Landscapes: Real and Imagined. Questions Why might an artist choose to paint abstractly instead of representationally—depicting figures, shapes, objects,

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Presentation transcript:

Landscapes: Real and Imagined

Questions Why might an artist choose to paint abstractly instead of representationally—depicting figures, shapes, objects, or scenes? What kinds of choices do artists make when painting? MoMA Landscapes: Real and Imagined Theme

Take a close look at Port-en-Bessin, Entrance to the Harbor, by Seurat. What is going on in the foreground, the middle ground and the background? What is the mood of this place? Georges-Pierre Seurat. Port-en-Bessin, Entrance to the Harbor MoMA Landscapes: Real and Imagined Theme

Now, take a close look at The Starry Night, by van Gogh. How is it similar to Port-en- Bessin? How is it different? What details do you notice? Why might this be considered a ‘Symbolist’ work of art? Vincent van Gogh. The Starry Night. June 1889 MoMA Landscapes: Real and Imagined Theme

How are these paintings similar? How are they different? Let’s compare Seurat and van Gogh MoMA Landscapes: Real and Imagined Vincent van Gogh. The Starry Night. June 1889Georges-Pierre Seurat. Port-en-Bessin, Entrance to the Harbor. 1888

Now, take a close look at Melancholy: Evening on the Shore, by Munch. What is happening with the figure in this landscape? What mood is being conveyed? Would the mood be the same without the figure? Why or why not? MoMA Landscapes: Real and Imagined Theme Edvard Munch. Melancholy: Evening on the Shore. 1896

Now, take a close look at Evening, Honfleur, by Seurat. MoMA Landscapes: Real and Imagined Theme Georges-Pierre Seurat. Evening, Honfleur, 1886 What is happening in the foreground, middle ground, and background? What mood is being conveyed?

Let’s compare the moods of Munch’s Melancholy: Evening on the Shore to Seurat’s Evening, Honfleur. MoMA Landscapes: Real and Imagined Georges-Pierre Seurat. Evening, Honfleur, 1886 Edvard Munch. Melancholy: Evening on the Shore. 1896

Questions Now that you have generated descriptive words for each image, use them to have a conversation with a partner: How did these modern painters convey a sense of mood or interior, psychological space in their landscapes? MoMA Landscapes: Real and Imagined Theme

Henri Rousseau. The Dream. 1910

Let’s look at these two landscapes by Matisse. MoMA Landscapes: Real and Imagined Henri Matisse. Study for "Luxe, calme et volupté" Henri Matisse. Landscape at Collioure. 1905

Vasily Kandinsky. Picture with an Archer MoMA Landscapes: Real and Imagined Theme

Paul Gauguin. The Moon and the Earth. 1893

Joan Miró. The Hunter (Catalan Landscape). Montroig, July 1923-winter MoMA Landscapes: Real and Imagined Theme

Salvador Dalí. The Persistence of Memory MoMA Landscapes: Real and Imagined Theme

Max Ernst. Two Children Are Threatened by a Nightingale MoMA Landscapes: Real and Imagined Theme

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