UNIT Ⅱ Compound Structure

Slides:



Advertisements
Similar presentations
Fabric Construction Chapter 12
Advertisements

Part 2: Textile/Apparel Building Blocks Chapter 7 Textile Fabrics and Finishes.
Simple Twill Weaves Point and herringbone twills
Dr. Jimmy Lam Institute of Textiles & Clothing
Classification of a Complete Design for a Woven Fabric
4.01 Fashion Merchandising
1.02 Understanding The Technical Design Process
Introduction to Textile Fabric Part 2: Plain Knit
Lecture # 6 knitting fundamentals.
Fabrics Apparel 2 – obj
Fabric Construction.
Chapter Four: Combined Weaves
1.2 Fabric Analysis: Purposes: Get to know the fabric parameters
Woven Fabric Structure (1) Plain and Twill
1.3 Fabric Representation
4.6 Bedford cord and piqué I: Concept
Textile collection samples faux fur velour knit velvet crushed velvet velveteen.
Introduction (1) Weaving Principle & Shuttle loom
1 Fundamental Operations in Weaving Dr Jimmy Lam Institute of Textiles & Clothing.
Chapter Nine Gauze and Leno Weaves
Chapter Seven Multi-ply Fabrics
3.2.3 Elongated twills 1) The density ratio changes the fabric appearance. (See Fig.3.14)
8.2 Warp Pile Introduction: 1: Method of weaving 2: Cutting (arrows)
3.2 Twill weave derivatives
Chapter Three Derivatives of Elementary Weaves
Chapter Two: Elementary Weaves (Fundamental Weaves)
Chapter Eleven 11.1 Fabric Geometry 11.2 Fabric cover and cover factor
7.5 Double width cloth 1. Concept 2. The main points of designing a double width cloth 3. The main points of weaving plan.
3.2.8 Zigzag Weaves 1. Concept zigzag weave is a variation of the angled twill, which gives a zigzag appearance in the fabric, so it is called zigzag weave.
Chapter 5 Color and Weave Effects
4.3 Mock leno weaves Concept
7.3 Interchanging double cloth
Chapter Eight Pile Fabrics Introduction: Pile fabrics are characterized by the brush-like surface formed by tufts of warp or weft cut threads. Cutting.
Chapter Ten Jacquard Fabrics 10.1 Elements of Jacquard Shedding 10.2 Preparation for Designing the Jacquard Fabrics 10.3 Steps in construction of Jacquard.
2.01 Fabric Construction.
Plain Weave The simplest and most common weave pattern
Basic Weaves Basic Weaves
Textile collection samples uncut corduroy medium wale corduroy wide wale corduroy terry cloth fleece.
Weave, Draw-in and Peg Plan
Point Paper and Weave Float Dr. Jimmy Lam Institute of Textiles & Clothing.
Woven Designs and Fabric Costs Dr. Jimmy Lam Institute of Textiles & Clothing.
Weaving and Knitting. Weaves Plain = simple over and under process Often use a cotton fiber that creates muslin, broadcloth, and taffeta fabrics Twill.
6.5 Fabrics. Fabrics are composed of individual threads or yarns, made of fibers, that are knitted, woven, bonded, crocheted, felted, knotted or laminated.
3.2.5 Angled twills 1. Concept The angled twill is constructed by changing the sign of shift from plus to minus after a given number of threads. (Recalling.
Woven Fabric Analysis (II)
CHAPTER FIVE: COLOUR IN FABRIC DESIGN. 5.1 Dyeing in Coloured Yarn The term package dyeing usually denotes for dyeing of yarn that has been wound on.
Introduction to Textile Design
Fabric: Types of Weaves
From fiber to fabric  When you look at fabrics you will see that most are made of fibers.  While there are exceptions, for example leather or plastic.
Textile collection samples sateen gabardine crepe linen wool flannel.
Chapter-3 Satin weave. Introduction Satin weave, although more complicated, is a flexible type of weave than the plain weave. It is called 'satin' when.
2.01 Understanding The Technical Design Process A. Fabric Selection 1. Fabric Construction.
Twill Weave 2nd Basic weave.
Woven pile fabric By shilpi akhter Assistant professor
Textiles.
2.01 Understanding The Technical Design Process
Interior Design 4.01 Basic Home Textiles
Housing and Interiors I
Fabric Construction Clothing 2.
Fabric Construction: Woven Fabric Fabric Construction – Woven Fabrics
Obj Fibers, Yarns and Fabrics
Fabric Construction.
1.02 Fabrics.
Fabric Design & Analysis
Fabric Construction.
1.02 Understanding The Technical Design Process
Fabric Design & Analysis
Weaves and Finishes Dye methods
2.01 Understanding The Technical Design Process
2.01 Fabric Construction From Yarn to Fabric.
Presentation transcript:

UNIT Ⅱ Compound Structure Chapter 6 Backed weaves Chapter 7 Multi-ply Fabrics Chapter 8 Pile Fabrics Chapter 9 Gauze and Leno weaves Chapter 10 Jacquard Fabrics

Introduction: Fundamental and combined weaves are considered to be simple, though there are a great variety of types and constructions. In these weaves, only one system of warp threads are interlaced with one system of weft threads at right angles. Due to this, the methods of construction of these weaves and production of fabrics of such weaves at textile mills are quite simple.

