Wicked Big Fish Catch Me If You Can Dead Accounts.

Slides:



Advertisements
Similar presentations
Константин Сергеевич Станиславский ( Konstantin Sergeievich Stanislavski ) Was a Theatre and Acting Innovator from Russia. As a follower of the naturalist.
Advertisements

Basic Acting Terminology
Module 2: Assessment in Creative Arts © 2006 Curriculum K-12 Directorate, NSW Department of Education and Training.
Realism and Theatre in the 20 th Century What is realism? What is realism? Realism is a genre or style of theatre/film that seeks to portray life as it.
Acting Essential Theatre Ch.14
Realism Seek the truth. Dance… … in America Not an artistic form (no time, no $$) Used primarily for social interaction BIG difference between.
“The man who turned anger into art”
Chapter 4. It is the oldest of the theatrical arts. THESPIS, the first actor, was the author of the plays in which he appeared. From his name comes the.
NSS Seminar Series Teacher Seminar Teaching English through Drama.
What would I do If I were a peasant STANISLAVSKI is creative person that created “What If”, which is also called “Magic If”
Collaborative Artistic Process Jobs & Production skills
Beginning Theatre Standards. 1.0 ARTISTIC PERCEPTION Processing, Analyzing, and Responding to Sensory Information Through the Language and Skills Unique.
The Secret Code of Filming Acting Classifications of Actors Stage versus Screen Acting The American Star System Styles Casting Theory of organic form:
The past... By Shani O’Connell The Present..... Of Photography.... And.
Introduction to Course of Study in Drama Stages 5 and 6.
Drama Methods & Education Douglas Gosse, Drama in Education At the University of Winnipeg  The University of Winnipeg has an excellent Education.
Constantine Stanislavski
Chapter 9 – Image Maker: The Actor For it is not a game of charades, this acting world of ours; it is an everlasting search for truth. —Laurence Olivier.
SCENE (SET) DESIGN DESIGNING SCENERY FOR THEATRE STAGECRAFT- MR. WOFFORD.
What kinds of creativity do you respond to? Music Books Art Film Plays Other…?
Be prepared for the future Bulgaria 7 th -14 th May 2014 Birmingham.
UA College of Fine Arts School of Art School of Dance School of Media Arts* School of Music School of Theatre Arts* * new merger into School of Theatre,
By: Lindsey Karczewski. An actress uses her natural talents to entertain an audience on stage and screen. In the future she will need to be able to communicate.
And “The Method”. Early Days Born in 1901 Budzanow, Poland. Traveled to America in 1909 and grew up in immigrant neighborhood on the Lower East Side of.
Training the 21st Century Actor". There were no directors in ancient Greek theatre; nor were there directors in Shakespeare's England or Moliere's France.
Bobo. The Actor’s Instrument Observation and Imagination Concentration Stage Vocabulary Scene Study.
Our presentation involves three issues: Lithuanian Educational system Educational system in Zagare Gymnasium Education of gifted pupils: experience and.
Making your own kimono! KABUKI THEATRE. Kabuki One of three types of Japanese theatre Noh, Bunraku, and Kabuki Often resembles an American musical Came.
Auditions How to get the part. Preparation »Choose pieces that are right for you, that you care about, and that are not overdone. Nothing can salv age.
STANISLAVSKI “The System”. I know you don’t want to… but you should probably take some notes now.
Love and Hate.
Stanislavski’s system
Game Design Theory Pertemuan 3 Matakuliah: T0944-Game Design and Programming Tahun: 2010.
Drama/Theatre Drama is both a literary art, like fiction and a performance art, like music and dance.
Chapter 1: The Nature of Theatre Origins in ritual practices Theatre as a form is at least 2500 years old It has been as varied as the cultures in which.
What I want to be when I grow up! By Devin Lavender.
THROWDOWN - Stanislavski THEATRE TERMS 2 – 8 TH. QUESTION 1 Where was Constantine Stanislavski born? Moscow, Russia.
Session I: Looking Closely: Considering Your Lessons through the Lens of the New Fine Arts TEKS PRESENTERS: Mark Gurgel & Dr. Mackie Spradley.
Informational Interview Form Occupation 1:Falicity.
My Future Jobs A Presentation By Anthony Reyes. Future Jobs  Film Director  Actor  R&B Artist.
EDEC : 421 Young Children and Creative Arts By Yashmin Ali Student No:
LITERACY-BASED DISTRICT-WIDE PROFESSIONAL DEVELOPMENT Aiken County Public School District January 15, 2016 LEADERS IN LITERACY CONFERENCE.
Chapter 7 The Art of Acting. Shakespeare On Acting “All the world’s a stage / And all the men and women merely players.” --As You Like It Walter McBride/Corbi.
Stanislavsky The System. Relaxation Tension is our greatest enemy It can be hard to relax, so we can approach it through tension The goal is to be able.
Presented By: Evelyn Forsyth, Megan Rodriguez, Mimi Rife, and Ana Schuler.
Hero Worship Stanislavsky, Method Acting, and the effects of the Method on the contemporary stage.
Fundamentals of Theatre I Mr. Morris. When the actor bears the responsibility of revealing the soul of a human being caught at a crucial moment and presenting.
What Is It? Why Do We Care?. Design is the collaboration that determines how the technical elements of a theatrical production will support and enhance.
Drama 2.5 Perform a substantial acting, technical or production role V2 Credits5.
Kick Off How does the way you express emotions reflect your mental health?
Actor’s tools – What an actor uses for creative expression: the mind, body and voice Ad-lib – to make up dialogue, actions, or stage business not written.
THE ACTOR Catch Me If You Can Dead Accounts Big Fish Wicked.
Konstantin Stanislavski
Designing Scenery for Theatre Stagecraft- Mr. Wofford
Introduction to Theatre
“Theatre Brief” Cohen and Sherman Chapter Three
Late 19th and early 20th centuries
Chapter 7 The Art of Acting.
Stella Adler.
Introduction to Acting
Konstantin Stanislavski
Basic Drama Projects.
Konstantin Stanislavski
Constantine Stanislavski
year 8 Level 5 – ‘NEARLY ALWAYS’ GOOD -
STANISLAVSKI “The System”.
Introduction to Theatre
Mental/Emotional Health
Elements Of Drama.
DRAMA & THEATRE STUDIES
Presentation transcript:

Wicked Big Fish Catch Me If You Can Dead Accounts

Broadway: Big Fish, Dead Accounts, Catch Me If You Can (2011 Tony Award, Drama Desk winner: Best Actor in a Musical; Astaire Award winner, Outer Critics nomination), Dirty Rotten Scoundrels (Tony Award, Drama Desk, Outer Critics, Astaire Awards, Drama League Award winner: Best Actor in a Musical), Enron, Speed-the-Plow, Is He Dead?, Wicked (original cast, Fiyero), Thou Shalt Not (Tony, Drama Desk, Outer Critics nominations), Rent (original cast, Broadway debut). Off-Broadway: How I Learned To Drive, Fifty Words, Buicks (Drama Desk nomination), The Last Five Years (Drama Desk and Lucille Lortel nominations, Drama League Award), Juno and the Paycock (Roundabout), Saved (TFANA). National Tour: Dirty Rotten Scoundrels, Cabaret. Alabama Shakespeare Festival (four seasons), Repertory Theatre of St. Louis. Film: Better Living Through Chemistry (2013), The English Teacher (2013), Greetings from Tim Buckley (2013), Disconnect (2013), Higher Ground, Fair Game, Dan in Real Life. Television: Series: “The Deep End” (ABC); Pilots: “County” (NBC), “The Miraculous Year” (HBO) BFA, Webster University; MFA, Alabama Shakespeare Theatre.

It is the oldest of the theatrical arts. THESPIS, the first actor, was the author of the plays in which he appeared. From his name comes the word THESPIAN, another word for actor.

The average theatregoer can name many actors...

The actor “presents” to the audience in a form that we call “presentational.” It is also called “external” or “technical” acting. The actor “presents” to the audience in a form that we call “presentational.” It is also called “external” or “technical” acting. The second notion comes from somewhere “inside” the actor. It is often referred to as “internal.” The second notion comes from somewhere “inside” the actor. It is often referred to as “internal.”

Such classically-trained British actors as Olivier, Guinness, Stewart and Gielgud.

The actor works honestly and effectively to “live the life of the character.” To feel the emotions. The actor works honestly and effectively to “live the life of the character.” To feel the emotions. It can be called “representational.” It can be called “representational.” Actors of this school are often “method actors” named for a “system” devised by Konstantin Stanislavski Actors of this school are often “method actors” named for a “system” devised by Konstantin Stanislavski

1918 UNCLE VANYA at Moscow Art Theatre

"For... Stanislavsky said: "There is no system. There is only nature. My lifelong concern has been how to get ever closer to the so-called system, that is, to get ever closer to the nature of creativity." According to an article in the NY Times December 2, 2001

In the United States, the “method” was made popular by the actor Lee Strasberg at the Actors Studio in New York.

