Part 1: Materials of Music

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Presentation transcript:

Part 1: Materials of Music Units 1 & 2: Elements of Music & Musical Instruments and Ensembles Download the Musical Examples Here Musical examples may be downloaded at: http://db.tt/CB4HTj0o Copy this link into your browser and download the zip file. Musical examples are organized and sequenced by title in this presentation.

Chapter 1: Melody A coherent succession of single pitches. Words / Sentence Highness / Lowness Frequency / Vibration Distance between two different pitches http://www.musictheory.net/lessons Musical examples may be downloaded at: http://db.tt/CB4HTj0o Copy this link into your browser and download the zip file. Musical examples are organized and sequenced by title in this presentation.

Melody Continued Range: span of melody from highest to lowest note. It can be narrow or wide. Shape: determined by direction of melodic line; like a graph. Musical examples may be downloaded at: http://db.tt/CB4HTj0o Copy this link into your browser and download the zip file. Musical examples are organized and sequenced by title in this presentation.

More Melody Movement of melody incorporates either small or large interval jumps. Examples: Conjunct: Disjunct: Phrase: like a phrase in a sentence; a unit of melody within a larger context (period). Period: Like a sentence; usually made up of two phrases. Example of Phrase/Period: Musical examples may be downloaded at: http://db.tt/CB4HTj0o Copy this link into your browser and download the zip file. Musical examples are organized and sequenced by title in this presentation. Play the appropriate excerpt when you see the speaker icon; you can link the downloaded files to the PowerPoint by editing in “Sound Tools”.

Yet More about Melody Cadence: resting place or repose; last two notes of melody/ harmony. Rhyme Scheme: like a poem; symmetrical; stanza of poetry. Countermelody: two melodic ideas set against each other simultaneously. Musical examples may be downloaded at: http://db.tt/CB4HTj0o Copy this link into your browser and download the zip file. Musical examples are organized and sequenced by title in this presentation. Play the appropriate excerpt when you see the speaker icon; you can link the downloaded files to the PowerPoint by editing in “Sound Tools”.

Chapter 2: Rhythm Syncopation: upsetting the normal pattern of accentuation. Polyrhythm: duple against triple; triple against quadruple. Additive Meter: combining duple and triple to form asymmetrical meters. Non-metric: without strong pulse or meter. Musical examples may be downloaded at: http://db.tt/CB4HTj0o Copy this link into your browser and download the zip file. Musical examples are organized and sequenced by title in this presentation. Play the appropriate excerpt when you see the speaker icon; you can link the downloaded files to the PowerPoint by editing in “Sound Tools”.

Chapter 3: Harmony Simultaneously v. One-at-a-Time; Vertical v. Horizontal Scales: Patterns of Intervals Triad: Stacked thirds Tonality: major v. minor Tonic = “Do” Diatonic v. Chromatic Dissonance v. Consonance Musical examples may be downloaded at: http://db.tt/CB4HTj0o Copy this link into your browser and download the zip file. Musical examples are organized and sequenced by title in this presentation. Play the appropriate excerpt when you see the speaker icon; you can link the downloaded files to the PowerPoint by editing in “Sound Tools”.

Chapter 4: Musical Texture Monophonic: Single voiced Heterophonic: Two simultaneous voices, both melodic with one being an ornamented version of the other. Homophonic: Several voices, one voice melody, and the other voices subordinate harmony in unison rhythm. Musical examples may be downloaded at: http://db.tt/CB4HTj0o Copy this link into your browser and download the zip file. Musical examples are organized and sequenced by title in this presentation. Play the appropriate excerpt when you see the speaker icon; you can link the downloaded files to the PowerPoint by editing in “Sound Tools”.

Texture Continued Polyphonic: many-voiced texture, usually with two or more melodic lines. Counterpoint: (literally note against note) the art of combining two or more melodic lines. Imitation: melody given in one voice and restated in another voice. Canon and round (simplest form of canon): Row, Row, Row your Boat. Musical examples may be downloaded at: http://db.tt/CB4HTj0o Copy this link into your browser and download the zip file. Musical examples are organized and sequenced by title in this presentation. Play the appropriate excerpt when you see the speaker icon; you can link the downloaded files to the PowerPoint by editing in “Sound Tools”.

More about Counterpoint Inversion: Intervals stated upside-down Retrograde: Intervals in melody stated backwards Retrograde Inversion: Intervals stated upside down and backwards Augmentation: melody presented in longer note values Diminution: melody stated in shorter note values Musical examples may be downloaded at: http://db.tt/CB4HTj0o Copy this link into your browser and download the zip file. Musical examples are organized and sequenced by title in this presentation. Play the appropriate excerpt when you see the speaker icon; you can link the downloaded files to the PowerPoint by editing in “Sound Tools”.