Photography Concepts The sequel Perry Kivolowitz.

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Presentation transcript:

Photography Concepts The sequel Perry Kivolowitz

Outline I.Composition II.Tips and technologies

Composition: Composing: How your picture is put together – Objects in the picture – Boundaries of the picture Old saying: “Pictures are taken with a camera but made in the darkroom” You can plan for good composition in the camera and perfect it on your computer

Composition: Terms Any given pictures “wants” to be vertical or horizontal. Don’t fight it. Portrait = vertical Landscape = horizontal

Composition: Most common finished aspects 4 x 65 x 78 x 10 For computer (web) use, any aspect goes For more money (print), any aspect goes

Composition: Rule of thirds Most basic principle of composition Divide image in thirds Place point of interest on one of the four intersections Or along a complete vertical or horizontal

Composition: Rule of thirds OriginalRule of thirds? Feh!Aligned with right column

Composition: Rule of thirds OriginalIn center square - fehAligned on Intersection point

Composition: Triangles Are aesthetically pleasing Used for hundreds of years Draw your attention in a specific direction Equally applicable to people, landscapes and things Use gaze if possible if picture is of people Don’t forget to use the boundaries of the image as part of the triangle

Composition: Triangles Pieta by BaciccioPieta by El GrecoIndian Lake County Park

Composition: Triangles VeniceBudapest

Composition: Rules of thumb: Don’t center Don’t center your point of interest (in final) For most cameras: – Center point of interest in view finder – Press shutter release half way This usually locks exposure and focus – Recompose the shot to put point of interest off center

Composition: Rules of thumb: Don’t center Don’t be afraid to put your subject off-center!

Composition: Rules of thumb: Heads and feet Leave some head room for later cropping Don’t cut off feet unless you intend a head or chest shot / portrait In general, if you can see the subject’s belt line, you should include their feet With very high resolution cameras you can shoot the full body and then crop to a head shot later

Outline I.Composition II.Tips and technologies

Tips and technologies: Camera shake Among novices camera shake is the number one cause of blurry images Even among pros certain conditions make camera shake difficult to avoid Camera shake = length of exposure exceeds your ability to hold still

Tips and technologies: Camera shake Instructor will now demonstrate how to push the shutter release Instructor will now demonstrate how to hold the camera for longer exposures Use anything you can to prop up camera during longer exposures (like a tripod or lamppost)

Tips and technologies: Camera shake: VR VR = Vibration Reduction Called many things – Steadyshot, VR, etc. Technology to compensate for camera shake Either in the lens (e.g. Nikon) or in the camera body (e.g. Canon, point-and-shoots) Get this if you can

Tips and technologies: Camera shake: VR VR is no substitute for a faster lens – VR lets you take longer exposures, but what if you want to freeze action? VR fights against intentional camera movement

Tips and technologies: Face detection Most point-and-shoots have this now Determine if faces are present Set focus and exposure to make detected faces come out right Very helpful for snapshots Smile detection? Feh – anything that introduces shutter lag is bad

Tips and technologies: Dust reduction(DSLR) Changing lenses introduces dust Without built-in dust reduction, removing dust is – hard to do physically – tedious to do digitally If you can, get built-in dust reduction

Tips and technologies: Dust reduction (DSLR)

Tips and technologies: Shopping tips dpreview.com – best site for camera reviews Shutter lag – as close to zero as possible – doesn’t matter how good the camera is if you missed the shot Weight and size – doesn’t matter how good the camera is if it’s a pain to lug around

Tips and technologies: Choosing an all-around lens for a DSLR Changing lenses introduces dust onto the sensor – so change infrequently Remember most DSLRs have sensors smaller than 35mm film – a 50mm “normal” lens becomes a 75 zoom Best all around lens is a wide-zoom – I use an 18mm to 200mm Zooms often aren’t as sharp as “primes” – I also use a 30mm – becomes a 45

Tips and technologies: Printing sizes Printing images to be viewed close up should be around 300 ppi or higher Prints to be viewed at arm’s length or larger should be greater than 150 ppi Outdoor highway signs are sometimes as low as 15 ppi!

Closing Last few years I’ve loved doing panoramic photography – not just for panoramas The three shots up around the building are all composed of multiple images