Islamic Art Textiles and Carpets

Slides:



Advertisements
Similar presentations
Delhi Sultanate Islam in India
Advertisements

Carpet Construction & Styles Is this a Saxony or a plush?
Turkish folk art. Turkish art refers to all works of visual art originating from the geographical area of what is present day Turkey since the arrival.
OTTOMAN ART FORMS. OTTOMAN ARCHITECTURE Ottoman architecture is the architecture of the Ottoman Empire which emerged in Bursa and Edirne in 15th and 16th.
Chapter 8 The Muslim Empires
Safavid Empire Amira, Marjorie, DJ.
Muslim Empires around 1500 Review Questions. Where was the Ottoman Empire located?
Dr. Jimmy Lam Institute of Textiles & Clothing
Woven Artwork Weaving Cultures and Traditions. Weaving Cultures American Indians – blankets and rugs Asian – carpets and clothing African – kente cloth.
Oriental Rugs types.htm. Oriental rugs are made by individuals, by families, and by employed rug factory workers. historically.
Weaving is a textile craft in which two distinct sets of yarns or threads, called the warp and the filling or weft (older woof), are interlaced to form.
Intro. To Fiber Arts Fiber, Yarn, Fabrics.
Islamic Art. The Kaaba, Mecca, Saudi Arabia Surrounded by the mosque of al-Masjid al-Haram.
Map Review. What Peninsula is this? The Arabian Peninsula.
The Muslim Empires of the Early Modern World. The Ottoman Empire The Challenger to Christian Europe.
Word List Timeline Transoxania Timurids shaykh (Sufi master)
Islamic Art Basic Principles Art that is influenced by Islam is found in many places in the world. The influence may be cultural or the influence may.
Similarities The peak of Islam’s political and military power All based on military conquest All from Turkic nomadic cultures All absolute monarchies.
Tuesday October 1, minutes End Pass in your sheets.
Indian empire that ruled for more than 300 years (1526 to 1858), except for a brief period under the Sur sultans ( ).
Safi al-Din Founder of Islamic religious brotherhood whose followers were known as Safavids. –15th Century: aligned themselves with the Shi’a branch of.
Cultural Characteristics of the Middle East 7 th Grade TAG Social Studies.
T HE S AFAVID E MPIRE. I.O RIGINS map, p. 469 was a Shiite empire, founded by Shah Ismail shah = king covered much of Iraq & Iran (also known as Persia)
Songhai Empire (at its height)
Central and Southern Asian Empires: The Safavids & Mughals
Unit XVIII - Islam Copyright 2006; C. Pettinato, RCS High School, All Rights Reserved.
Mr. Chapman Forensics 30 Yarns and Textiles. Yesterday we discussed the process of making polymeric, synthetic fibers from a monomer “soup.” This is a.
OTTOMAN EMPIRE WHEN: Mid 1200’s – 1900’s WHERE: Africa, Asia, Europe Mediterranean – Byzantine Empire Mediterranean – Byzantine Empire WHO: Muslim Turkish.
Muslim Empires Seat work
Maya Empire 300 c.e- 900 c.e Location: Yucatan Peninsula (parts of Mexico and Guatemala) Religion: polytheistic, sacrifices performed Famous city: Tikal.
The Rule of the Safavids
Textile collection samples uncut corduroy medium wale corduroy wide wale corduroy terry cloth fleece.
The Mogul Empire. I. Origins the Moguls brought unity to the Indian subcontinent founder = Babur  originally conquered territory in Afghanistan, then.
Ottoman Empire (1300 – 1918) – Ottomans, a nomadic Turkish group, emerged as rulers of the Islamic world: Captured Constantinople in 1453, renamed it Istanbul.
Islamic Art Know the categories and characteristics.
Timeline 1243 Mongols reduce Saljuq Sultanate of Rum to a protectorate Ilkhans take direct control of Saljuq Sultanate of Rum. c Formation.
Iran and Persia How Far have They Come By: Akeem Tate.
Non-Western Empires About Ottoman Empire Mughal Empire Aztec Empire Ming Dynasty Incan Empire Songhai Empire Tokugawa Shogunate Safavid Empire.
Chapter 19: Southwest Asia and the Indian Ocean
FIBERS CHAPTER 6. Fibers Fibers are made up of many filaments twisted or bonded together to form a thread. Along with hair, fibers are the most common.
SSWH12 The student will examine the origins and contributions of the Ottoman, Safavid, and Mughal Empires.
Muslim Empires For each of the following empires-
Warm Up Describe the “Gunpowder empires”. In your description, explain why many historians say “global history had entered a new phase” when they talk.
Weaving A textile or fiber art.
The Safavid Empire The Mughal Empire The Ottoman Empire
Changes to schedule next week Seminar J: Connections, Contexts and Chronology (the last seminar)moved from May the 3 rd to May the 10 th Seminar group.
The Ottomans, a people from Central Asia, became rulers of the Islamic world in the 13 th century. In 1453, they conquered Constantinople.
12. Muslim Empires Standard: Examine the origins and contributions of the Ottoman, Safavid, and Mughal empires. Essential Question: What were the origins.
AIM:What were the characteristics of the Ottoman and Safavid Empires? Do Now: Write down some things you already know about the Ottoman and Safavid empire.
India’s Textiles.
Muslim Empires.
Tapestry Weaving Craft Kit Classroom Educational Component
Ensuring outstanding teaching in art & design
Ottoman Carpet Industry
The Difference Between Persian and Oriental Rugs
Motifs and Symbols in ‘Polonaise’ Kilims
1. What is the area of the shaded figure if each square is an inch?
BELLRINGER Read the section on ‘India’ on the back of the handout’s first page As you read fill out the chart for ‘Delhi Sultanate’ TIME: 7 minutes.
What is a motif? A motif is a stylized design that sometimes repeats as pattern. It usually has a traditional or symbolic meaning. It can be pictorial.
Weaving Art 2200.
Portrait of Shah ‘Abbas I, attributed to Bishn Das, Mughal India, about AD 1618.
Ottomans-Safavids-Mughals
The Muslim World Expands
Weaving Cultures and Traditions
You will be given the answer. You must give the correct question.
Gunpowder Empires.
TECHNIQUES AND PROCESSES
Art Appreciation Silk Road “ The Art of Rug Making”
Textile Art: Weaving Art Supplies: Popsicle Sticks Hot Glue Gun
B. The Safavid Empire C. The Mughal Empire A. The Ottoman Empire.
Presentation transcript:

Islamic Art Textiles and Carpets

Major Rug-Producing Regions of the World

Persian knot, open to the left (image taken from May Beattie, Carpets of Central Persia) Persian Knot: the supplementary weft yarn passes behind one warp yarn, and the two ends emerge on either side of a warp yarn. The Persian knot is sometimes called a Senneh knot; it has an asymmetrical structure Turkish knot In the Turkish knot, the supplementary weft yarn passes over the two warp yarns, and emerges to form the pile coming between them. The Turkish knot is also sometimes called a Ghiordes knot; it has a symmetrical structure.

Iran, A.D. " Polonaise" carpet, early 17th century; Safavid Iran Silk, gold and silver thread; 157 x 67 in. ( x cm) Medallion rug with a field of flowers, 17th century; Safavid Probably Kirman, Iran Wool pile on cotton, wool, and silk foundation; 81 x 56 in. (205.7 x cm)

South Asia, A.D. Carpet, Mughal, period of Shah Jahan (1628–58) India Wool on silk foundation; 66 x 160 in. ( x cm) Carpet, 17th century; Mughal India Wool; L. 363 in. ( cm), W. 134 in. ( cm)

South Asia, A.D. Prayer rug, 18th century; Mughal Probably Kashmir, India Wool pile on cotton and silk foundation; 74 1/4 x 47 1/4 in. (188.6 x cm)

Anatolia and the Caucasus, A.D. Carpet, first half of 17th century; Ottoman Ushak, Anatolia Wool warp and weft, wool pile; 167 7/8 x 91 in. (426.5 x 231 cm)

Anatolia and the Caucasus, A.D. Medallion Ushak carpet, first half of 17th century; Ottoman Western Anatolia, Ushak region Wool, about 90 symmetrical knots per square inch; 25 1/3 x 12 1/3 ft. Kilim, 1774 Ladik, Turkey Wool, metal thread; 63 x 43 in. (160 x 109 cm)

Woman and children at the loom, High Atlas, 2001 "Weaving is the women’s activity which carries the greatest symbolic importance, signifying both the prosperity of a house whose flocks have produced sufficient wool to mount the loom, and the skill and application of the women in it....” the loom is usually found in the most important room of the house “The dominance of the central room thus signifies the dominance of women within the household.”

Bibliography