Crime Fiction Session Two: Graham Greene, Brighton Rock.

Slides:



Advertisements
Similar presentations
READING FOR INFORMATION Which is a characteristic of expository writing? A) it tells a story B) contains a plot and characters C) it is informational;
Advertisements

Jeopardy Terms ITerms IITerms III Terms IV Q $100 Q $200 Q $300 Q $400 Q $500 Q $100 Q $200 Q $300 Q $400 Q $500 Final Jeopardy Genres.
Chapter 13: Basic Comprehension of Literary Works.
The Quiet American and The Third Man Books by Graham Greene Slide Show by Thea Daniel.
Set 1. Clauses Group of words with a subject & verb. Example- The boy is going to the school. Boy is the subject. Is going is the verb.
Narratives on the Body Session Two: Monsters (and Monsters Inc.)
“Soldiers of the Republic”
Graham Greene, Brighton Rock
 It is a journalistic account of an historical murder that took place in Sucre, Colombia  It is a psychological detective story and a work of allegorical.
Jens Kirk, Dept. of Languages and Culture Love Stories: Narrative Discourses of Desire 1800 – the Present Session Two.
Crime and Fiction Session One: Introduction. Agenda The programme The conventions of crime fiction are common knowledge Crime fiction is the narrative.
EDU 21ACL – Australian Children’s Literature Australian Family Stories Lecture 2 Voice and Perspective in Family Stories © La Trobe University, David Beagley,
LITERARY NARRATIVE FICTION. Literary narrative fiction literature: art of language kinds of Iiterature: poetry, drama, narrative fiction prose: from Latin.
Jens Kirk, Dept. of Languages and Culture Love Stories: Narrative Discourses of Desire 1800 – the Present Session Three.
I.1 ii.2 iii.3 iv.4 1+1=. i.1 ii.2 iii.3 iv.4 1+1=
Narratives on the Body Session Three. Agenda  The Tradition – 19th Century Fiction  The Counter-Tradition – Woolf and Winterson.
Crime Fiction Session Two: Graham Greene, Brighton Rock.
Text Analysis and History Session Eight: Summary and Review of the Prose Fiction Module.
Session Two: Graham Greene, Brighton Rock
Crime and Fiction Session One: Introduction. Agenda The programme The conventions of crime fiction are common knowledge Crime fiction is the narrative.
I.1 ii.2 iii.3 iv.4 1+1=. i.1 ii.2 iii.3 iv.4 1+1=
Love Stories: The Discourses of Desire in Literature and Culture, 1800 – the Present Session Four.
Grade 7 The Power of Point of View
LITERARY ANALYSIS Point of View. The Point of View in a work of literature refers to the path the reader follows in learning about the characters, action,
Fiction Terms character. Fiction Terms character climax.
MY BROTHER SAM IS DEAD HISTORICAL FICTION. GENRE Includes stories that are written to portray a time period Includes stories that are written to portray.
Literary Genres – Science Fiction Literature 8 – Mrs. Munnier.
Virginia Woolf ( ) *.
Literary Elements Setting, Theme, Plot, Point of View.
Setting, Plot, Character
PROSE FICTION - NARRATIVES
Plot and Conflict Literary Elements Definitions LiteraryElements Part II Figurative Language $100 $300 $200 $400 $500 Genres $100 $200 $300 $400 $500.
LITERARY TERMS Know them, use them, LOVE them!. Fiction A narrative in which situations and characters are invented by the writer.
Tekstanalyse og –historie (Spring 2009) Session Two: Drama II. LeRoi Jones’ Dutchman and American Prose after 1945.
Spring 2013 Language Arts Semester Review 6 th grade.
Postmodernism...The Novel The term Postmodern literature is used to describe certain characteristics of post-World War II literature (relying heavily,
In this PowerPoint, you will find the terms that you will need to know for tests, discussions, and essays.
DLA: (Do Now) Word of the Day: Shiloh (n.) – a Hebrew word meaning “place of peace” Journal: The Battle of Shiloh took place on April 6, It occurred.
Conflict A conflict is the struggle of the protagonist against himself or herself, another person, or nature.
Welcome to English 104, Winter 2015 Instructor: Stephen Siperstein.
The Victorian Age and Victorianism It was the period of Queen Victoria's reign from June 1837 until her death on 22 January 1901 Victorianism is the name.
E.Q.: What is Literary Analysis? Literary Analysis is what we focus on in our Language Arts Class. A. Literary refers to literature/books/ novels B. Analysis.
Elements of Fiction Literary Elements – Part II. Plot, Exposition, Complications Plot: A series of related events that make up a story Exposition: The.
Learning objective: To understand the common features of Gothic Literature. Learning Outcomes: ALL: Will be able to identify the common plot elements.
Lesson 1: Parts of a Fiction Story Forged by Fire.
Literary Terms. Short Story  a relatively brief, fictional narrative written in prose. It became a true literary form in the 19th century under the direction.
Love Stories: The Discourses of Desire in Literature and Culture, 1800 – the Present Session Five.
The Victorian Age The Victorian Age It is the phase of the Reign of Queen Victoria (1837 – 1901), in which the novel becomes the leading form of literature.
Finding Point of View Ms. Brooks December The Scenario Two students are reading quietly in the corner of the room. Next to them is another student.
for biocultural literary criticism
Objectives I will learn about the literary elements (parts) of a mystery. I will define each element.
The Perfect Marriage! Ephesians 5:21-33.
Point of View.
More Literary Elements
What Is a Genre of Literature?
Character, Setting, Plot
Objectives I will learn about the literary elements (parts) of a mystery. I will define each element.
The reader is conditioned to the filter of narrator
Determining the Central Idea of a Text
UGRC 160 – Introduction to Literature
English I Literary Terms: Set Three
Elements of a Short Story
Narration•Irony•Symbol
Note Taking Format TERM NOTES MY TRANSLATION Poetry Unit Literary Term
Answer these questions.
Theme in literary works
Example Make x the subject of the formula
Literary Element: Point of View
Learning Objectives To understand the basic rules of crime fiction.
Power point Victorian novel Virginia Woolf James Joyce
Presentation transcript:

Crime Fiction Session Two: Graham Greene, Brighton Rock

Agenda Summary of Session One –Crime fiction –Modernism Graham Greene and Brighton Rock

Crime fiction as narrative paradigm The literature of detection is “paradigmatic of literary narrative itself” (Marcus 2003: 245), it forms “the narrative of naratives” (Brooks 1984: 25)

Crime fiction as narrative paradigm Crime fiction: Inquest: the present work of detection that we read about in order to learn about the past story of the Crime Narrative: Sjuzet, plot, discourse: the telling / reading Fabula, story: the told

Narrative Present Past Story Discourse

Peter Brooks, Reading for the Plot (1984) The anticipation of retrospection The desire to know: epistemophilia The desire for the end (of desire)

Objects of inquests and reading The cardboard box and ”The Cardboard Box” The Musgrave ritual and ”The Musgrave Ritual” The mark on the wall and ”The Mark on the Wall”

Virginia Woolf, ”The Mark on the Wall” Made by a Nail? Speculation, Association, Stream of consciousness A rose Leaf? Speculation, Association, Stream of consciousness A crack in The wood? Speculation, Association, Stream of consciousness The mark ??? a snail!

Graham Greene, Brighton Rock What strikes you as odd and distinctive about this novel? Characters? Plot? Point of view? Imagery? Setting?

Hale Kolley Kibber: Object of detection - subjectivity, freedom The Messenger Fred/ Charles: Object of detection / inquest - subjectivity, freedom / dead body The gang war / Ida Arnold

I1Hale 2 (20)The Boy 3 (28)Ida Arnold II1 (47)The Boy 2 (63)The Boy III1 (73)Ida Arnold 2 (86)Spicer 3 (91)The Boy 4 (103)The Boy IV1 (107)??? The Boy The Races 2 (129)Ida Arnold 3 (132)The BoySpicer dead

Graham Greene, Brighton Rock Criminals: The Boy, Spicer, Dallow, Hale, Colleoni, etc. Crime: Protection money, blackmail, murder (Hale, Spicer), gang war. Detective: Ida Arnold ”Crime” and ”criminals”? ”Detective”: the reader, the newspaper readers.