Krista Beavers 04/23/2009

Jen Harmon Allen Changing of the Guard, 2001, Mixed Media Installation (fired clay and steel), 10 x 7 x 7 ft. (Installed Spring of 2001 in BYU’s Harris Fine Arts Center in Provo, Utah)

Changing of the Guard, 2001, Mixed Media Installation (fired clay and steel), 10 x 7 x 7 ft., detail

Charcoal Dress, 2001, Mixed Media (fired clay and steel), 37” x 17” x 10”

Charcoal Dress, 2001, Mixed Media (fired clay and steel), 37” x 17” x 10”, detail

Stories the Hummingbird Told Me, 2003, Mixed Media Installation, 16 x 6 x 5 ft.

Hummingbird Dress (Stories the Hummingbird Told Me), 2003, Mixed Media Installation, 16 x 6 x 5 ft.

Hummingbird Dress (Stories the Hummingbird Told Me), 2003, Mixed Media Installation, 16 x 6 x 5 ft., detail

Plumbing the Depths, 2005, Mixed Media Wall Installation (recycled lead and plexiglas), 12 x 6 ft

Plumbing the Depths, 2005, Mixed Media Wall Installation (recycled lead and plexiglas), 12 x 6 ft, detail #1

Plumbing the Depths, 2005, Mixed Media Wall Installation (recycled lead and plexiglas), 12 x 6 ft, detail #2

Limb Squad, 2000, Mixed Media Installation, 7 x 7 x 7 ft.

Dan Witz Rosy, 2007, Oil and Mixed Media on Canvas, 25” x 17”

Melissa, 2007, Oil and Mixed Media on Canvas, 25” x 17”

Leah, 2008, Oil and Mixed Media on Canvas, 18” x 13”

Noah, 2007, Oil and Mixed Media on Canvas, 19” x 13”

Mosh Pit, 2001, Oil on Canvas, 48” x 46”

Lotus Lounge, 2008, Oil and Mixed Media on Canvas, 26” x 32”

Jean Shin Worn Soles, 2001, Leather Soles and Heels, Dimensions variable

TEXTile, 2006, 22,528 recycled computer keycaps and 192 custom keycaps, fabric, customized active keyboard and interactive software, video projection and painted aluminum armatures, 2.6 ft h x 4 ft w x 20.4 ft.

TEXTile, 2006, 22,528 recycled computer keycaps and 192 custom keycaps, fabric, customized active keyboard and interactive software, video projection and painted aluminum armatures, 2.6 ft h x 4 ft w x 20.4 ft., details

Clothesline (White Oxford Shirts), 2003, Cut Fabric, (shirt remnants), and thread Dimensions variable, 4 x 12.5 ft.

Seams (4 shirts), 1998, Cut Fabric (clothing), Dimensions variable

Seams (Red Dress), 2000, Cut Fabric (clothing), Dimensions variable

Seams (Gold Dress), 2003, Cut Fabric (clothing), Dimensions variable

Soundwave, 2007, Melted records on wooden armature, Dimensions variable, 62 3/8 x 79 15/16 x 96”

20/20, 2005, Prescription eyeglasses, Dimensions variable inches

Nam June Paik Electronic Superhighway: Continental U.S., Alaska, Hawaii, 1995, 49- channel closed circuit Video Installation, Neon, Steel and Electronic components, approx. 15 x 40 x 4 ft.

Technology, 1991, 25 video monitors, 3 laser disc players with unique 3 discs in a cabinet of various materials, 127 x 51 7/8 x 75 5/8 in.

TV Garden, 1974 (2000 version), Video and audio installation with monitors and live plants, Dimensions variable

The More the Better, 1988, Three channel video installation with 1,003 monitors and steel structure; color, sound, approx. 60 ft. high

Marita Dingus Woman as the Creator, 2002, Mixed Media, 18 x 18 x 18 ft.

