The Natural History Museum: Natural History collections, their conservation and interpretation Julie Harvey New Perspectives Project Co-ordinator Chris Collins Head of Conservation
Natural History Museum Opened to public 1881 Architect Alfred Waterhouse Complex institution
Museum visitors 3.8 million visitors
Marine Invertebrate Gallery
Bryozoans- Lace corals
Objects of cultural significance
Scientific Institution- 300 scientists: 70 million specimens
Historical Significance Sir Hans Sloane Joseph Banks Charles Darwin
SEM- Diatom
SEM- Pollen grain- Tomato
Diversity Insects
Bird specimens- Echo parakeet
Natural structures- nests
Palaeontology- Mineralogy
Library, Art + Archives
Complex Conservation Projects Natural History Museum, London
Natural Materials Natural History Museum holds around 70 million specimens Natural origin or artefacts derived from a natural origin
Challenges Collections support the research of the museum Any interventive process therefore will reduce or change the value of the object Collections are held in an environment that reduces rates of deterioration and maximize data –Object –Frozen Collections –Digital Collections –Specialist Control Standards Review
Ethics Preventive Approach Object as Data –DNA –Ore generation –Meteorite –Proteins –Pigments –Specimen Status
Lace and Links Natural Materials – Linen (flax plant, Linum usitatissimum), Silk (protein fibre), Cotton (bolls - Gossypium barbadense – Metals, human hair, natural history materials – Hold samples of original materials – Role as a research collection Museum holds its collections as a research archive Conservations role is to preserve data
Complexity Physical structures Chemical Data –DNA –Proteins –Glass, Wax –Collagen –Keratin –Chitin –Hydroxyapatite –Cellulose –Mineralogical –Composite minerals
Complex Structures Complex Structure Heavily restored Value –Morphology –ADNA
Imaging Digitization and analysis Macro level –Digital photography –Surface Scanning –Computer Aided Tomography (CT) –Non-invasive analysis Raman EDX
Analysis in Conservation Papyrus –oxidation and efflorescence –Preservation and access
Composition, Imaging and analysis Conservation Reduced Oxygen Environments –Analysis of plastics –Design of enclosures –Assessment of monitors –Effectiveness –Use
Imaging in Conservation Blaschka Glass Models Lay over conservation documentation Structural Information –Conservation –Structural –Analysis Reduced invasive conservation
Non-invasive investigation and reproduction Stereo lithography CAT Scanning and 3D Laser Scanning Raman Spectroscopy/Multi Spectral imaging Specialist Sampling Maintenance of Electronic Data Micro-sampling
Reducing invasive treatments Laser Cleaning –Dual Wavelength Changing the way we treat specimens
Conservation Research Non-invasive Conservation –Reduced invasive treatments –Imaging Forensic Conservation –Analysis –Design –Aid in preservation at scenes of crime –Sampling –Ensure data for ID accessible DNA Geneaology
Changing Methodologies Improve techniques for preservation Improve knowledge of environmental preservation Improving data preservation Accessibility –Object –Data
Overview Research Orientation Non-invasive analysis Non-invasive preservtion Materials analysis Improved techniques in data (specimen) management Improved access –Imaging –Analysis –(digital) replication Environmental standards
Thanks Liesa Stertz Richie Abel Felicity bolton Lorraine Cornish