Ambrogio Lorenzetti. Frescos of the Sala dei Nove (Or Sala della Pace). 1338–1339. Length of long wall about 46’.

Slides:

Advertisements

Similar presentations

Europe during the Renaissance ou. edu

Advertisements

Double Jeopardy Heading1Heading2Heading3Heading4 Heading5 Q $100 Q $200 Q $300 Q $400 Q $500 Q $100 Q $200 Q $300 Q $400 Q $500 Final Jeopardy Q $600.

Chapter 19 Italy, 14th Century

Gardner’s Art Through the Ages, 13e

Early Renaissance Art Four Italian city states that were very successful commercially during the late Gothic period: Venice Florence Lucca Siena Slide.

Images from the Italian Renaissance. Italian Altarpieces and Polyptychs.

Proto-Renaissance and International Gothic 13th and 15th Centuries Europe Instructor: Erica Ness.

Chapter 19 Italy, Italy about 1400 Nicola Pisano, pulpit from Pisa Cathedral baptistery,

Claims—Write a claim that could be used to begin a paragraph about this piece. The more specific your claim—the better. You are responsible for two images—you.

Cimabue, Madonna Enthroned, Church of Santa Trinita, 1285 Giotto, Madonna Enthroned, Ognissanti Church, c

From Gothic to Renaissance: The 14th Century in Italy

The Nativity—a comparison.. How can we talk about the differences we see? How can we articulate the visual changes that separate the Medieval sense of.

Proto Renaissance.

French Gothic Stokstad, Ch. 16. French Gothic Art 16-2 and 7 Cathedral of Notre Dame, Chartres (c and later); plan Nave, c

Ambrogio Lorenzetti FRESCOS OF THE SALA DEI NOVE (OR SALA DELLA PACE) Palazzo Pubblico, Siena, Italy Length of long wall about 46' (14 m).

Gothic. Santa Croce, Florence, Italy. Begun 1294.

From Medieval to Renaissance: Italy, Compare Byzantine (left) style and content with High Renaissance (right) (left) Bonaventura Berlinghieri,

Giotto di Bondone (c ) “Father of Renaissance Painting”

Chapter 19 From Gothic to Renaissance: 14th Century Italian Art.

Saint-Denis, Ambulatory, France, begun 1140 Rib Vaults Lux Nova Abbot Sujer.

Gothic Art. Gothic Art in France Ile-de-France Characteristics of Gothic Style Elegant soaring buildings Light – through stained glass Ribbed Groin.

Saint-Denis, Ambulatory, France, begun Rib Vaults Lux Nova Abbot Suger This is the image on pg. 512.

Renaissance Late 13-14c Proto-Renaissance – transformational period

Audrey Flack. Vanitas (Marilyn) Francisco de Goya, The Sleep of Reason Produces Monsters Etching.

Italian Gothic Arnolfo di Cambo, Francesco Talenti, Andrea Orcagna, and others. Florence Cathedral, Florence. Begun 1296; redesigned 1357 and 1366;

Treasure at Sutton Hoo. Carmina Burana 11 th & 12 th Century Songs from Benedictbeurn – a monastary 254 poems and dramatic texts Religious themes, moral/satirical.

Renaissance Art. But First- Medieval Art! Preoccupied with RELIGION. Virgin Mary, Saints, Jesus, as baby and on the Cross.

13th Century Italy – High Middle Ages

Medieval Art transforming into Renaissance Art

Late Medieval & Gothic Art. Gothic Era 1150/1400 about 250 years.

Compare Byzantine (left) style and content with High Renaissance (right) (left) Bonaventura Berlinghieri, Saint Francis Altarpiece, 1235 and (right) Raphael,

Medieval Art. Illuminated Manuscripts Stained Glass, Cologne, Germany Christ Giving the Keys to Peter.

Petrarch Boccaccio’s vision of Petrarch Detail of The Effects of Good Government, a fresco in the city hall of Siena by Ambrogio Lorenzetti,

From Gothic to Renaissance 14 th Century Italian Art (aka Proto-Renaissance) Cimabue, Madonna Enthroned with Angels and Prophets, 1280 – 1290, Tempera.

Proto-Renaissance and International Gothic

Medieval Art transforming into Renaissance Art. Medieval Art.

Quiz 1 1) Describe in detail the attendance, cell phone, and laptop policies described on the syllabus 2) The number of artworks illustrated in Gardner’s.

Italian Renaissance Proto-Renaissance and Early Renaissance.

Medieval Art Early, High Middle & Late Middle. Medieval Art- The Age of Faith Fig. 1.1 Duccio, Christ Entering Jerusalem, from the back of the Maesta.

Chapter TH CENTURY ART IN EUROPE. ROMANESQUEHIGH FRENCH GOTHIC.

Palazzo Vecchio. Florence. 1299–1310. © Atlantide Phototravel/Corbis. [Fig. 13-1]

14th century Art in Europe:

Late Gothic Artists to Know Duccio Lorenzetti Nicola Pisano Cimabue GIOTTO Simone Martini.

Ara Pacis Augustae, Rome, 9-13 BC. Ara Pacis St. Gall Gospels, 7 th Century.