Woman as the Creator, 2002, Mixed Media, 18 x 18 x 18 ft., close up of face

200 Women of African Descent, 1994, Mixed Media, Each doll approx. 10 x 3 x 1 ½”

400 Men of African Descent, 1997, Cloth and Mixed Media, Each doll approx. 10 x 3 x 1 ½”

400 Men of African Descent, 1997, Cloth and Mixed Media, close up

Glass Baby- Brown Fabric, 2008, Mixed Media, Each doll approx. 29 x 14 ½ x 2”

3-D Glass Baby (blue background with crown), 2007, Mixed Media/ Glass, Each doll approx. 14 x 8 x 2 ½”

Buddha as an African Enslaved, 1998, Mixed Media, 9’ 4” x 65’

Media: Dove Campaign for Real Beauty- Evolution Film

References Dingus, Marita (Artist). (2002). Women as the Creator [Image of Installation]. Seattle, Washington; Francine Seders Art Gallery. Retrieved March 21, 2009, from Dingus, Marita (1994). 200 Women of African Descent [Image of Installation]. Seattle, Washington; Seattle Art Museum. Retrieved March 21, 2009, from &profile=objects&searchdesc=WEB.Modern%20&newvalues=1&newstyle=single&newcurrentrecord=12 &profile=objects&searchdesc=WEB.Modern%20&newvalues=1&newstyle=single&newcurrentrecord=12 Dingus, Marita (1997). 400 Men of African Descent [Image of Installation]. Seattle, Washington; Seattle Art Museum. Retrieved March 21, 2009, from &profile=objects&searchdesc=WEB.Modern%20&newvalues=1&newstyle=single&newcurrentrecord=12 &profile=objects&searchdesc=WEB.Modern%20&newvalues=1&newstyle=single&newcurrentrecord=12 Dingus, Marita (2008). Glass Baby- Brown Fabric [Image of Sculpture]. Seattle, Washington; Francine Seders Art Gallery. Retrieved March 21, 2009, from Dingus, Marita (2007). 3-D Glass Baby (blue background with crown), [Image of Sculpture]. Seattle, Washington; Francine Seders Art Gallery. Retrieved March 21, 2009, from Dingus, Marita (1998). Buddha as an African Enslaved, [Image of Sculpture]. Seattle, Washington; Francine Seders Art Gallery. Retrieved March 21, 2009, from

Dove (2008). Campaign for Real Beauty: Evolution. Video retrieved March 20, 2009, from Harmon Allen, Jen (Artist). (2001). Changing of the Guard [Image of Installation]. Provo, Utah; Brigham Young University, Harris Fine Arts Center. Retrieved February 20, 2009, from Harmon Allen, Jen (Artist). (2001). Changing of the Guard, detail [Image Installation]. Provo, Utah; Brigham Young University, Harris Fine Arts Center. Retrieved February 20, 2009, from Harmon Allen, Jen (Artist). (2001). Charcoal Dress [Image of Installation]. Provo, Utah; Brigham Young University, Harris Fine Arts Center. Retrieved February 20, 2009, from Harmon Allen, Jen (Artist). (2001). Charcoal Dress, detail [Image of Installation]. Provo, Utah; Brigham Young University, Harris Fine Arts Center. Retrieved February 20, 2009, from Harmon Allen, Jen (Artist). (2003). Stories the Hummingbird Told Me [Image of Installation]. Orem, Utah;UVSC Woodbury Gallery. Retrieved February 20, 2009, from Harmon Allen, Jen (Artist). (2003). Hummingbird Dress [Image of Installation]. Orem, Utah; UVSC Woodbury Gallery. Retrieved February 20, 2009, from Harmon Allen, Jen (Artist). (2003). Hummingbird Dress, detail [Image of Installation]. Orem, Utah; UVSC Woodbury Gallery. Retrieved February 20, 2009, from Harmon Allen, Jen (Artist). (2005). Plumbing the Depths [Image of Wall Installation]. Wallsburg, Utah; Collection of the artist. Retrieved March 25, 2009, from Harmon Allen, Jen (Artist). (2005). Plumbing the Depths, details #1 [Image of Wall Installation]. Wallsburg, Utah; Collection of the artist. Retrieved March 25, 2009, from Harmon Allen, Jen (Artist). (2005). Plumbing the Depths, details #2 [Image of Wall Installation]. Wallsburg, Utah; Collection of the artist. Retrieved March 25, 2009, from

