Internet Legal Issues (Management 447)

Slides:



Advertisements
Similar presentations
COPYRIGHT AND COPYWRONG Respect Copyright, Celebrate Creativity.
Advertisements

What’s Yours In Mine: Intellectual Property and Copyright For the Magazine Media Publisher Jim Sawtelle Partner and Co-leader, Media, Publishing and Marketing.
Copyrights for Creatives April 16, 2014 Brocach Irish Pub.
Jody Blanke, Professor Computer Information Systems and Law Mercer University, Atlanta 1.
Introduction to Copyright Principles © 2005 Patricia L. Bellia. May be reproduced, distributed or adapted for educational purposes only.
Tuesday, January 21, 2014 Review Copyright Basics and Fair Use (for test) Share “Case Research”
Copyright Infringement Present by: Shao-Chuan Fang Jaime McDermott Emily Nagin Michael Piston Fan Yang Carnegie Mellon Group Presentation Date:
What is it and why should I care?
Copyright and P2P Edward W. Felten Dept. of Computer Science Princeton University.
Intellectual Property Boston College Law School January 12, 2007 Copyright – Fixation, Exclusions.
Copyright and Fair Use Dan Lee Interim Team Leader for Undergraduate Services and Copyright Librarian March 21, 2007.
Copyright and Alternatives to Copyright Why now? Rita S. Heimes Director, Technology Law Center University of Maine School of Law Rita S. Heimes Director,
Copyright Law Boston College Law School January 9, 2003 Requirements - Fixation.
© 2002 Regents of the University of Michigan For questions or permission requests, contact Jack Bernard,
Intellectual Property Boston College Law School January 11, 2008 Copyright – Fixation, Exclusions.
Intellectual Property Boston College Law School January 18, 2008 Copyright – Ownership, Duration.
Chapter 14 Legal Aspects of Sport Marketing
An Introduction to Copyright Central Michigan University Libraries January, 2013.
Copyright & Fair Use. What is copyright? The legal right granted to an author, composer, playwright, publisher, or distributor to exclusive publication,
For Teachers & Students By: Terri Hall. The Copyright Law (U.S. Code, Title 17) was established to balance the rights of authors, composers, performers.
C OPYRIGHT — W HAT ’ S THE B IG D EAL Copyright in an Academic Setting.
What is copyright? the exclusive legal right, given to an originator or an assignee to print, publish, perform, film, or record literary, artistic, or.
Free Powerpoint Templates Page 1 Free Powerpoint Templates Copyright Law in Schools By Fran Rader
Copyright. US Constitution Article I – Section 8 Congress shall have the power to promote the Progress of Science and useful Arts, by securing for limited.
Copyright 101 Understanding the Basics 1. Myths You can use anything you can download from the Internet If a work does not contain the copyright symbol.
CS110: Computers and the Internet Intellectual Property.
Computer Ethics Christina McCorkle.
Copyright and Fair Use For Genealogists, Authors, Lecturers, and Hobbyists Using TMG  database © 2013 Catherine K. Wilson All Rights Reserved. For RUG.
COPYRIGHT IS A FORM OF PROTECTION GROUNDED IN THE U.S. CONSTITUTION AND GRANTED BY LAW FOR ORIGINAL WORKS OF AUTHORSHIP FIXED IN A TANGIBLE MEDIUM OF EXPRESSION.
Copyright: Protecting Your Rights at Home and Abroad Michael S. Shapiro Attorney-Advisor United States Patent and Trademark Office.
[Copyright M. S. Overing 2003]1 Copyright Overview Michael S. Overing, Esq. 201 S. Lake Ave., Ste. 606 Pasadena, CA
COPYRIGHT LAW FALL 2008: CLASS 2 Professor Fischer Introduction to Copyright 2: Historical Background AUGUST 20, 2008.
COPYRIGHT ESSENTIALS Module 1 Retrieved from:
4.1 Chapter 4 Copyrights © 2003 by West Legal Studies in Business/A Division of Thomson Learning.
Today’s lecture will cover the following areas of your final project:  #10 Copyright Registration.
What is Copyright? Copyright is a form of intellectual property protection granted under Indian law to the creators of original works of authorship such.
What is intellectual property?
A C S P U B L I C A T I O N S H I G H Q U A L I T Y. H I G H I M P A C T. Copyright 101 BCCE / August 2, 2006 Teaching Students About Copyright & Plagiarism.
Copyright and Fair Use. Topics Intellectual Property What is Copyright? What is Fair Use? Common Violations Guidelines TEACH Act 2002.
Intellectual Property Laws and Fair Use Guidelines for Educational Multimedia.
Copyright on the Internet – Illustrated Essentials Why Copyright Matters Unit A.
Becky Albitz Electronic Resources/Copyright Librarian
Copyrights. Copyright Definition 17 U.S.C. 102 C’ (a) Copyright protection subsists, in accordance with this title, in original works of authorship fixed.
Introduction To Copyright Law in the Age of the Internet Jesse Clark.
COPYRIGHT ESSENTIALS Module 1. Module One Overview  This module will teach you what copyright is and what is protected by copyright.  Questions this.
Copyright & Fair Use Barbara McLeod Crisp County High School.
Becky Albitz Electronic Resources Librarian
4.1 Chapter 4 Copyrights © 2003 by West Legal Studies in Business/A Division of Thomson Learning.
Slides prepared by Cyndi Chie and Sarah Frye1 A Gift of Fire Third edition Sara Baase Chapter 4: Intellectual Property.
COPYRIGHT ESSENTIALS Module 1. Module One Overview  This module will teach you what copyright is and what is protected by copyright.  Questions this.
Jody Blanke, Professor Computer Information Systems and Law Mercer University, Atlanta 1.
Copyright Law: Fair Use Jody Blanke, Professor Computer Information Systems and Law Mercer University, Atlanta.
COPYRIGHT LAW PRESENTATION By Jacelyn Vital-McPherson.
Chapter 18 The Legal Aspects of Sport Marketing. Objectives To introduce the key legal concepts and issues that affect the marketing of the sport product.
Intellectual property (IP) refers to creations of the mind: inventions, literary and artistic works, music, movies, symbols, names, images, and designs.
What is Copyright?
COPYRIGHT FAIR USE CREATIVE COMMONS LICENSING OPEN EDUCATION CHARLOTTE ROH, SCHOLARLY COMMUNICATION RESIDENT LIBRARIAN UNIVERSITY OF MASSACHUSETTS AMHERST.
6/18/2016 COPYRIGHT AND Fair Use Guidelines “Respect Copyright, Celebrate Creativity”
1 ZB’2011 cc by-nc-sa Intellectual Property - Copyright - Zenia C. Bahorski Ph.D. Department of Computer Science Eastern Michigan University
Cyber Law Title: COPYRIGHT INFRINGEMENT OF ELECTRONIC COPYING Group Members Amirul Bin Jamil Engku Nadzry Bin Engku Rahmat Mohd Danial Shah Bin Shahzali.
A GUIDE TO COPYRIGHT & PLAGIARISM Key Terms. ATTRIBUTION Identifying the source of a work. For example, a Creative Commons "BY" or attribution license.
COPYRIGHT FAIR USE CREATIVE COMMONS LICENSING CHARLOTTE ROH, SCHOLARLY COMMUNICATION RESIDENT LIBRARIAN UNIVERSITY OF MASSACHUSETTS AMHERST MARCH 13, 2015.
Disclaimer This presentation is for informational purposes only and does not constitute legal advice.
Margaret Burnett April 2017
Intellectual Property:
What is copyright? Copyright is a legal right created by the law of a country that grants the creator of an original work exclusive rights for its use.
Principal Deputy County Counsel
Chapter 2: Copyright Law in the Digital Age.
Copyright Law and Fair Use
Copyright & Fair Use.
Presentation transcript:

Internet Legal Issues (Management 447) Professor Charles H. Smith Copyrights (Chapter 4) Spring 2006

Copyright Protection – 17 U.S.C. § 102 (a) Copyright protection subsists . . . in original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. Works of authorship include the following categories    (1) literary works;    (2) musical works, including any accompanying words;    (3) dramatic works, including any accompanying music;    (4) pantomimes and choreographic works;    (5) pictorial, graphic, and sculptural works;    (6) motion pictures and other audiovisual works;    (7) sound recordings; and    (8) architectural works. (b) In no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work.

Some Specifics re Copyright Protection Software is considered to be “fixed in a[] tangible medium.” Generally, in order to qualify for copyright protection, “the requisite level of creativity is low; even a slight amount will suffice.” (Feist Publications, Inc. v. Rural Telephone Service Co., 499 U.S. 340, 345 (1991) (White Pages listings not copyrightable).)

Registration and Duration of a Copyright Requirements – completed registration form and submission of original work. Registering a copyright in the Copyright Office results in issuance of certificate of registration – prima facie evidence of validity of copyright; permits copyright owner to sue infringer. Sonny Bono Copyright Term Extension Act (1998) – extended duration of copyright protection by 20 years; pre-1978 work – 28 years + now 67-year renewal term; 1978 and after work – life of author + now 70 years after author’s death. Case study – Eldred v. Ashcroft on pp. 89-91 (challenge to 20-year extensions granted by Bono Act – tension between Congress’ power under Copyright/Patent Clause and First Amendment of the U.S. Constitution).

Exclusive Rights Possessed by a Copyright Owner Right to reproduce work – can arise when text/pictures on website copied onto another website. Right of distribution – sell, rent or any other method of distribution. Right to prepare derivative works based on work – cannot “adapt” another work to make your own creation; e.g., applies to movie sequels. Right to perform and publicly display work.

Types of Copyright Infringement Direct infringement – direct infringer is primary party who violates one of copyright owner’s exclusive rights. Contributory infringement – contributing to another’s direct infringement; contributory infringer must know or have reason to know of direct infringing activity or material contributes to direct infringer’s conduct; case study – A&M Records v. Napster, 239 F.3d 1004 (9th Cir. 2001) (“if a computer system operator learns of specific infringing material available on his system and fails to purge such material from the system, the operator knows of and contributes to direct infringement”).

