Patricia Ciricillo Quilts photographed by Greg Schaler

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Presentation transcript:

Patricia Ciricillo Quilts photographed by Greg Schaler QUILT STORIES Patricia Ciricillo Quilts photographed by Greg Schaler

“My quilts include traditional patchwork patterns and original designs “My quilts include traditional patchwork patterns and original designs. I have experimented with geometric designs as well as landscape or architectural scenes. My primary inspiration has been the fabric itself: First, traditional quilting materials and designer cottons; later supplemented by ethnic fabrics from around the world; still other fabrics, I paint and dye myself. Always my fabrics are enhanced by gifts from and exchanges with other fiber artists. My work tends to have an abundance of symbolic content. The quilts are a kind of journal for me, incorporating reminiscences and ongoing commentary.” Patricia Yolande Ciricillo

Malcolm (Waves 12)

CRIMINAL LAW: Violence and confusion of Malcolm’s youth: Wave pattern with blood reds and confusion and unconscious gods below

Solid color wave block with black and white set off surroundings Race and Law RACE: Black Muslim leader – plain and sharp contrast between races and good and evil: Solid color wave block with black and white set off surroundings

RELIGION: Conversion to Universal Islam and Pilgrimage to Mecca: Desert sand wave blocks with reduced contrast

RELIGION: Religious Symbols and ghostly figures of pilgrimage and mosque arch shapes

Malcolm (Waves 12)

AUSTRALIA 4

INDIGENOUS PEOPLE: COMPARATIVE LAW: INTERNATIONAL HUMAN RIGHTS Top squares – black dominant (indigenous Australians). Center – yellow and circle dominant (Sun). Bottom – Red dominant with earth tones (land of Australia) Australian Aboriginal Flag

“The Sacred Waterhole Dimirr Warlmun” by John BulunBulun INDIGENOUS PEOPLE AND INTELLECTUAL PROPERTY: Squares from commercially sold dot painting fabric from central Australian desert peoples. Hand painted dot squares.

INTELLECTUAL PROPERTY: Squares purchased from aboriginal artist Mandy Muir and commercial leaf fabric in north Australian exoskeleton style

AUSTRALIA 4

POLAR BEARS AT LAS FALLAS

ENVIRONMENTAL LAW: The Polar Bear has become a symbol for threat to habitat from global warming. Polar Bear motif Patricia designed in Escher class at Design Symposium in San Diego

Polar Bear Applique moving under the moon amid tropical birds and flowers

ENVIRONMENTAL LAW: Festival of Las Fallas in Valencia Spain as a representation of Global Warming. Red flame blocks to upper left, White fire blocks in center lower right; dark figure squares bottom right and dark sky squares upper right

POLAR BEARS AT LAS FALLAS

Drawing by Dennis Daub.