Cis 782 Advanced Computer Graphics Raghu Machiraju

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Presentation transcript:

Cis 782 Advanced Computer Graphics Raghu Machiraju Signals and Sampling Cis 782 Advanced Computer Graphics Raghu Machiraju © Machiraju/Möller

Reading Chapter 7 of “Physically Based Rendering” by Pharr&Humphreys Chapter 14.10 of “CG: Principles & Practice” by Foley, van Dam et al. Chapter 4, 5, 8, 9, 10 in “Principles of Digital Image Synthesis,” by A. Glassner Chapter 4, 5, 6 of “Digital Image Warping” by Wolberg Chapter 2, 4 of “Discrete-Time Signal Processing” by Oppenheim, Shafer Please add as you see fit © Machiraju/Möller

Motivation Real World - continuous Digital (Computer) world - discrete Typically we have to either: create discrete data from continuous or (e.g. rendering/ray-tracing, illumination models, morphing) manipulate discrete data (textures, surface description, image processing,tone mapping) © Machiraju/Möller

Motivation Artifacts occurring in sampling - aliasing: Jaggies Moire Flickering small objects Sparkling highlights Temporal strobing Preventing these artifacts - Antialiasing © Machiraju/Möller

Engineering approach (cont.): Motivation Engineering approach (cont.): nearest neighbor linear filter: Convolution with box filter Tent is also Bartlett window Convolution with tent filter © Machiraju/Möller

Motivation- Graphics sampled signal Original (continuous) signal “manipulated” (continuous) signal “Graphics” Reconstruction filter sampling Q: explain this a bit – is graphics => remove high frequencies? What’s the loop at sampled signal sampled signal © Machiraju/Möller

Motivation Engineering approach: black-box discretization: “System” or Algorithm Q: What’s the engineering approach? Multiplication with “shah” function © Machiraju/Möller

Convolution How can we characterize our “black box”? We assume to have a “nice” box/algorithm: linear time-invariant then it can be characterized through the response to an “impulse”: “System” or Algorithm © Machiraju/Möller

Convolution (2) Impulse: discrete impulse: Finite Impulse Response (FIR) vs. Infinite Impulse Response (IIR) Q: FIR v. IIR just whether response is infinite or not? © Machiraju/Möller

Convolution (3) An arbitrary signal x[k] can be written as: Let the impulse response be h[k]: “System” or Algorithm d[k] h[k] Q: we’re talking about digital signals here? Are all these delta functions = 0?? © Machiraju/Möller

IIR - N=inf. FIR - N<inf. Convolution (4) for a time-invariant system h[k-n] would be the impulse response to a delayed impulse d[k-n] hence, if y[k] is the response of our system to the input x[k] (and we assume a linear system): IIR - N=inf. FIR - N<inf. “System” or Algorithm x[k] y[k] © Machiraju/Möller

Fourier Transforms Let’s look at a special input sequence: then: Q: I’m not sure of the value of these two slides © Machiraju/Möller

Fourier Transforms (2) Hence is an eigen-function and H(w) its eigenvalue H(w) is the Fourier-Transform of the h[n] and hence characterizes the underlying system in terms of frequencies H(w) is periodic with period 2p H(w) is decomposed into phase (angle) response magnitude response © Machiraju/Möller

Properties Linear scaling convolution Multiplication Differentiation delay/shift © Machiraju/Möller

Properties (2) Parseval’s Theorem preserves “Energy” - overall signal content Q: what does the double arrow mean in this case? © Machiraju/Möller

Transforms Pairs Fourier Transform Average Filter Box/Sinc Filter © Machiraju/Möller

Transform Pairs - Shah Sampling = Multiplication with a Shah function: multiplication in spatial domain = convolution in the frequency domain frequency replica of primary spectrum (also called aliased spectra) sampling T 1/T © Machiraju/Möller

Transform Pairs - Shah Sampling = Multiplication with a Shah function: multiplication in spatial domain = convolution in the frequency domain frequency replica of primary spectrum (also called aliased spectra) sampling T 1/T Q: duplicate slide? © Machiraju/Möller

Transforms Pairs (2) Linear Filter Gaussian Filter derivative Filter Q: really? There’s a derivative filter?! derivative Filter © Machiraju/Möller

Reconstructed Function General Process Original function Sampled function Acquisition Reconstruction Reconstructed Function Re-sampled function Q: what’s the resampling refer to? Resampling © Machiraju/Möller

Evaluated at discrete points (sum) How? - Reconstruction Spatial Domain: Frequency Domain: Mathematically: f(x)*h(x) Multiplication: Convolution: Evaluated at discrete points (sum) online demo © Machiraju/Möller

