ArmoníaTraining Days Remo Orsoni Application Engineer remo.orsoni@powersoft.it
Advanced training SUMMARY Armonia - WIFI connection to amplifiers and controlling via Armonia - Special cabling for connecting AES3 inputs to the amplifiers - Measuring and creating presets for loudspeakers a) Limiter functions and settings b) FIR/ IIR X-overs c) Smaart? d) Creating a preset. - Creating a cardioid subwoofer pattern with Armonia
LIVE! WI-FI connection to amplifiers and controlling via Armonia Advanced training LIVE! WI-FI connection to amplifiers and controlling via Armonia
PORT 1/PORT 2 (IDENTICAL) KAESOP Network Wiring PORT 1/PORT 2 (IDENTICAL) 1: 100BaseT AutoMDI RX/TX+ 2: 100BaseT AutoMDI RX/TX- 3: 100BaseT AutoMDI TX/RX+ 4: AES3-A RX/TX+ 5: AES3-A RX/TX- 6: 100BaseT AutoMDI TX/RX- 7: AES3-B RX/TX+ 8: AES3-B RX/TX- AES3-A stream, ch 1-2 AES3-B stream, ch 3-4 100BaseT LAN
AES EBU / ANALOG input selector From digital AES3 source KAESOP Network Wiring Connecting AES3 inputs to the amplifiers. a) Thru the rear IN2 XLR (must be push the selector) AES EBU / ANALOG input selector From digital AES3 source
From digital AES3 source Input routing a) Thru the rear IN2 XLR (must be push the selector) Connecting AES3 inputs to the amplifiers. From digital AES3 source
From digital AES3 source KAESOP Network Wiring Connecting AES3 inputs to the amplifiers. AND \ OR b) Thru the RJ45 port (patch panel or Y cable needed) 100BaseT LAN AES3-A stream AES3-B stream From Armonia network From digital AES3 source
Input routing b) Thru the RJ45 port (patch panel or Y cable needed)
Measuring and creating presets for loudspeakers. a) Very expensive and advance measurement system and logistic (anechoic chamber) is necessary for make a presets. b) Factory presets is the basics for any custom preset design and warranty. c) …. With a good equipment, growing up experience and lucky we can make a preset from the scratch.
Limiter functions and setting. Power limiter Real time monitor Peak limiter
Link Attack & Release time with X Power Limiter setting. Power sensing Power vs Volt or TruePower - Power vs I (only special transducer) Enable Power limiter Enable cross limit mode (link the GR) TruePower uses the real-time measurements of amplifier output voltage and current. Equivalent power @ 8Ohm is calculated using the real-time measurements of the amplifier’s output voltage and based on a hypothetical 8 ohm load. Link Attack & Release time with X Soft-knee
Peak Limiter setting. Enable Peak limiter Display calibrated downwards. Link Attack & Release time with X
Displayed information. Headroom Limiter LED Output power Gain reduction history Gain reduction meter *Display calibrated downwards.
…about loudspeaker Power Electromechanical transducers transform a significant amount of power into heat. They can accept different power level according to the time and dynamic of the signal apply. long term > 2 h (AES), better know as RMS CF < 6 dB Program – Music > 2 h (Recommended amplifier) CF > 6 dB short term < 2 s (peak / IEC268-5) CF > 12 dB Eg. Long term power 500 W AES Program, Music (Recommended amplifier) 1000 W RMS Short term power IEC 268-5 2000 W PEAK DISCO – MODERN LIVE (Pop - Rock) – ACOUSTIC MUSIC (Jazz – Classical)
Typical subwoofer specification
Typical loudspeaker specification
Typical bi-amp loudspeaker connection pannel
Typical bi-amp loudspeaker connection diagram
Power Limiter Threshold W TruePower is the preferred setting to choose when the number of speakers connected to the amplifier channel is known. Powersoft suggest a threshold of 1\3 of the power specification of the loudspeaker Eg. 750 W AES = 250 W Equivalent power @ 8 Ohm setting all power calculations being based on an arbitrary 8 ohm load (RMS voltage limiter), unknow speaker number. Working essentially as an RMS voltage limiter the Equivalent power @ 8 Ohm mode is useful when the number of speakers connected to the amplifier terminal is unknown. In such cases, using TruePower could under-power multiple speakers connected to an amplifier channel. For example, using a 500 W TruePower limiter would deliver 500 W to a single speaker, 2 x 250 W to two speakers, 4 x 125 W to four speakers etc.
Peak limiter Threshold V Powersoft supply a excel file for calculate it (DesignersTool_1.2.5_a.xlsx) or you can use the formula Vlim= 𝑊 𝐴𝐸𝑆∗𝑅 ∗1,7 Eg. 2000 W AES @4 ohm = 152 V NOTE: For very heavy use (24\7 - CF < 3 dB) I suggest a 1,4 multiplier Eg. 2000 W AES @4 ohm = 125 V
Peak limiter Attack & Release time
Power limiter Attack & Release time
Measurement Smaart ?
Two ways loudspeaker Impulse response IIR X-overs
Two ways loudspeaker Impulse response FIR X-overs
Two ways loudspeaker Frrequency response FIR X-overs Crossover frequency 1630 Hz.
Two ways loudspeaker 3D polar response IIR v\s FIR X-overs Crossover frequency 1630 Hz.
IIR v\s FIR X-overs Pro Full range Higher x-over area and «musicality» Easy to find Cons Minimum speaker protection Phase distortion Pro Higher speaker protection Linear Phase response Cons Latency (only up then 1Khz) Reduced x-over area and «musicality» Not Easy to find
Creating a cardioid subwoofer pattern Pro Full range Higher x-over area and «musicality» Easy to find Cons Minimum speaker protection Phase distortion Pro Higher speaker protection Linear Phase response Cons Latency (only up then 1Khz) Reduced x-over area and «musicality» Not Easy to find