Cultural Criticism A Quick Introduction COMM 142 John A. Cagle.

Slides:



Advertisements
Similar presentations
Literary Terms in The Power of One and Pride and Prejudice
Advertisements

Presentations.
Introduction to Rhetoric and Chapter 1, RRW
Don't forget to read the chapters in Foss too!
WRITING IN CONTEXT Creating and Presenting. What you need to do:  Your task is to develop your writing skills so that you can create a number of short.
Unmasking the Moral of the Story: A Narrative Analysis of the “Stand for Marriage Maine” Campaign Unmasking the Moral of the Story: A Narrative Analysis.
Symbolic Interactionism, Dramatism, & Narrative Theory It’s a dance--communication is, we work it out We create signs, symbols, meanings messages, discourses,
AMERICAN REALISM Objectives/Goals for this Unit RL 11.1: Cite strong and thorough evidence to support analysis of what the text specifically.
Social Change and Movements John A. Cagle. Dana Cloud: Key questions  How does social change happen?  What has worked for social movements in the past?
Literary Elements What parts make up a a story? (A Jefferson County School presentation)
 Community or Individual: Which is more important?
Meaningful Learning in an Information Age
Short Stories and Essays Almost everything you need to know!
Theories of Symbolic Organization
Literary Terms We will be using these literary terms throughout the school year. There WILL be literary terms used on your FINAL EXAMS in May!! You need.
Unit 1: Communication, Meaning, and Re-membering.
Preparing For the N.J. GEPA What Skills Do Students Need?
--- Hephizibah Roskelly and David A. Jolliffee, Everyday Use
Unit 1: Short Stories Fiction is the form of any work that deals with information or events that are not real, but rather, imaginary and theoretical—that.
Review: Story Elements and other notes
Dimensions of Human Behavior: Person and Environment
Theories About Symbolic Activity
Criticism of Language, Stories, & Persuasion: Understanding Power and Culture John A. Cagle.
UNIT 1 ENGLISH DISCOURSE ANALYSIS (an Introduction)
Explication (of a literary work) Critical Analysis.
The same literary elements found in long complicated texts, are usually at work in simpler, more direct, short stories. It is helpful to look at the parts.
B121 Chapter 3 Learning Skills. Reading and note taking Identify your own reading strategies A reading strategy is an operation you put into action according.
Elements of Short Stories
Background Art: “Revival” by Susan Hickman © Rhetorical Critique Narrative Criticism & Dramatism.
LITERARY THEORY 101.
An Animated Primer on Contemporary Rhetorical Theory With Accompanying Notes.
Chapter Thirteen Rhetorical and Critical Analyses: Understanding Text And Image In Words.
Literary Analysis: Biographical Perspective Life Experiences Influence Writing Catherine Wishart Adjunct Instructor.
Going Beyond the Literal
  Determine how the attitudes of both the writers and the characters reflect about the ideas of their day Recognizing Historical Details EventNameHistorical.
Elements of Fiction Fiction Writing that comes from an author’s imagination. Writing that comes from an author’s imagination. Realistic Fiction Realistic.
How To Analyze a Reading Presented By: Dr. Akassi Content From The Norton’s Field Guide To Writing.
Reading Strategy: Visualize. “If I can’t picture it, I can’t understand it.” ---Albert Einstein.
Review Writing Opinión Writing.
TEACHING WITH A FOCUS ON LEARNERS One model of Differentiation: Sousa and Tomlinson (2011) Differentiation and The Brain. Purpose: Understanding Text Complexity.
Of Ernest Bormann’s Symbolic Convergence Theory In Griffin, Chapter 3
How Book Bands Can Help. Book Band N,O,P,Q Band: N/O and P/QGrades: Third and Fourth Structure:  More structurally complex  Multidimensional problems.
Weighing the Words Of Ernest Bormann’s Symbolic Convergence Theory In Griffin, Chapter 3.
Class Notes: Types of Fiction Ancient (early forms): PARABLE, FABLE, and TALE  Parable: brief short story that teaches a lesson often religious or spiritual.
Dramatism Of Kenneth Burke Identification: Without It, There is No Persuasion  Burke was less concerned with enthymeme and example than he was with.
What is a Personal Essay?.  Personal memoir: focused on a significant relationship between the writer and a person, place, or object. A memoir deals.
CRITICAL APPROACHES TO LITERATURE Literary Theory.
Elements of a Short story
Explication (of a literary work)
for biocultural literary criticism
Literary Theory: Biographical Criticism
Rhetorical Analysis.
Of Ernest Bormann’s Symbolic Convergence Theory In Griffin, Chapter 3
The Elements of Fiction
Aristotle’s Three Ways to Persuade
INTRODUCTION TO RHETORIC
Fantasy-Theme Criticism
The Tale of the Three Brothers
Formal Features of Literature
Theme Setting Point of View Inference Draw Conclusions
They work hand-in-hand.
Rhetoric/Public Communication
Gaining Meaning from Literature
How Common is Biographical Context in Writing?
Theme in literary works
Miracle’s Boys by Jacqueline Woodson Ms. Haarer
How to write thoughtful questions!
Dramatism Of Kenneth Burke.
FICTION Comes from the Latin word fictio meaning “something invented.”
Presentation transcript:

Cultural Criticism A Quick Introduction COMM 142 John A. Cagle

Assumptions of Narrative Analysis Walter Fisher n Humans make sense of their world by the stories they tell about it n Beliefs and behaviors are based on good reasons n Narrative is a persuasive and vital form of interpretive discourse n Stories are symbolic actions that create social reality

Nature of Stories n Stories are linked to experience n Stories are linked to values n Narratives are based on experience, is a product of the memory, has a sense of chronology, is coherent, defines a central subject, and has closure. n Narratives advance persuasion by disarming listeners, awakening dormant experiences and feelings, and exposing some sort of propositional argument.

Characteristics of Narrative n Theme n Plot n Structure n Characters n Narrator n Setting n Time and Causality

Criticism of Narratives n Mythic n Narrative paradigm n Dramatistic n Fantasy theme analysis n Fictitious n Archetypal n ETC.

Narrative Critical Probes n Does the narrative spring from a Master Narrative (older narratives)? n What propositional content is the narrative designed to reveal? n What propositional content is the narrative designed to mask? n How effectively and how faithfully does the narrative deal with its subject matter?

Dramatism: Kenneth Burke n The range of rhetoric is wide. n All life is drama. n Drama features human motives. n Hierarchy is fundamental to human symbolism. n Rhetoric promises transcendence. n Rhetoric is fueled by the negative.

Rhetorical Analysis of Narrative n Kenneth Burke’s Pentad: act, scene, agent, agency, and purpose n Pentadic ratios can be used to define the central relationship of any story: scene-act, scene-agency, scene-purpose, act-purpose, act-agent, act-agency, agent-purpose, agent- agency, and agency-purpose.

Burkean Critical Probes n Can principles of hierarchy be found in discourse? n What is rhetor’s vocabulary of motives? n Who or what is being scapegoated? n Are strategies of transcendence in evidence?

Myth: the Substance of Culture n Myths are master stories that describe exceptional people doing exceptional things and that serve as moral guides to proper action.

Types of Myth n Cosmological myths: why we are here. n Societal myths: the proper way to live. n Identity myths: what makes one cultural grouping different from another. n Eschatological myths: quo vadis?

Why use myth? n Heightened sense of authority n Sense of continuity n Sense of coherence n Sense of community n Sense of choice n Sense of agreement

Structuralism: Claude Levi-Strauss n Critic should track the source of the myth n Effectiveness is tied to how mythic elements are combined n Task is to discover the unique harmony (of emotions, images, ideas, etc.) myth provides

Structuralism continued n Standard chronology vs. synchronic time n Narrative elements that share same context lead to myth’s basic argument n Dialectical forces in myth to discover its motivational base

Fantasy themes: Ernest Bormann n Fantasy themes are mythic shorthand n Fantasy themes are local variations on mythic themes, prized tales of mankind in general n Purpose is to dramatize ideas for listeners n Listeners or readers lack the imagination needed to see what the world will be like if they accept new beliefs

Fantasy Themes Critical Probes n What are people like? n What are possibilities for group action? n On what people can you most depend? n What is mankind’s purpose on earth? n What are measures of right and wrong? n How can success be measured? n What information is most valuable? n Why do things happen as they do?

Value Analysis in Criticism n All statements express a belief about specific persons, places, things, or situations. n A value statement expresses a judgment about what is the preferred end state or means of actions. n Stories are linked to experience and to values. n Humans make sense of the world by identifying values with it. n All statements can be interpreted for values. n Values and beliefs are linked together in cognitive systems. n Value systems define the individual and the culture.

Methods of Value Analysis n What words are used to articulate positive values? n What words are used to articulate negative values? n What values are implied in belief statements without specific value terms? n What values are implied by the formal elements used?

Major American Value Systems Puritan-Pioneer: activity, community, dedication, dignity, virtue vs. dereliction, disgrace, infidelity, laziness, waste Enlightenment: democracy, fact, freedom, liberty vs. book burning, dictatorship, error Progressive: change, efficiency, future, modern vs. backward, old-fashioned, impossible Transcendental: affection, brotherhood, friendship vs. anger, insensitive, mechanical Personal Success: career, dignity, family vs. coercion, disease, dullness, poverty Collectivist: brotherhood, cooperation, humanitarian aid vs. disorganization, inequality, greed

Defining a Culture n What is the emphasis of the value system? n What relationships exist among the values? n What is the relationship between implied and stated values? n What is the relationship between positive and negative values? n What values are not present in the text that might be expected?