Sampling Theorem A signal can be reconstructed from its samples without loss of information if the original signal has no frequencies above 1/2 of the sampling frequency For a given bandlimited function, the rate at which it must be sampled is called the Nyquist frequency © Machiraju/Möller

Example 2D 1D Given Given Needed Needed © Machiraju/Möller Q: this refers to pixels v. samples? © Machiraju/Möller

Example Nearest neighbor Linear Interpolation © Machiraju/Möller Q: samples v. pixels? © Machiraju/Möller

General Process - Frequency Domain Original function Sampled function Acquisition Reconstruction Reconstructed Function Re-sampled function Q: respampling again? Resampling © Machiraju/Möller

Pre-Filtering Original function Band-limited function Pre-Filtering Acquisition Sampled Function Reconstructed function Q: what’s acquisition?= Sampling? Reconstruction © Machiraju/Möller

Reconstruction filter Once Again ... Pre-filter Reconstruction filter sampling Pre-aliasing Post-aliasing © Machiraju/Möller

Pipeline - Example Spatial domain Frequency domain x * x * Q: what’s happening here? x * © Machiraju/Möller

Pipeline - Example (2) Spatial domain Frequency domain * x x * Q: what’s happening here? x * © Machiraju/Möller

Pipeline - Example (3) Spatial domain Frequency domain * x Q: what’s happening here? © Machiraju/Möller

Sources of Aliasing Non-bandlimited signal Low sampling rate (below Nyquist) Non perfect reconstruction sampling sampling © Machiraju/Möller

Aliasing © Machiraju/Möller

Bandlimited © Machiraju/Möller Q: what’s the difference between the 2 images? © Machiraju/Möller

Interpolation Spatial Domain: Frequency Domain: convolution is exact cut off freq. replica Q: what’s this about? © Machiraju/Möller

Derivatives Spatial Domain: Frequency Domain: convolution is exact cut off freq. replica © Machiraju/Möller

Reconstruction Kernels Nearest Neighbor (Box) Linear Sinc Gaussian Many others Spatial d. Frequency d. © Machiraju/Möller

Ideal Reconstruction Box filter in frequency domain = Sinc Filter in spatial domain impossible to realize (really?) Pass-band stop-band Ideal filter Smoothing Practical filter Q: what’s the lower diagram all about? What’s a stop-band? Post-aliasing © Machiraju/Möller

Ideal Reconstruction Use the sinc function – to bandlimit the sampled signal and remove all copies of the spectra introduced by sampling But: The sinc has infinite extent and we must use simpler filters with finite extents. The windowed versions of sinc may introduce ringing artifacts which are perceptually objectionable. © Machiraju/Möller

Reconstructing with Sinc © Machiraju/Möller

Ideal Reconstruction Realizable filters do not have sharp transitions; also have ringing in pass/stop bands p Low-pass filter p band-pass filter p high-pass filter © Machiraju/Möller

? Higher Dimensions? Design typically in 1D extensions to higher dimensions (typically): separable filters radially symmetric filters limited results research topic T ? © Machiraju/Möller

Possible Errors Post-aliasing Smoothing Ringing (overshoot) Anisotropy reconstruction filter passes frequencies beyond the Nyquist frequency (of duplicated frequency spectrum) => frequency components of the original signal appear in the reconstructed signal at different frequencies Smoothing frequencies below the Nyquist frequency are attenuated Ringing (overshoot) occurs when trying to sample/reconstruct discontinuity Anisotropy caused by not spherically symmetric filters © Machiraju/Möller

Aliasing vs. Noise © Machiraju/Möller

Antialiasing Antialiasing = Preventing aliasing 1. Analytically pre-filter the signal Solvable for points, lines and polygons Not solvable in general (e.g. procedurally defined images) 2. Uniform supersampling and resample 3. Nonuniform or stochastic sampling After Pat Hanrahan © Machiraju/Möller

Uniform Supersampling Increasing the sampling rate moves each copy of the spectra further apart, potentially reducing the overlap and thus aliasing Resulting samples must be resampled (filtered) to image sampling rate After Pat Hanrahan Q: ‘resampled’ is same as ‘filtered’? © Machiraju/Möller

Distribution of Extrafoveal Cones Yellot theory (1983) Aliases replaced by noise Visual system less sensitive to high freq noise Monkey eye cone distribution Fourier Transform After pat hanrahan © Machiraju/Möller

Non-Uniform Sampling - Intuition The spectrum of uniformly spaced samples is also a set of uniformly spaced spikes Multiplying the signal by the sampling pattern corresponds to placing a copy of the spectrum at each spike (in freq. space) Aliases are coherent, and very noticeable Non-uniform sampling Samples at non-uniform locations have a different spectrum; a single spike plus noise Sampling a signal in this way converts aliases into broadband noise Noise is incoherent, and much less objectionable After Pat Hanrahan © Machiraju/Möller

