ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw like a child.” Pablo Picasso.

Slides:



Advertisements
Similar presentations
#2 CHILDREN USE ART The arts are a natural language which must be nurtured and developed so children remain creative and literate in multiple symbol systems.
Advertisements

Inquiry as a Stance on Curriculum: Moving from Projects to Inquiry Kathy G. Short University of Arizona Tucson, Arizona, USA Burlington, Wisconsin,
Project-Based vs. Text-Based
Creative Development. 1: Explores different media and responds to a variety of sensory experiences. Engages in representational play. Scale points 1 –
EXPLORING THE AESTHETIC EXPERIENCE
Safely Supporting the Development of the Visual Arts in Infants and Toddlers Shannon D. Lockhart
Dig Deeper to Learn With Children
Learning Targets. OUR Targets I can articulate the difference between a ‘standard’ and a ‘target.’ I can deconstruct standards and evaluate my work for.
Assessing Learning in the Gifted Classroom
Visual Arts Lesson Planning Zoom in…Planning for action One lesson at a time.
No way. The hundred is there. By Loris Malaguzzi translated by Lella Gandini (1990)
Context Guiding Ideas from politicians Autonomy Choice Diversity Equity Equality Accountability Excellence.
Module 2: Assessment in Creative Arts © 2006 Curriculum K-12 Directorate, NSW Department of Education and Training.
Introduction This example demonstrates how one teacher has organised an aspect of the learning environment as an art studio to support and encourage children.
Miss Senderov’s Kindergarden Class 2005 Our classroom site.
Child Development and Arts Education. Child Development Research.
Storytelling in the Classroom April 22, :00 - 6:00 Teacher Center of Broome County Presented by L onna Pierce MaryAnn Karre.
LESSON PLANNING Mrs. Eagen E C E.
Enrichment Ideas for Co-Teaching Middle School Art Program
Why Children Draw  To communicate their own feelings, ideas and experiences and express them in ways that someone else can understand.  Provides a nonverbal.
Newcomers You have the whole world in your hands!.
The Planning and Assessment Cycle
PRESCHOOL DEVELOPMENT. Preschool Age  Preschoolers are children ages 3-5  Most preschoolers will attend full time or part time preschool programs before.
Sketchbooks Dan China PS This presentation, more materials and links on website.
Greetings &Welcome Greetings &Welcome to Elementary Visual Art.
Language and Literacy Unit 4 - Getting Ready for the Unit
Interstate New Teacher Assessment and Support Consortium (INTASC)
‘ How do you know what an artwork is expressing? Perceive – to become deeply aware – read into it Take a moment to look at the piece Ask questions What’s.
What Happens in Pre-K The children will tell you that they played all day! The truth behind their play……
Inspired by the Preschools of Reggio Emilia. “What is unique about human learning is its dedication to possibility. When we human beings learn, the act.
EDUC 349 Visual and Performing Arts
CE215 Unit 4 Curriculum Models Feel free to chat informally until seminar begins at the top of the hour. Instructor: Elizabeth Crosby (Prof. Beth)
If a child is to keep alive his inborn sense of wonder, he needs the companionship of at least one adult who can share it…rediscovering with him the joy,
1 “Just Dance” California's Preschool Learning Foundations and Curriculum Framework, Volume 2 ©2014 California Department of Education (CDE) with the WestEd.
MUSIC & MOVEMENT. How Does Music and Movement Promote Development and Learning?  Social/emotional- different kinds of music evoke different feelings.
MASSACHUSETTS ART CURRICULUM FRAMEWORK Sarah Walker and Chelsea Greene.
Reggio Children & the Reggio Emilia Approach
Chapter 8 Integrating the Arts into the Curriculum.
Created by: Marisa Chapa, Antonette Gregory, and Brittany Moorman.
Ken Skrzesz, Coordinator of Fine Arts All Rights Reserved, Kenneth Skrzesz, 2015.
The Learning Cycle as a Model for Science Teaching Reading Assignment Chapter 5 in Teaching Science to Every Child: Using Culture as a Starting Point.
Approaches To Learning Chapter 3. Approaches to Learning O When young children are curious, interested and confident about discovering the answers to.
Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an artist once they grow up. - Pablo Picasso.
Elements of Art & Design “The Ingredients” Line Shape Form Value Space Color Texture.
Supporting Early Literacy Learning Session 2 Julie Zrna.
EDEC : 421 Young Children and Creative Arts By Yashmin Ali Student No:
Intellectual Development from One to Three Chapter 12.
Developmentally Appropriate Practices. Five Guidelines For Developmentally Appropriate Practices.
Creative Curriculum and GOLD Assessment: Early Childhood Competency Based Evaluation System By Carol Bottom.
Erin Smith EDU: 673 UDL VS. DIFFERENTIATION. What are the most important elements of effective lesson design? Research gather knowledge from many sources.
Art and Design Art and Design 4 Year 1 4 Semester
The Creative Curriculum for Preschool
Copyright 2015 Cengage Learning. All Rights Reserved. THE COMPLETE EARLY CHILDHOOD ART PROGRAM Chapter 9.
Making ‘natural’ links in Visual Arts to class room units.
Able Pupils in Art & Design. Definition Gifted learners : pupils who have abilities in one or more subjects excluding art & design, music, PE or performing.
6 th Grade Art. 6 th Grade Studio Art Ms. Heinze The goal of the Middle School Art Department is to expose students to all of the mediums that you will.
Using Victorian Curriculum to plan learning in Visual Arts F - 6
VISUAL-VERBAL MEANING MAKING
#4 TEACHERS GUIDE LEARNING
The child is made of one hundred
Using Victorian Curriculum to plan Visual Arts & Visual Communication learning Webinar, 10 November 2016.
Differentiation Strategies for Multi-Grade, And Multi-Ability Classrooms By: Linda Miller Baker.
Inviting meaningful conversations through art Experiences
Horry County Schools Grade Level Expectations Pre K- Grade 5
Creative Activities and Curriculum for Young Children
Introducing Visual Arts
INDIVIDUAL STYLE & CULTURE FRAME
No way. The hundred is there.
The Intentional teacher
Presentation transcript:

ARTISTIC LEARNING FRAME “I use to draw like Raphael, but it has taken me a whole lifetime to draw like a child.” Pablo Picasso

Artistic Learning Belief that children can learn and develop artistic knowledge, skills and reasoning leading to enhanced visual literacy Guided art explorations provide interaction with the physical and social aspects of artistic thinking and creating Utilize Visual Art Standards as a guide for curriculum organization and explorations Adults provide models, scaffold learning and jointly pose and solve artistic problems Opportunities are needed to work in depth with media, images and ideas over time within the learning cycle Utilize a variety of works of art a models, connections, information and inspiration! PPinciottiVisual Verbal Meaning Making

How is this memory like learning to teaching? I was remembering how she taught me that everything, even ink, had a purpose and a meaning: Good ink cannot be the quick kind, ready to pour out of a bottle. You can never be an artist if your work comes without effort. That is the problem with modern ink from a bottle. You do not have to think. You simply write what is in swimming on the top of your brain. And the top is nothing but pond scum, dead leaves, and mosquito spawn. But when you push an inkstick along an inkstone, you take the first step in cleaning your mind and your heart. You push and you ask yourself, What are my intentions? What is in my hear that matches my mind? The Bonesetters Daughter by Amy Tan PPinciottiVisual Verbal Meaning Making

Artistic Learning What can young children learn about the visual arts? What do the visual arts include? How do you guide learning in and through the visual arts? What are ways to value and document artistic learning? PPinciottiVisual Verbal Meaning Making

Learning Cycle PPinciottiVisual Verbal Meaning Making Awareness Exploration Elaboration Utilization

Artistic Learning Observing, Assessing & Valuing Artistic Learning ◦ Process and Product Portfolios ◦ Checklists, Rating Scales, Rubrics ◦ Documentation Panels ◦ Individual conferencing ◦ Student Demonstrations ◦ Games, quizzes, library research PPinciottiVisual Verbal Meaning Making

Artistic Learning Frame Artistic Learning Needs: ◦ Belief in child’s ability to grapple with artistic ideas and processes ◦ Opportunities to work in depth with media, images and ideas over time ◦ Perceptual exposure to the visual world and a variety of art models Artful Dialogue: ◦ Engage in joint problem-posing and solving I’m not sure how to connect these pieces, what could we use? These colors are very bright, how would we make them softer? This idea is taller that our paper, what could we do? ◦ STRETCH visual literacy by looking together I’m not sure how to draw that either, let’s get a picture of one. Shauna painted one of those last week, let’s ask her how she did it? What lines do you see in the outside edge of the sculpture? On the surface? PPinciottiVisual Verbal Meaning Making

