Verbal versus Visual Message

Slides:



Advertisements
Similar presentations
Recognize & Understand That…. Advertising is persuasive because it adapts its messages to the complexity of the situation Adverting counters traditional.
Advertisements

The Communication Process 5 McGraw-Hill/Irwin Copyright © 2009 by The McGraw-Hill Companies, Inc. All rights reserved.
Source, Message and Channel Factors © 2003 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin.
Advertising Design: Message Strategies and Executional Frameworks
Creative Strategy: Implementation and Evaluation 9 McGraw-Hill/Irwin Copyright © 2009 by The McGraw-Hill Companies, Inc. All rights reserved.
1 Copyright © 2014 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole.
Source, Message and Channel Factors © 2007 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin.
PowerPoint Presentation by Charlie Cook The University of West Alabama Eighth Edition © 2010 South-Western, a part of Cengage Learning All rights reserved.
By: Andrew Pickett, Michael Mitchell, Craig Rampersaud.
Consumer Markets and Consumer Buyer Behavior
©2003 Prentice Hall, Inc.To accompany A Framework for Marketing Management, 2 nd Edition Slide 0 in Chapter 16 Chapter 16 Designing and Managing Integrated.
Source, Message, and Channel Factors 6 McGraw-Hill/Irwin Copyright © 2009 by The McGraw-Hill Companies, Inc. All rights reserved.
Chapter 14 Integrated Marketing Communication Strategy.
Group Influence Chapter 12 Group Influence
Chapter 9: Communication and Consumer Behavior
4550: Creative: The Good, the Bad & the Ugly Professor Campbell 2/10/05.
Communication If the truth isn’t tellable, fix it so it is. –John E. Powers If the truth isn’t tellable, fix it so it is. –John E. Powers.
8-1 Chapter 8 Attitude Change and Interactive Communications.
©2013 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
Principles of Effective Communicati on A digital message production by Annamarie Bailey.
Persuasive Communications
5-1 The Communication Process 5 McGraw-Hill/Irwin © 2004 The McGraw-Hill Companies, Inc., All Rights Reserved.
Learning goals identify and understand various theories of attitudes understand the three critical components of persuasion identify factors that influence.
Source, Message and Channel Factors © 2007 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin.
Creative Tactics Decisions
McGraw-Hill/Irwin Copyright © 2012 McGraw-Hill Companies, Inc., All right reversed 6 Source, Message, and Channel Factors.
Communication theory Communication: a two-way process that involves the exchange of messages between two or more parties.
Source, Message and Channel Factors © 2007 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin.
marketing communication involves communication about the product the product or service an element in the marketing mix aimed at informing, influence.
Communication & Consumer Behavior MKT 3850 Dr. Don Roy.
Fan Zhangz. PROMOTION IS ONE OF THE MARKET MIX ELEMENTS. A PROMOTIONAL MIX SPECIFIES HOW MUCH ATTENTION TO PAY TO EACH OF THE FIVE SUBCATEGORIES, AND.
Chapter 9 Creative Strategy: Implementation and Evaluation.
The Art of Design andCreativity How Do I Design the Perfect Advertisement?
© 2014 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
1 Marketing Communications An Introduction. 2 Marketing Communications Defined The coordination and integration of all promotion tools and sources within.
Copyright © 2012 McGraw-Hill Companies, Inc., All right reversed McGraw-Hill/Irwin 06 Source, Message, and Channel Factors.
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
McGraw-Hill/Irwin Copyright © 2012 McGraw-Hill Companies, Inc., All right reversed 6 Source, Message, and Channel Factors.
McGraw-Hill/Irwin Copyright © 2012 McGraw-Hill Companies, Inc., All right reversed 5 The Communication Process.
Advertising Design: Message Strategies and Executional Frameworks
Consumer Behavior, Ninth Edition Schiffman & Kanuk Copyright 2007 by Prentice Hall Communication and Consumer Behavior Chapter 9 Communication and Consumer.
Objectives for the IMC Plan. Value of Objectives Communications Planning and Decision Making Measurement and Evaluation of Results Planning and Decision.
It is equal to the marketing communications. It relates to the products or services of the communications products. Promotion is an element of the marketing.
Marketing Communications
1 Advertising. 2 Outline n Promotional mix n Advertising –objectives, budgeting, message / media strategy n Integrated marketing communication n Global.
©2000 Prentice Hall. ObjectivesObjectives ä The Communications Process ä Developing Effective Communications ä Deciding on the Marketing Communications.
Elaboration Likelihood Model Developed by Petty & Cacioppo.
Communication & Persuasion
Creative Strategy Decisions
Source, Message and Channel Factors
Kevin Zhang. It equals marketing communication. It involves communication about the product the product or service. Promotion is an element in the marketing.
CHAPTER 7 Creative Strategy Decisions. © 2014 McGraw-Hill Ryerson Learning Objectives  Summarize the idea and importance of creativity in an advertising.
Chapter 8 Communication and Consumer Behaviour Consumer Behaviour Canadian Edition Schiffman/Kanuk/Das Copyright © 2006 Pearson Education Canada Inc.
Independent variables: The Communications Components
Source, Message and Channel Factors. The Persuasion Matrix.
IMC/M21 Integrated Marketing Communications Module 2: Understanding communication process Concept 1: Source, Message and channel factors.
© 2013 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
14 -1 Copyright © 2012 Pearson Education, Inc. Publishing as Prentice Hall i t ’s good and good for you Chapter Fourteen Communicating Customer Value:
Enhancing Processing Motivation
Source, Message and Channel Factors © 2007 McGraw-Hill Companies, Inc., McGraw-Hill/Irwin.
Are Resonant Ads More Persuasive? The Moderating Role of Regulatory Focus and Need for Cognition Choi, Ji Eun, Doo Hee LEE, and Charles R. Taylor Journal.
Advertising and Sales Promotion ©2013 Cengage Learning. All Rights Reserved. Chapter 10.
The Communication Process
ATTITUDES AND INFLUENCING ATTITUDES
Chapter 6 Source, Message, and Channel Factors
Designing and Managing
Chapter 9 Communication and Consumer Behavior
S.Uditha Bandara Senior Lecturer Department of Marketing Management
Designing and Managing
Presentation transcript:

Verbal versus Visual Message Many ads provide minimal amounts of information and rely on visual elements to communicate. Visual images are often designed to support verbal appeals.

Verbal versus Visual Message When verbal information was low in imagery value, the use of pictures providing examples increased both immediate and delayed recall of product attributes. However, when the verbal information was already high in imagery value, the addition of pictures did not increase recall. The use of a visual that is inconsistent with the verbal content leads to more recall and greater processing of the information presented.

Comparative Advertising CA is the practice of either directly or indirectly naming competitors in an ad and comparing one or more specific attributes. Recall is higher for CA than noncomparative messages, but CA are generally not more effective for other response variables, such as brand attitudes or purchase intentions. CA may be particularly useful for new brands, since it allows a new market entrant to position itself directly against the more established brands and to promote its distinctive advantages.

Comparative Advertising CA is often used for brands with a small market share, e.g. Pepsi-1, 2. On the other hand, market leaders often hesitate to use comparison ads, as most believe they have little to gain by featuring competitors’ products in their ads. Another area where comparative messages are quite commonly used is political advertising.

Comparative Advertising

Message Format Print ad: headline, copy, illustration, and color. Radio ad: words, voice qualities, and vocalizations. TV ad: body language.

Message Source Source Attribute Process Credibility Internalization Attractiveness Identification Power Compliance

Source Credibility Credibility is the extent to which the recipient sees the source as having relevant knowledge, skill, or experience and trusts the source to give unbiased, objective information. Internalization: the receiver adopts the opinion of the credible communicator since he or she believes information from this source is accurate. Two dimensions: expertise and trustworthiness.

Source Credibility Applying expertise Applying trustworthiness Oral-B: 全球最多牙醫選用的品牌。 Extra無糖口香糖:世界牙醫聯盟認可。 Applying trustworthiness 電視主播、宗教領袖、孫越 Using corporate leaders as spokespeople 達美樂、LG、Chrysler (Lee Iacocca) Pros & Cons

AGV uses the anchorperson as an advertising spokesperson

Dell Computer uses its founder and CEO as an advertising spokesperson

Limitations of Credible Sources High-Credibility → Asset and Low-Credibility → Liability ? A very credible source is more effective when message recipients are not in favor of the position advocated in the message. A very credible source is less important when the audience has a neutral position, and such a source may even be less effective than a moderately credible source when the receiver’s initial attitude is favorable. Sleeper effect: the persuasiveness of a message increases with the passage of time. However, many studies have failed to demonstrate the presence of a sleeper effect.

Source Attractiveness Attractiveness encompasses similarity, familiarity, and likability. Identification: the receiver is motivated to seek some type of relationship with the source and thus adopts similar beliefs, attitudes, preferences, or behavior. Two dimensions: similarity and likability.

Applying Similarity Similarity: resemblance between the source and the receiver of the message. Similar people or situations 多芬 飛柔 保力達B 台新銀行現金卡

Likability An affection for the source as a result of physical appearance, behavior, or other personal traits. Applying likability Using celebrities Decorative models

Using Celebrities Nearly 20% of all TV commercials feature celebrities. E.g. Tiger Woods, 周星馳, 周潤發. Stopping power: draw attention to advertising messages in a very cluttered media environment. Congruity theory

Pepsi used pop star Brittany Spears as an endorser for several years

Yao Ming is a Popular Endorser in China

Choosing a Celebrity Endorser Factors Match w/audience Match w/product Image Cost Trust Risk Familiarity Likability

Cyclist Lance Armstrong helps position PowerBar as a product that provides energy to athletes

Endorser Traits

Using Celebrities Overshadowing the product Overexposure Target audiences’ receptivity Knowledge, attitude Endorsed by no one: New Balance. Risk to the advertiser Pepsi – Mike Tyson, Michael Jackson, Madonna

Celebrities Sell Out Don’t want fans to think they’ve sold out. Examples: Meg Ryan – cosmetics and tea Brad Pitt – canned coffee and blue jeans Demi Moore – protein drink Harrison Ford – Kirin beer Star’s Fascination, Culture, International

Decorative Models Physically attractive communicators generally have a positive impact and generate more favorable evaluations of both ads and products than less attractive models. Gender appropriateness and relevance to the product An attractive model facilitates recognition of the ad but does not enhance copy readership or message recall.

Source Power A source has power when he or she can actually administer rewards and punishments to the receivers. The power of the source depends on three factors: perceived control, perceived concern, and perceived scrutiny. Compliance: the receiver accepts the persuasive influence of the source and acquiesces to his or her position in hopes of obtaining a favorable reaction or avoiding punishment.

Source Power Power as a source characteristic is very difficult to apply in a nonpersonal influence situation such as advertising. An indirect way of using power is by using an individual with an authoritative personality as a spokesperson. The use of source power applies more in situations involving personal communication and influence.

Source Power