Non-Uniform Sampling -Patterns Poisson Pick n random points in sample space Uniform Jitter Subdivide sample space into n regions Poisson Disk Pick n random points, but not too close According to John Hart http://www.cs.arizona.edu/classes/cs534/Antialiasing.ppt © Machiraju/Möller

Poisson Disk Sampling Fourier Domain Spatial Domain © Machiraju/Möller After pat hanrahan Spatial Domain Fourier Domain © Machiraju/Möller

Uniform Jittered Sampling After pat hanrahan Spatial Domain Fourier Domain © Machiraju/Möller

Non-Uniform Sampling - Patterns Spectral characteristics of these distributions: Poisson: completely uniform (white noise). High and low frequencies equally present Poisson disc: Pulse at origin (DC component of image), surrounded by empty ring (no low frequencies), surrounded by white noise Jitter: Approximates Poisson disc spectrum, but with a smaller empty disc. According to David Luebke www.cs.virginia.edu/~gfx/Courses/2001/Advanced.spring.01/ppt/lecture07.ppt © Machiraju/Möller

Stratified Sampling Put at least one sample in each strata Multiple samples in strata do no good Also have samples far away from each other Graphics: jittering After Pat Hanrahan Q: what’s a ‘strata’? © Machiraju/Möller

Stratification OR More precisely: Split up the integration domain in N disjoint sub-domains or strata Evaluate the integral in each of the sub-domains separately with one or more samples. More precisely: © Machiraju/Möller

Stratification Q: I need this explained © Machiraju/Möller

More Jittered Sequences Q: I need this explained © Machiraju/Möller

Jitter Place samples in the grid Perturb the samples up to 1/2 width or height © Machiraju/Möller

Jitter with 4 samples/pixel Texture Example Exact – 256 samples/pixel Jitter with 1 sample/pixel 1 sample/pixel Jitter with 4 samples/pixel © Machiraju/Möller

Multiple Dimensions Too many samples 1D 2D 3D © Machiraju/Möller Q: what does ‘too many samples’ mean? © Machiraju/Möller

Jitter Problems How to deal with higher dimensions? Solutions: Curse of dimensionality D dimensions means ND “cells” (if we use a separable extension) Solutions: We can look at each dimension independently We can either look in non-separable geometries Latin Hypercube (or N-Rook) sampling Q: non-separable geometries? Latin hypercube? N-rook? © Machiraju/Möller

Multiple Dimensions Make (separate) strata for each dimension Randomly associate strata among each other Ensure good sample “distribution” Example: 2D screen position; 2D lens position; 1D time Q: I need an explanation (is this in book – I haven’t read that far yet) © Machiraju/Möller

Optimal sampling lattices Dividing space up into equal cells doesn’t have to be on a Cartesian lattices In fact - Cartesian is NOT the optimal way how to divide up space uniformly Cartesian Hexagonal © Machiraju/Möller

Optimal sampling lattices We have to deal with different geometry 2D - hexagon 3D - truncated octahedron © Machiraju/Möller

Latin Hypercubes - N-Rooks Distributing n samples in D dimensions, even if n is not a power of D Divide each dimension in n strata Generate a jittered sample in each of the n diagonal entries Random shuffle in each dimension © Machiraju/Möller

Stratification - problems Clamping (LHS helps) Could still have large empty regions Other geometries, e.g. stratify circles or spheres? } © Machiraju/Möller

How good are the samples ? How can we evaluate how well our samples are distributed? No “holes” No clamping Well distributed patterns have low discrepancy Small = evenly distributed Large = clustering Construct low discrepancy sequence © Machiraju/Möller

Discrepancy DN - Maximum difference between the fraction of N points xi and relative size of volume [0,1]n Pick a set of sub-volumes B of [0,1]n DN ->0 when N is very large  V n points N points © Machiraju/Möller

Discrepancy Examples of sub-volumes B of [0,1]d: Axis-aligned Share a corner at the origin (star discrepancy) Best discrepancy that has been obtained in d dimensions:  V n points N points © Machiraju/Möller

Discrepancy How to create low-discrepancy sequences? 1D: Deterministic sequences!! Not random anymore Also called pseudo-random Advantage - easy to compute 1D: © Machiraju/Möller

Pseudo-Random Sequences Radical inverse Building block for high-D sequences “inverts” an integer given in base b © Machiraju/Möller

Van Der Corput Sequence Most simple sequence Uses radical inverse of base 2 Achieves minimal possible discrepancy i binary radical xi form of i inverse 0 0 0.0 0 1 1 0.1 0.5 2 10 0.01 0.25 3 11 0.11 0.75 4 100 0.001 0.125 5 101 0.101 0.625 6 110 0.011 0.375 1 2 3 4 © Machiraju/Möller