ORGANIZATIONAL IDEAS for ART EXPLORATIONS & CURRICULUM DESIGN Elements & Principles... Art Modes and Media... Periods of Western Art.. Art from Various cultures Themes in Art Aesthetic topics Landmark Artworks.... Artists & their work..... Art Styles Line, color, texture, shape, form, value, space, unity, rhythm, pattern, movement, contrast, emphasis Drawing, painting, printmaking, collage, ceramics, weaving, architecture, photography, new media Prehistoric art, Renaissance, art of the Middle Ages, Baroque art, Modern art, Post-Modern art Art of China, Native Americans, art of Africa, Egypt, African- American, Hispanic Folk art The sea, art and nature, Mythology, Animals in art, Landscapes, Portraits, Images of Women, Music Beauty, Artist’s intent, Creative process, Art vs. Nature O’Keeffe’s Black Hollyhocks, van Gogh’s Starry Night, Egyptian Pyramids, Hokusai’s The Great Wave Miro, Mary Cassatt, Romare Bearden, Pablo Picasso, David Hockney, Michelangelo, Goya, Frieda Kahlo Rococo style, Impressionism, Surrealism, Pop Art, Chinese Ming period, Dadaism, Fauvism PPinciottiVisual Verbal Meaning Making

PERSONAL MEANING MAKING FRAME “Do not train youth to learn by force or harshness, but direct them to it by what amuses their minds so that you may be better able to discover with accuracy the peculiar bent of the genius of each.” Plato

Personal Meaning Making Understanding and Imagination Child makes visual language work for herself, to construct and make meaning, to solve a problem, or share imaginative ideas Demonstrates creative thinking and problem posing/solving Spark! Ideas for exploration by connecting visual/verbal languages, challenge aesthetic judgments and imaginative ideas Encourage intersubjectivity - the coming together of teacher and child knowing Take time for reflection, self-discovery, and re-representation Discover what and how children “know” - Share with parents! PPinciottiVisual Verbal Meaning Making

Personal Meaning Making Understanding and Imagination Observe, Assess & Value Personal Meaning Making ◦ Process/Product Portfolio ◦ Story making to accompany work ◦ Interpretive responses/ open-ended questions ◦ Pair-share dialogues ◦ Celebrations/Art Show PPinciottiVisual Verbal Meaning Making

Personal Meaning Making Understanding and Imagination Meaning Making Needs ◦ Look for “grappling”, frustration, processing through ◦ Encourage co-mingling of ideas between child and teacher, child and child ◦ Talk through problem posing and solving aloud, take pictures throughout the process, record comments, feelings Artful Dialogue ◦ Spark! Ideas for exploration by connecting visual/verbal languages “Tell me why you created this work” “It looks like there is a story in this painting” ◦ Validate the powerful images and ideas “This work has some important feelings in it” ◦ Challenge aesthetic judgments and imaginative ideas PPinciottiVisual Verbal Meaning Making

MODIFICATIONS IN THE VISUAL ARTS “A difference unaddressed becomes a disability.” James Collins

Modifications for Art The more you know about the individual child the better you will be able to assist him or her in learning. Strategies to accommodate diverse student needs: ◦ Curricular or Goal Modifications where assignment is simplified or modified for some students, enriched or enhanced for others providing differing outcomes to the same basic assignment ◦ Same assignments, same goal with modifications of techniques tool and/or media to meet a specific need ◦ Alternative goals, same materials and techniques will be explored, but final product is altered for student success Benefits of the arts : Social-emotional, Motor, Sensory Awareness, and Cognitive development ◦ The arts nurture a sense of inquiry, discovery, delight and build feelings of awareness, independence, and success as a creator! Central Instructional Support Center - PPinciottiVisual Verbal Meaning Making

The Hundred Languages of Children by Loris Malaguzzi The Hundred Languages of Children by Loris Malaguzzi No way. The hundred is there. The child is made of one hundred. The child has a hundred languages a hundred hands a hundred thoughts a hundred ways of thinking of playing, of speaking. A hundred always a hundred ways of listening of marveling of loving a hundred joys for singing and understanding a hundred worlds to discover a hundred worlds to invent a hundred worlds to dream. The child has a hundred languages (and a hundred hundred hundred more) But they steal ninety-nine. The school and the culture Separate the head from the body. They tell the child: to think without hands to do without head to listen and not to speak to understand without joy to love and to marvel only at Easter and Christmas. They tell the child: to discover the world already there and of the hundred they steal ninety-nine. They tell the child: that work and play reality and fantasy science and imagination sky and earth reason and dream are things that do not belong together. And thus they tell the child that the hundred is not there. The child says: No way. The hundred is there. PPinciottiVisual Verbal Meaning Making