Types of Copyright Infringement cont. Vicarious infringement – party receives direct financial benefit from another’s infringement and had right/ability to supervise infringement activity; no knowledge or participation required; case studies – Religious Technology Center v. Netcom On-Line Communication Services, Inc. on pp. 95-98 (portions of another’s copyrighted works posted on website); Napster (“[f]inancial benefit exists where the availability of infringing material ‘acts as a draw’ for customers”). New cause of action for secondary copyright infringement based on inducement – MGM Studios, Inc. v. Grokster, Ltd., 125 S. Ct. 2764 (2005) (see handout and following slide).

MGM v. Grokster – Court Comes Down Hard on Facilitators of Illegal Downloading Copyright holders re songs sued Grokster and others for providing free software that permitted peer-to-peer file-sharing. U.S. Supreme Court’s holding – “[O]ne who distributes a device with the object of promoting its use to infringe copyright, as shown by clear expression or other affirmative steps taken to foster infringement, is liable for the resulting acts of [direct] infringement by third parties” (Grokster, 125 S. Ct. at 2770); software providers’ intent to promote copyright infringement shown by three factors (Grokster, 125 S. Ct. at 2781-82) “[A]iming to satisfy a known source of demand for copyright infringement, the market comprising former Napster users.” No “attempt[] to develop filtering tools or other mechanisms to diminish the infringing activity using their software.” “[D]irecting ads to the screens of computers employing their software.” Distinguished prior Sony case based on VCR’s potential for copyright infringement since VCR had principally had fair use of “taping program for later viewing at a more convenient time” and “no evidence that Sony had expressed an object of bringing about taping in violation of copyright or had taken active steps to increase its profits from unlawful taping” (Grokster, 125 S. Ct. at 2776-77).

Copyright Infringement Cause of Action To prevail in an infringement case, copyright owner must prove: Ownership of valid copyright, and Infringement by the defendant re owner’s exclusive right(s). Ownership – copyright registration certificate is prima facie evidence of copyright’s validity and facts stated in the certificate, including work’s originality and copyright’s ownership. Infringement – can be shown by verbatim copying of computer program’s object or source code, or by non-literal copying where computer program’s “look and feel” have been copied (“Abstraction-Filtration-Comparison” test stated in Computer Associates Int’l, Inc. v. Altai, Inc., 982 F.2d 693 (2d Cir. 1992)). Many aspects of computer programs are not copyrightable; e.g., menu command hierarchies, icons. Case study – Case Problem #3 on page 109.

Limits on Copyright Owners’ Exclusive Rights; or, Defenses to Infringement Actions Fair use doctrine Four “nonexclusive” factors re whether fair use applies – see pp. 98-99. Case studies – Napster (quote on page 83), Case Problem #2 on page 109, and cases involving parodies as criticism or comment (“Pretty Woman” by 2 Live Crew and “The Wind Done Gone”); the handout re Grokster provided to you tonight. First sale doctrine – owner of copy of work has right to sell it; e.g., selling your textbook back to the book store at the end of the semester. Public domain – government works (e.g., cases) and works whose copyright term has expired (e.g., old hymn like “Amazing Grace”). Copy of computer program.

Remedies for Copyright Infringement Monetary damages – plaintiff’s actual damages plus disgorgement of defendant’s profits (17 U.S.C. § 504). Statutory damages – instead of actual or disgorgement damages, $750-30,000 per work infringed; court has discretion to increase damages to up to $150,000 for willful infringement and decrease damages to minimum of $200 for innocent infringement discretion (17 U.S.C. § 504). Attorney’s fees – prevailing party can recover against losing party; court has discretion whether to award fees (17 U.S.C. § 505). Injunctive relief – pre-trial relief includes TRO and preliminary injunction only if “irreparable harm” shown; permanent injunction can be granted after trial even if pre-trial relief denied or not requested (17 U.S.C. § 502).

Digital Millennium Copyright Act (1998) DMCA enacted to prevent circumvention of technologies used by copyright owners to manage the control and use of works’ digital content; also complies with World Intellectual Property Organization copyright treaty. DMCA prohibits decryption of technological locks/controls used to prevent cheap/massive copying of digitalized works (e.g., music, video); illegal to “descramble a scrambled work, to decrypt an encrypted work, or otherwise avoid, bypass, remove, deactivate, or impair a technological protection measure” (17 U.S.C. § 1201).

Safe Harbor Under DMCA For Online Service Providers Online service provider (OSP) – search engine, ISP, hosting service or website with multiple links to 3rd party sites; OSP provides network access to subscribers and customers who may post materials (e.g., on a message board) that infringe on copyrights. OSP can have secondary liability (contributory or vicarious infringement). OSP can be exempt from secondary liability (“safe harbor”) if gives proper notification of policy re copyright infringement and establishes company agent to be notified of infringement; “safe harbor” exists if policy notification and until agent is notified of infringement (upon notice to agent, OSP must act or no more “safe harbor”). Case studies – Case Problem #1 and 4 on pp. 109-10.