Chilean New Song La nueva canción Karen Jogan Albright College Reading PA 19610.

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Presentation transcript:

Chilean New Song La nueva canción Karen Jogan Albright College Reading PA 19610

Chilean New Song/ la nueva canción is a Latin American musical movement corresponding with the period of the late 20th century dictatorships. How does Chilean New Song contribute to an understanding of Latin American revolutionary activism ?

Why did unique sounds and themes of la nueva canción emerge? In Chile…. Reaction to ‘cultural imperialism’ Reaction against eroding status of national music Revitalization and redefinition of popular music Creation of a music of self-determination

When was La nueva canción popuar? What type of music was popular in US? 1960s 1970s  September 11, 1973: Coup in Chile 1980s 1990 – end of dictatorship in Chile

Terminology in Chile and abroad Chile Abroad September 11, 1973 La Nueva Canción El Nuevo Canto La Nueva Canción

What is New Song/ La nueva canción? Latin American – themes, subjects Hybrid of past and present Fusion  Indigenous music  Indigenous instruments  Traditional folksongs  Modern lyrics

Themes? Music of social protest and revolution  Comment on social issues, activists Many texts are not political at all Respect for all cultures  Indigenous  African

How? Post 1973  Censorship: Some music and instruments outlawed in Chile after coup  Some music employed use of extended metaphors

Impact Popular  Aimed at popular tastes  Expressed feelings of people Intensely emotional Function for music in broad political context

What are indigenous instruments used in some examples of La nueva canción?

quena

zampoña

charango

cajón

tambor

güiro

maracas

Singers/ groups Singers: Violeta Parra (Chile) Mercedes Sosa (Argentina) Victor Jara (Chile) Groups (Chile): Quilapayún Inti Illimani Illapu

Two songs about Revolutionary Leaders/ Activists Simon Bolivar (Inti Illimani) El Aparecido (The Apparition) about Che Guevara (El Aparecido, written by Victor Jara, performed by Inti Illimani)

Before listening… What do you know about Simón Bolivar?  When did he live?  In what way was he a revolutionary activist?  Why is he called the “George Washington” of Latin America?  What did he accomplish? Look for information about Jose Artigas. Why is he important in the Latin America?

Listen to the songSimon Bolivar Inti Illimani Simón Bolivar Simón Bolivar yOdoQ yOdoQ

After listening…Small Group Questions Simón Bolivar What did you learn about Simón Bolivar in this song? Describe his actions. What is his importance in the 19 th century? How might Simón Bolivar and this song be considered an extended metaphor for Latin Americans living in the 20 th century age of dictatorship?

How is this song characteristic of the Chilean New Song movement? Theme? Fusion of past and present? Revolutionary? National (Specific to Latin America)?

Before listening… Che Guevara…  When did he live?  In what way was he a revolutionary activist?  What did he accomplish?

Listen to the song El Aparecido (The Apparition) Written by Victor Jara Interpreted by Inti Illimani El aparecido k8icAY k8icAY

After listening…Small group questions What do you learn about Che Guevara in this song? What are his actions in this song? What is Che’s importance as a 20 th century activist? In the song, why is Che being pursued? Do you know what happened to Che?

What indigenous instruments can you identify in this song?

How is this song characteristic of the Chilean New Song movement? Theme? Fusion of past and present? Revolutionary? National (Specific to Latin America)?

In summary…consider both songs… How does Chilean New Song contribute to an understanding of Latin American revolutionary activism ?  Music as a means of political expression  Censorship of music in a period of dictatorship  Themes of Chilean New Song  Nationalism: instruments

How do these songs reflect… Reaction to ‘cultural imperialism’ Reaction against eroding status of national music Revitalization and redefinition of popular music Creation of a music of self-determination Fusion of past and present

References available on JStor Fairley, J. “La Nueva Cancion Latinoamericana” Bulletin of Latin American Research, Vol. 3, No. 2 (1984), pp Gonzalez, J. “Inti-Illimani and the Artistic Treatment of Folklore” Latin American Music Review / Revista de Música Latinoamericana, Vol. 10, No. 2 (Autumn - Winter, 1989), pp Morris, N. “Canto Porque es Necesario Cantar: The New Song Movement in Chile, ” Latin American Research Review, Vol. 21, No. 2 (1986), pp