In the 18 th century, Denis Diderot discussed the differences in his essay “The Paradox of Acting” In the 18 th century, Denis Diderot discussed the differences in his essay “The Paradox of Acting” At the Moscow Art Theatre, Stanislavski taught that motivation gives meaning to action. And, as such, plays have subtexts the actor needs to understand. At the Moscow Art Theatre, Stanislavski taught that motivation gives meaning to action. And, as such, plays have subtexts the actor needs to understand.

Almost all American teachers of acting pay homage to Stanislavski and his “theories” of acting... Famous American actors trained in the method include Marlon Brando and Marilyn Monroe.

Greatness in acting, like greatness in almost any endeavor, demands a superb set of skills In order to play HAMLET, for example, the actor himself needs to embody the genius of the character. To achieve this virtuosity, the actor must possess two features  An expressive voice  A supple body

James Earl JonesGlenn Close

Bill IrwinMeryl Streep

Beyond conviction and virtuosity, great actors possess “presence” or “magnetism” or “charisma”

Actor training takes place in colleges, universities, conservatories and private & commercial schools

Training is both physical and psychological All training requires practice, not simple book learning

VOICE: breathing, phonation, resonance VOICE: breathing, phonation, resonance SPEECH: articulation, pronunciation, phrasing SPEECH: articulation, pronunciation, phrasing PROJECTION PROJECTION

Dance, mime, fencing, acrobatics Dance, mime, fencing, acrobatics Relaxation, control, economy Relaxation, control, economy Strength and endurance Strength and endurance

Imagination, and willingness and ability to use it in the service of art, are major components of the actor’s psychological instrument Make the unreal real (flats and platforms become streets or mountains) Make the unreal real (flats and platforms become streets or mountains) Play the imagined world of the play (Really fall in love with your acting mate) Play the imagined world of the play (Really fall in love with your acting mate) Characterize the role with uniqueness and life (liberate the actor’s imagination) Characterize the role with uniqueness and life (liberate the actor’s imagination)

1.Follow the working conditions 2.Collaborate with fellow artists 3.Be on time to calls 4.Stay well and healthy 5.Train your instrument in exercise or class 6.Memorize parts before they are due 7.Work vigorously to develop craft

Describe the objective, task, goal, victory or intention. Each character has a primary goal and several minor goals in the play. Describe the objective, task, goal, victory or intention. Each character has a primary goal and several minor goals in the play. Secondly, the actor develops TACTICS necessary to achieve the GOALS Secondly, the actor develops TACTICS necessary to achieve the GOALS Finally, the actor must understand the style of given circumstances of the play and apply it to the role Finally, the actor must understand the style of given circumstances of the play and apply it to the role

The goal of acting is to express your character’s intentions clearly and honestly within the given circumstances of the scene. These include… Relationship of characters Relationship of characters Age of characters Age of characters Educational level of characters Educational level of characters Time. When? Time. When? Place. Where are you? Place. Where are you? Socio-economic-political background, etc. Socio-economic-political background, etc.

A: Hi B: Hello A: What did you do last night? B: Huh? A: What did you do last night? B: Oh, nothing. A: Nothing? B: That’s what I said, nothing. A: Well… B: Well what? A: Never mind. B: Fine, see ya later… EMPTY SCENES EXPLORE… Relationship Time Place Situation Given circumstances

AUDITION

Now, the actor is aware of his audience... The audience affects the actor’s timing, delivery and energy

Patrick Steward, Simon Callow and Ian McKellan

Stage actors must re-create their performance over and over. Each actor develops ways to adapt to the different demands of various media Stage actors must re-create their performance over and over. Each actor develops ways to adapt to the different demands of various media Dame Judi Dench in film and onstage.

Actors are privileged people, they get to live the lives of saints, sinners, lovers, rulers, the great and the meek Actors are privileged people, they get to live the lives of saints, sinners, lovers, rulers, the great and the meek Actors must know more than acting, they must represent the human and therefore must understand humankind Actors must know more than acting, they must represent the human and therefore must understand humankind The proper study of acting is life: common sense, observation, perception, tolerance and understanding The proper study of acting is life: common sense, observation, perception, tolerance and understanding Actors need to possess training, business acumen and a realistic vision Actors need to possess training, business acumen and a realistic vision Very few are capable of a professional career in acting. Those that do possess great talent, skill, persistence, fortitude and luck! Very few are capable of a professional career in acting. Those that do possess great talent, skill, persistence, fortitude and luck!