Harmon Allen, Jen (Artist). (2000). Limb Squad [Image of Installation]. Provo, Utah; Brigham Young University, Harris Fine Arts Center. Retrieved February 20, 2009, from Jun Paik, Nam (Artist). (1995). Electronic Superhighway: Continental U.S., Alaska, Hawaii, [Image of Installation]. Washington, D.C.; Smithsonian American Art Museum. Retrieved March 20, 2009, from Jun Paik, Nam (Artist). (1991). Technology, [Image of Installation]. Washington, D.C.; Smithsonian American Art Museum. Retrieved March 20, 2009, from Jun Paik, Nam (Artist). ( ). Video Flag, [Image of Installation]. Washington, D.C.;Hirshhorn Museum and Sculpture Garden. Retrieved April 20, 2009, from Jun Paik, Nam (Artist). (1974, 2000 version). TV Garden, [Image of Installation]. New York, New York; Guggenheim Museum. Retrieved March 20, 2009, from york/collections/collection-online/show-full/piece/?search=1&page=1&f=Highlight&cr=216http:// york/collections/collection-online/show-full/piece/?search=1&page=1&f=Highlight&cr=216 Jun Paik, Nam (Artist). (1988). The More the Better, [Image of Installation]. Retrieved March 20, 2009, from Shin, Jean (Artist). (2001). Worn Soles [Image of Installation]. New York, New York; Rotunda Gallery; Washington, D.C.; Korean Embassy. Retrieved March 20, 2009, from Shin, Jean (Artist). (2006). TEXTile [Image of Installation]. Philadelphia, Pennsylvania; Fabric Workshop and Museum. Retrieved March 20, 2009, from Shin, Jean (Artist). (2003). Clothesline (White Oxford Shirts) [Image of Sculpture] New York, New York; Frederieke Taylor Gallery. Retrieved March 20, 2009, from Shin, Jean (Artist). (1998). Seams Series (4 Shirts) [Image of Sculpture]. New York, New York; Collection of the Artist. Retrieved March 20, 2009, from

Shin, Jean (Artist). (2000). Seams Series (Red Dress) [Image of Sculpture]. New York, New York; Frederieke Taylor Gallery. Retrieved March 25, 2009, from Shin, Jean (Artist). (2003). Seams Series (Gold Dress) [Image of Sculpture]. New York, New York; Frederieke Taylor Gallery. Retrieved March 25, 2009, from Shin, Jean (Artist). (2007). Soundwave [Image of Installation]. New York, New York; Brooklyn Academy of Music. Retrieved March 20, 2009, from Shin, Jean (Artist). (2005). 20/20 [Image of Installation]. New York, New York; Frederieke Taylor Gallery. Retrieved March 25, 2009, from Witz, Dan (Artist). (2007). Rosy [Image of Painting]. New York, New York; DFN Gallery. Retrieved February 19, 2009, from Witz, Dan (Artist). (2008). Melissa, (cell phone) [Image of Painting]. New York, New York; DFN Gallery. ARTnews 107(9), p. 69. Witz, Dan (Artist). (2008). Leah [Image of Painting]. New York, New York; DFN Gallery. Retrieved February 19, 2009, from Witz, Dan (Artist). (2007). Noah, [Image of Painting]. New York, New York; DFN Gallery. Retrieved February 19, 2009, from Witz, Dan (Artist). (2001). Mosh Pit, [Image of Painting]. ; Collection of the Artist. Retrieved February 19, 2009, from Witz, Dan (Artist). (2008). Lotus Lounge, [Image of Painting]. ; Collection of the Artist. Retrieved February 19, 2009, from

Marita Dingus: Blogger.com, Art and Politics Now. Metamorphosis: Marita Dingus’s Trash. Retrieved March 23, 2009, from metamorphis-ecstasy-with.html Dingus, M. (2008). Francine Seders Art Gallery. Retrieved March 21, 2009, fromhttp:// electer.php Seattle Art Museum Brochure, The Collection Seattle Art Museum, Experience The Permanent Collection. Retrieved March 20, 2009, from ntrecord=10&page=collection&profile=objects&searchdesc=WEB.Modern%20&newv alues=1&newstyle=single&newcurrentrecord=12 The Seattle Times, Seattle Art Museum Reopens. Retrieved March 25, 2009, from Nam June Paik: Nam June Paik Studios, Inc. Retrieved March 20, 2009, from Smithsonian American Art Museum, Retrieved March 20, 2009, from Smithsonian American Art Museum Brochure, Telling the Stories of America