Narratives on the Body Session Three
Agenda The Tradition – 19th Century Fiction The Counter-Tradition – Woolf and Winterson
The Tradition – 19th Century Fiction Conan Doyle, ”The Cardboard Box” Body as narrative subject and object, knower and known Looking and knowing (scopophilia and epistemophilia) – the power of the male gaze Possibilities - the physical, phenomenal world Limitations - the metaphysical, transcendental world Contrast: Wordsworth, ”A Character”
The Tradition – 19th Century Fiction: research topic for (mini) project ”Seeing and knowing in Conan Doyle’s short story ’The Cardboard Box’” [Holmes’ gaze penetrates the secret lives of men and women as Watson’s narration demonstrates.
The Tradition – 19th Century Fiction R.L. Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde Body as narrative object Storying the (monstrous) body Narrative indirectness, detour, fetishism
The Tradition – 19th Century Fiction: research topic for (mini) project ”Split identities: R.L. Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde” [The tale concerns not only the split identity of Dr. Jekyll and his Doppelgänger. Other characters are split as well. Mr. Enfield, for instance, manifests a split between action and description. Capable of apprehending Mr. Hyde for his offence against the girl and succeeding in holding him financially accountable to the girl’s parents, he fails in producing an adequate outline of him, nevertheless. This descriptive failure is mirrored by the narrative – the discourse fails to make the monstrous body present.]
The Counter-Tradition The 19th Century: Seeing vs. Listening Mary Shelly, Frankenstein The frame structure
Virginia Woolf, Orlando: A Biography Genre:
Virginia Woolf, Orlando: A Biography Genre: Biography
Virginia Woolf, Orlando: A Biography Genre: Biography Novel
Virginia Woolf, Orlando: A Biography Genre: Biography – non-fiction Novel – fiction
Virginia Woolf, Orlando: A Biography The masque (pp )
Virginia Woolf, Orlando: A Biography