Strategies of Modern and Contemporary Art II.. Can Art Save the World? Mondrian/ Kandinsky – religious – Art as a bridge to a clarity of vision –

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Presentation transcript:

Strategies of Modern and Contemporary Art II.

Can Art Save the World? Mondrian/ Kandinsky – religious – Art as a bridge to a clarity of vision – Zsoqs1A&start=2611&end=2711&cid= Zsoqs1A&start=2611&end=2711&cid=

Mikuláš Medek Jedovnice, Moravia (CZ) 1963

Spirituality, Surrealism and Youth Protests Rothko chop.swf?vurl=xbS0Z- n3vww&start=3234&end=343 5&cid= chop.swf?vurl=xbS0Z- n3vww&start=3234&end=343 5&cid= Surrealism chop.swf?vurl=f0HeSrqXKps&s tart=47&end=280&cid= chop.swf?vurl=f0HeSrqXKps&s tart=47&end=280&cid= /69 as a heritage of surrealism chop.swf?vurl=f0HeSrqXKps&s tart=3002&end=3358&cid= chop.swf?vurl=f0HeSrqXKps&s tart=3002&end=3358&cid= Devětsil (CZ)- surrealist movement

1968 Dissent Radical social agenda: – students´ and workers´prostests – Anti-Vietnam war protests – Growth of feminism Avant-garde artists begun to challenge modernism (= male/ progress) – Jasper Johns or Richard Hamilton – Performance – Fluxus – Beuys – Situationist International

1970s: Conceptualism Paintings no longer need to be necessarily coloured of be flat Sculptures do not necessarily have to be upright or to have volume Duchamp  anything can under certain conditions qualify as „art“ Intention: to frustrate the market mechanism Confusion

Women´s Art Conceptual Art – photography, collage Martha Rosler, „House Beautiful: Bringing the War Home“, tubechop.swf?vurl=zgYDu A- fBLg&start=2408&end=25 09&cid= tubechop.swf?vurl=zgYDu A- fBLg&start=2408&end=25 09&cid=

Performance Deriving at some distance from dada From alternative theatre From the happenings movement of the 1960s Resists to be treated as commodity m/tubechop.swf?vurl=3 JEx6CDW6- o&start=571&end=728 &cid= m/tubechop.swf?vurl=3 JEx6CDW6- o&start=571&end=728 &cid=

Performance: Joseph Beuys AFc1BeS0vKI&start=2700&end=2845&cid= AFc1BeS0vKI&start=2700&end=2845&cid=

Marina Abramovic _qms?t=1h10m21s _qms?t=1h10m21s Magiciens de la Terre, 1989, Centre Pompidou, Paris – Nigthsea Crossing Conjuction The Artist is Present, 2009 – qms?t=27m31s qms?t=27m31s – qms?t=44m10s qms?t=44m10s Dematerialization – Gino De Dominicis, Invisibility qms?t=1h7m4s qms?t=1h7m4s – John Cage, 4m33s

Painting and Politics: from 1980s on The Third Text Journal, nline nline RASHEED ARAEEN Further reading: ocation_id=460 ocation_id=460 ocation_id=458 ocation_id=458

Painting and Politics: 1970s- 1990s Soviet Conceptualism Komar and Melamid, „Quotation“, 1972

Soviet Conceptualism and Performance Collective Actions – Andrei Monastyrsky – Began to develop John Cage´s ideas concerning the role of chance and randomness; inspired by Samuel Beckett – Ritualistic actions of enigmatic nature – The Third Variant, 1978 – lying in a ditch until the audience wandered away – Underground Art, 1979

Painting and Politics, from 1980s on: Body Art 1980s: The return of the figure and expression chop.swf?vurl=AFc1BeS0vKI&st art=2502&end=2641&cid= chop.swf?vurl=AFc1BeS0vKI&st art=2502&end=2641&cid=