Medieval aesthetics - images ~ slide 1

Art Before the Renaissance Romanesque (11-12c) & Gothic (12-15c)

Renaissance Art.

Chapter 19 Italy,

What mediums have we studied so far?

Merchants and Friars: Late Medieval Italy II

Byzantine “perspective”—reverse perspective

Giotto (JOT toe) Gothic Painter.

Arena Chapel Padua, Italy for the Scrovegni family c

Ambrogio Lorenzetti, Effects of Good Government in the City, fresco,

Cimabue Giotto Nicola Pisano Duccio Simone Martini Lorenzettis

Giotto, Lamentation, , Arena Chapel, Italy

GARTH 206 Quiz 1 Images.

Giotto, Lamentation, , Arena Chapel, Italy

WHO? patronage Cimabue (active ca ) Giotto (ca ) Giorgio Vasari

Simone Martini (ca ) WHO? WHAT?

WHO? Ambrogio Lorenzetti (ca ca. 1348) Jean Pucelle (active ca )

Slide concept by William V

Test Review for Chapters 14, 15, 16

AP STUDENTS… READ THIS! I made this review PowerPoint to help you learn your slides better for the next test (which won’t be until next week.) GET OUT.

A Comparison You Must Consider

(6) Sept Giotto and the Sienese, continued. Ambrogio Lorenzetti.

youtube. com/watch

Saint-Denis, Ambulatory, France, begun 1140

Duccio di Buoninsegna (active) Maesta Altarpiece Siena.

Duccio di Buoninsegna (active) Maesta Altarpiece Siena.

Presentation transcript:

Ambrogio Lorenzetti. Frescos of the Sala dei Nove (Or Sala della Pace). 1338–1339. Length of long wall about 46’.

Europe in the Fourteenth Century.

Piazza della Signoria with Palazzo della Signoria (Town Hall) 1299–1310, and Loggia dei Lanzi (Loggia of the Lancers), 1376–1382.

Andrea Pisano. Life of John the Baptist. 1330–1336. Each panel 19 1/4 × 17”.

Andrea Pisano. The Baptism of the Multitude. 1330– /4 × 17”.

Cimabue. Virgin and Child Enthroned. c ’ 7" × 7’ 4”.

Giotto di Bondone. Virgin and Child Enthroned. 1305– ’ 8" × 6’ 8 1/4”.

Buon Fresco.

Giotto di Bondone. Scrovegni (Arena) Chapel. 1305–1306.

Giotto di Bondone. Marriage at Cana, Raising of Lazarus, Lamentation, and Resurrection / Noli Me Tangere. 1305–1306. Each scene approx. 6’ 5" × 6’.

Giotto di Bondone. Kiss of Judas. 1305– ’ 6 3/4" × 6’ 7/8”.

Duccio di Buoninsegna. Virgin and Child Enthroned (Rucellai Madonna). Commissioned in ’ 9 1/8" × 9’ 6 1/8”.

Duccio di Buoninsegna. Conjectural Reconstruction of the Front of the Maestà Altarpiece. 1308–1311. Main front panel 7 × 13’.

Duccio di Buoninsegna. Conjectural Reconstruction of the Back of the Maestà Altarpiece.

Duccio di Buoninsegna. Raising of Lazarus. 1308– /8 × 18 1/4”.

Simone Martini and Lippo Memmi. Annunciation ' × 8’ 9”.

Aerial View of the Campo in Siena with the Palazzo Pubblico (City Hall Including Its Tower) Facing Its Straight Side. Palazzo Pubblico 1297–c. 1315; tower 1320s–1340s.

Ambrogio Lorenzetti. The Effects of Good Government in the City and in the Country (Left View). 1338–1339. Total length about 46’.

Ambrogio Lorenzetti. The Effects of Good Government in the City and in the Country (Right View). 1338–1339. Total length about 46’.

Andrea di Cione (nicknamed Orcagna). Enthroned Christ with Saints, from the Strozzi Altarpiece. 1354– ' × 9’ 8”.

Virgin and Child. c. 1324–1339. Height 27 1/8”.

Jean Pucelle. The Hours of Jeanne D’Évreux. c. 1325–1328. Each page 3 1/2 × 2 1/4”.

Life of the Virgin, Back of the Chichester-Constable Chasuble. c. 1330–1350. Length 4’ 3”, width 30”.

Small Ivory Chest with Scenes from Courtly Romances. c. 1330–1350. Height 4 1/2”, width 9 11/16”, depth 4 7/8”.

Attack on the Castle of Love.

Tristan and Iseult at the Fountain; Capture of the Unicorn.

Exeter Cathedral. Thomas of Witney, choir, 14th century and bishop’s throne, 1313–1317; Robert Lesyngham, east window, 1389–1390.

Vesperbild (Pietà). c Height 34 1/2”.

St. Hedwig of Silesia with Duke Ludwig I of Legnitz-Brieg and Duchess Agnes /16 × 9 3/4”.

Heinrich and Peter Parler. Interior of Church of the Holy Cross. Begun in 1317 by Henrich Parler; choir by Peter Parler begun in 1351; vaulting completed 16th century.

Heinrich and Peter Parler. Plan of Church of the Holy Cross.

Master Theodoric. St. Luke. 1360– /4 × 37”.