Place: Land and Nature A Sense of Place Lecture 2 Andrea Peach
The mass of men lead lives of quiet desperation Our life is frittered away by detail … simplify, simplify Henry David Thoreau, Walden, 1854 Wittgenstein’s Cottage, Lake Eidsvatnet, Norway
The spirit of place lies in its landscape E. Relph Place and Placelessness
Land is a natural phenomenon ‘Landscape’ is a cultural construct
Casper David Friedrich Wanderer above the Sea of Fog 1818
Thomas Gainsborough Mr and Mrs Andrews 1818
Stourhead Wiltshire (Henry Hoare 1720) Little Sparta, Stoneypath (Ian Hamilton Finlay)
Karen Knorr Pleasures of the Imagination: Connoisseurs 1986
Timothy O’Sullivan Witches Rocks, Utah 1869 Rick Dingus Witches Rocks, Utah 1978
Ansel Adams Monolith, the Face of Half Dome, Yosemite Valley, California, 1927
Joel Meyerowitz Broadway and West 46th Street, New York, 1976
Guiseppe Penone The Tree will Continue to Grow except at this Point,
Andy Goldsworthy Things are continuously in a state of change or flow and everything, even stone, has a sense of movement about it.
One’s mind and the earth are in a constant state of erosion, mental rivers wear away abstract banks, brain waves undermine cliffs of thought, ideas decompose into stones of unknowing Robert Smithson Robert Smithson Spiral Jetty, Great Salt Lake, Utah
Christo and Jean Claude Surrounded Islands Biscayne Bay, Miami
Richard Long I like the idea of using the land without possessing it A Circle in Alaska 1977
Landscape is a natural scene mediated by culture. It is both a represented and presented space, both a signifier and a signified. WJT Mitchell
Jim Partridge Gray’s Seat Lancaster 2000
Elsje van Keppel Animal Vegetable 1996 The processes I use are often metaphors for nature’s processes, one which naturally weather and create a surface. This object is not specifically about the landscape... But is was stimulated by the experience of being in a particular place at a particular time. It is about an almost indescribable feeling of fragility and ever vulnerability
Roni Horn Becoming a Landscape, Iceland, Iceland taught me that each place is a unique location of change. No place is a fixed or concluded thing.
Dalziel and Scullion Modern Nature Tyrebagger Hill, Aberdeenshire 2000
Olafur Eliasson The Weather Project Tate Modern, London 2003 The view is not separate from the viewer
Simon Starling Island for Weeds (Prototype) 2003
Simon Starling Tabernas Desert Run Turner Prize
The real voyage of discovery consists in not seeking new landscapes, but in having new eyes Marcel Proust
For the Seminar: Bring an object, text or image, which you feel is either directly or indirectly influenced by either ‘ land ’ or ‘ nature ’. Come prepared to discuss how this contributes to our programme theme of ‘ a sense of place ’.