Compound weave fabrics are of a specific structure, therefore special methods and mechanisms should be used in their production. For instance: 1) blanket made from backed weaves; 2) many industrial fabric made from multi-layer weaves; 3) terry fabric made by a special mechanism; 4) pile fabrics made by a special finishing process; 5) leno weave with open structure made by using a special heald.

Chapter Six: Backed weaves The principle of backing a cloth with a second series of either weft or warp threads is to add extra weight and warmth without interfering with the smooth surface of the fabric. The end uses of backed cloths range from apparel to home furnishing.

6.1 Warp backed weaves I Concept: These are weaves which have two systems of warp and one system of weft. The face weave is formed by interlacing face warp and weft, and the back weave is formed by interlacing back warp and weft. The system of weft plays an important role due to interlacing with both systems of warp. The weft threads are raised above the face warp and lowered the back warp.

II Construction of warp backed weaves 1) Selection of face weave and back weave The face weave can be same as the back weave, and can be different from the back weave, but the face weave should be warp-faced weave such as 3/1 twill, back weave should be weft-faced weave such as 1/3 twill. 2) Selection of the starting point in construction of a back weave:

3) Determine the ratio of the face and back warp: In order to get a better appearance of the fabric, the backing stitches (back warp floats) should be hidden between floats on the face. 3) Determine the ratio of the face and back warp: Usually the ratio is: m : n = 1:1 or m : n = 2:1.

4) Calculate the “new repeats” 5) Transfer the weaves Transfer the face weave and back weave into one weave.

Example: Construct a backed weave: face weave : 3/1↗ back weave : 1/3↗ warp ratio: 1:1 1) Selection of face weave and back weave: both weaves have been given

2) Determine the starting point: Should meet the previous point 2, stitching float should be covered by face warp float. 3) Determine the arrangement of the face and back warp: Warp ratio: 1:1

4) Calculate the repeats and outline the repeats: The outline is drawn as :

5) Transfer the weaves face cross-section longitudinal section back ③ ① ④ cross-section ② 1 longitudinal section Ⅰ Ⅲ Ⅱ Ⅳ back ④ ③ face ② back ① 1 Ⅰ Where: × indicates intersections of face warp and weft threads and ■ indicates that of back warp and weft threads. 1,2,3 and 4 are face warp threads while Ⅰ,Ⅱ,Ⅲ and Ⅳ are back warp threads.

Ⅲ Applications It is widely used for making woolen and worsted fabrics. Notes: Face ends are usually drawn into the front shafts.

6.2 Backed weft weaves I Concept: These are weaves which have two systems of picks and one system of ends. The face weave is formed by interlacing warp and face weft threads. While the back is formed by interlacing warp and back weft. Weft faced structures are more suitable for this method as the backing stitches can be hidden between floats on the face.

II Construction of weft backed weaves The principles of the construction of backed weft weaves are similar to warp backed weaves. 1) Selection of face weave and back weave The face weave can be same as the back, and can differ from that, but the face weave should be weft-faced weave such as 1/3 twill, back weave should be warp-faced weave such as 3/1 twill.

2) Determine the stitching distribution The correct stitching plays a very important role in the construction. On no account must it be visible on the face of the fabric. 3) Determine the arrangement of the face and back picks. m : n =1:1 or m : n = 2:1. 4) Calculate the new repeats 5) Transfer the weaves

Example: Construct a weft backed weave, ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ face weave: 1/3 Z twill; back weave: 3/1 Z twill ;warp ratio--1:1 A: Calculate the new repeats: Ry= LCM of =4×2=8 RO=LCM Rm & Rn=4 ■ ■ ■ ■ B: Indicate the face warp floats with ■ on the face ends 1,2,3 and 4. ■ ■ ■ ■ ■ ■ ■ C: Complete the back warp floats with ■ on the corresponsive ends ■ ■ ■ ■ ■ Weft backed weave

Ⅲ Applications It is widely used for blanket and woolen fabrics.

Home works 1. Construct backed warp weaves: (1) Face weave 3/1↗, back weave 1/3↗, arrangement of face warp and back warp m : n=1 : 1 (2) face weave 8/5 satin, back weave 1/3↗, m : n=1 : 1. 2. Construct backed weft weaves and their cross-section diagrams. (1) face weave 1/3 broken twill, back weave 3/1 broken twill, m : n=1 : 1. (2) face weave 2/2↗, back weave 3/1↗, m : n=1 : 1.