijit V. Banerjee Ford Foundation International Professor of Economics, MIT A B D U L L A T I F J A M E E L P O V E R T Y A C T.
“There is no one who would be an island in itself: each person is a part of the Continent, a part of the Land; and if the Wave takes down the coastal.
Critical Reasoning.
For Whom the Bell Tolls. Ernest Hemingway Be sure that you know about the author from your notes and the film.
Ocoee Middle School January 5, 2015
No man is an island, Entire of itself, Every man is a piece of the continent, A part of the main. If a clod be washed away by the sea, Europe is the less.
Hamlet.
Sight Words.
Quoting and Citing Shakespeare
By Charlotte Patterson Michael was a young boy, his mother and father worked as brickworks. One day when his mother and father came home when they lost.
High Frequency Words.
Welcome September 8, 2013 The Courage to Move Forward Scripture: Joshua 1:1-9.
1: for whom this bell tolls  The church tolled its bell when one of its parishioners died.
No man is an island, Entire of itself, Every man is a piece of the continent, A part of the main. If a clod be washed away by the sea, Europe is the less.
Four Facts About Your Life. You Are Being Prepared For A Storm.
23 Then he got into the boat and his disciples followed him. 24 Suddenly a furious storm came up on the lake, so that the waves swept over the boat. But.
English Poetry in the Baroque Period John Donne and the English Sonnet.
Created By Sherri Desseau Click to begin TACOMA SCREENING INSTRUMENT FIRST GRADE.
No man is an island, Entire of itself. Each is a piece of the continent, A part of the main.
John Donne and the English Sonnet
John Donne and the English Sonnet
The Jacobean Era ( ).
Metaphysical Poetry An Introduction.
Consumer Theory Made Much Too Simple
HOW TO QUOTE A BRIEF SUMMARY Bawcom.
Fry Word Test First 300 words in 25 word groups
Conference The Siberian National Region unites its nationalities
Private Rights, Public Goods, Social Duties
Beyond the Sea.
The God Boy - Themes.
The of and to in is you that it he for was.
Two other people.
Presentation transcript:

Layout: Play, poem or prose? Plays, poems and prose (novels) are all very different, particularly in the way in which they are formatted or set out. Can you identify a play, a poem or a piece of prose writing from the layout alone?

Look at the series of lines on the board. Which represents the play, which is the poem and which is the example of prose writing?

What is it? ________________________________ _____________________________________ ____________________________________ _____________________________________ ___________________________________ __________________________________ ____________________________ ___________________________________ ______________________ Is this a play, poem or a piece of prose writing? Why do you think this?

What about this? _______________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ _______ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________

And this? ______ _______________________________ _______________________________________________________________________ _ _______:___________________________________ _____________________________ _________________________________ ________________________________ _______________________________________ _____________________________________ _______________________________ _____________________________________ ______________________ ______:_____________ _________: _______________________________ _______:____________________________ _________: _________________________________ __________________

And the answers are………

________________________________ _____________________________________ ____________________________________ _____________________________________ ___________________________________ __________________________________ ____________________________ ___________________________________ ______________________ Click the lines to reveal

‘No Man is an Island’ by John Donne. No man is an island entire of itself; every man is a piece of the continent, a part of the main; if a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as any manner of thy friends or of thine own were; any man's death diminishes me, because I am involved in mankind. And therefore never send to know for whom the bell tolls; it tolls for thee. Poetry

_______________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ _______ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________ Click the lines to reveal

Robinson Crusoe by Daniel Defoe. Chapter V. When I wak'd it was broad Day, the Weather clear, and the Storm abated, so that the Sea did not rage and swell as before: But that which surpris'd me most, was, that the Ship was lifted off in the Night from the Sand where she lay, by the Swelling of the Tyde, and was driven up almost as far as the Rock which I first mention'd, where I had been so bruis'd by the dashing me against it; this being within about a Mile from the Shore where I was, and the Ship seeming to stand upright still, I wish'd my self on board, that, at least, I might save some necessary things for my use. When I came down from my Appartment in the Tree, I look'd about me again, and the first thing I found was the Boat, which lay as the Wind and the Sea had toss'd her up upon the Land, about two Miles on my right Hand. I walk'd as far as I could upon the Shore to have got to her, but found a Neck or Inlet of Water between me and the Boat, which was about half a Mile broad, so I came back for the present, being more intent upon getting at the Ship, where I hop'd to find something for my present Subsistence. Prose

______ _______________________________ _______________________________________________________________________ _ _______:___________________________________ _____________________________ _________________________________ ________________________________ _______________________________________ _____________________________________ _______________________________ _____________________________________ ______________________ ______:_____________ _________: _______________________________ _______:____________________________ _________: _________________________________ __________________ Click the lines to reveal

ACT II SCENE I. Another part of the island. Enter ALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO, and others GONZALO:Beseech you, sir, be merry; you have cause, So have we all, of joy; for our escape Is much beyond our loss. Our hint of woe Is common; every day some sailor's wife, The masters of some merchant and the merchant Have just our theme of woe; but for the miracle, I mean our preservation, few in millions Can speak like us: then wisely, good sir, weigh Our sorrow with our comfort. ALONSO:Prithee, peace. SEBASTIAN: He receives comfort like cold porridge. ANTONIO:The visitor will not give him o'er so. SEBASTIAN: Look he's winding up the watch of his wit; by and by it will strike. Play-script

So, what does a play script have that the others do not?

ACT II SCENE I. Another part of the island. Enter ALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO, and others GONZALO:Beseech you, sir, be merry; you have cause, So have we all, of joy; for our escape Is much beyond our loss. Our hint of woe Is common; every day some sailor's wife, The masters of some merchant and the merchant Have just our theme of woe; but for the miracle, I mean our preservation, few in millions Can speak like us: then wisely, good sir, weigh Our sorrow with our comfort. ALONSO:Prithee, peace. SEBASTIAN: He receives comfort like cold porridge. Use headers to explain the scene and basic setting. Use italics for stage directions Use capital letters for character names Use a colon after each character name Remember to still use punctuation at the end of each speaking part Click on the highlighted bits to show some conventions of play scripts: