Cultural policy and Australia’s cultural heritage: Issues and challenges in the GLAM landscape Wendy Davis and Katherine Howard Faculty of Science and.

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Presentation transcript:

Cultural policy and Australia’s cultural heritage: Issues and challenges in the GLAM landscape Wendy Davis and Katherine Howard Faculty of Science and Engineering Queensland University of Technology RAILS8, June 2012

Today’s presentation  Background  Commonwealth Cultural Policies: from Creative Nation (1994) to current situation  Responses of our national collecting institutions to the Cultural Policy Discussion Paper (2011)

GLAM  Guiding ‘principles’  Digital technology  Collaboration and convergence  Issues and Challenges  What’s in a name?  Multi-faceted discipline  Cultural policy focus

Cultural Policy in Australia  Creative Nation (1994)  Resonance with GLAM  Emphasis on user access  Recognition of new relationship between technology and culture  Institutional collaboration – “Distributed National Collection”

2012 and beyond….  Cultural Policy Discussion Paper (2011)  National Broadband Network  10 year plan  Few specifics about “collecting institutions”

Visions for a GLAM future  National Gallery of Australia  National Library of Australia  National Archives of Australia  National Museum of Australia

National Gallery of Australia  No public response  Mission – to maximise a sense of place and national cultural heritage and identity

National Library of Australia  Active digitisation program (newspaper project, Trove)  Encourages user participation  Already engaged in collaborative activity  Need to continue digitisation projects to preserve cultural heritage for the future

National Archives of Australia  Serves both Government and public  “helping Australians better understand their heritage and democracy” (NAA, 2012)  Need to preserve cultural records for future generations  Increased access through digitisation

National Museum of Australia  “culture” more than “the arts”  Defines itself as a “collecting AND educational” institution  Emphasis also on use of digital technology to increase access for users

Looking for a GLAM future  From collaboration to convergence  The Digital Cultural Sphere Submission Paper (2011)  Distributed National Collection  Move past “in-house” collaboration  A national coordinating body – a “pan- institutional” cultural heritage policy

Can Australia become a GLAM nation? Wendy Katherine Howard