Halton Can be used if N is not known in advance All prefixes of a sequence are well distributed Use prime number bases for each dimension Achieves best possible discrepancy © Machiraju/Möller

Hammersley Sequences Similar to Halton Need to know total number of samples in advance Better discrepancy than Halton © Machiraju/Möller

Hammersley Sequences © Machiraju/Möller Taken from http://www.cse.cuhk.edu.hk/~ttwong/papers/udpoint/udpoint.pdf See also http://www.acm.org/jgt/papers/WongLukHeng97/ © Machiraju/Möller

Hammersley Sequences © Machiraju/Möller Taken from http://www.cse.cuhk.edu.hk/~ttwong/papers/udpoint/udpoint.pdf See also http://www.acm.org/jgt/papers/WongLukHeng97/ © Machiraju/Möller

Folded Radical Inverse Hammersley-Zaremba Halton-Zaremba Improves discrepancy © Machiraju/Möller

Examples © Machiraju/Möller

(t,m,d) nets The most successful constructions of low-discrepancy sequences are based on (t,m,d)-nets and (t,d)-sequences. Basis b; Is a point set in [0,1]d consisting of bm points, such that every box of volume bt-m contains bt points i.e. t-m = sum(d_i) Stolen from http://www.mathdirect.com/products/qrn/resources/Links/QRDemonstration_lnk_4.html © Machiraju/Möller

(t,d) Sequences (t,m,d)-Nets ensures, that all samples are uniformly distributed for any integer subdivision of our space. (t,d)-sequence is a sequence xi of points in [0,1]d such that for all integers and m>t, the point set is a (t,m,d)-net in base b. The number t is the quality parameter. Smaller values of t yield more uniform nets and sequences because b-ary boxes of smaller volume still contain points. i.e. t-m = sum(d_i) © Machiraju/Möller

(0,2) Sequences Used in pbrt for the Low-discrepancy sampler Base 2 i.e. t-m = sum(d_i) © Machiraju/Möller

Practical Issues Create one sequence Create new ones from the first sequence by “scrambling” rows and columns This is only possible for (0,2) sequences, since they have such a nice property (the “n-rook” property) © Machiraju/Möller

Texture Jitter with 1 sample/pixel Point out the pattern of aliasing: not so much noise, I.e. BAD © Machiraju/Möller Hammersley Sequence with 1 sample/pixel

Best-Candidate Sampling Jittered stratification Randomness (inefficient) Clustering problems Undersampling (“holes”) Low Discrepancy Sequences Still (visibly) aliased “Ideal”: Poisson disk distribution too computationally expensive Best Sampling - approximation to Poisson disk © Machiraju/Möller

Poisson Disk Comes from structure of eye – rods and cones Dart Throwing No two points are closer than a threshold Very expensive Compromise – Best Candidate Sampling Compute pattern which is reused by tiling the image plane (translating and scaling). Toroidal topology Effects the distance between points on top to bottom © Machiraju/Möller

Best-Candidate Sampling Jittered Poisson Disk Best Candidate From Pharr / Humphrey © Machiraju/Möller

Best-Candidate Sampling From Glassner © Machiraju/Möller

Texture Jitter with 1 sample/pixel Best Candidate with 1 sample/pixel From Pharr / Humphrey Jitter with 4 sample/pixel Best Candidate with 4 sample/pixel © Machiraju/Möller

Next Probability Theory Monte Carlo Techniques Rendering Equation © Machiraju/Möller

Mechanics class Halton { double value, inv_base; Number( long i, int base ) { double f = inv_base = 1.0/base; value = 0.0; while ( i > 0 ) { value += f * (double)(i % base); i /= base; f *= inv_base; } © Machiraju/Möller

Independence p2m rows: samples uniform with period p2m p1, p2 are relative primes p1n  p2m cells: samples uniform with period SCM(p1n, p2m). SCM= smallest common multiple I am not sure about the meaning of this slide p1n columns:samples uniform with period p1n © Machiraju/Möller

Texture Jitter with 1 sample/pixel Sequence with 1 sample/pixel Where did you find this example? It is not in the book. Jitter with 4 sample/pixel Sequence with 4 sample/pixel © Machiraju/Möller

Some Theory  © Machiraju/Möller This and the next slides are basically Chap. 9 of Glassner. While this is really cool stuff, I don’t think I have time for this in the course?! Perhaps next time or as a special topic. © Machiraju/Möller

Convolution - NonUniform Samples © Machiraju/Möller

Power Spectral Density - FT © Machiraju/Möller

When You Sample … © Machiraju/Möller

Poisson Sequences ? © Machiraju/Möller

Jittering ? © Machiraju/Möller