North Carolina Museum of Art: summer 2014 Workshop: Harnessing the Power of the Visual Arts through DBQ (Part 1)

Slides:



Advertisements
Similar presentations
4th International Conference on e-Learning and
Advertisements

Leadership and Change (Sizer and Sizer, 1999) To find the core of a school, don't look at its rulebook or even its mission statement. Look at the way people.
Conferring in the Primary Grades
H OW TO A CHIEVE S UCCESS IN I MMERSION Helping Your Child Learn in a Foreign Language Instruction Setting H OW TO A CHIEVE S UCCESS IN I MMERSION Helping.
Transition to Grade 3.
Understanding the ELA/Literacy Evidence Tables. The tables contain the Reading, Writing and Vocabulary Major claims and the evidences to be measured on.
Workshop 2 Day 2 Classroom Observation Certification Assessor Training Program.
Through Instructional Rounds
Gradual Release of Responsibility & Feedback
STUDENT-CENTERED TEACHING
Transition to Grade 3. Third Graders as Learners Making the transition from concrete to abstract thinking *Distinguish between fact and opinion *Think.
How to teach students that are behind others
THE ENVIRONMENT Administrator’s Council Professional Development.
Professional Teaching Portfolio
As a result of activities in grades 9-12, all students should develop: abilities necessary to do scientific inquiry. understandings about science inquiry.
AP English Language The Analysis Question- The Function of Language in Action Dr. Don Stoll Rowan University
MARZANO’S HIGH YIELD STRATEGIES
Visual Thinking Strategies and the Common Core State Standards Cara Goger M A R I P O S A C O U N T Y A R T S C O U N C I L
Visual Thinking Strategies & Language Arts
North Carolina Museum of Art: summer 2014 Workshop: Harnessing the Power of the Visual Arts through DBQ (Part 2)
Missy Coons REED 745. Consider the following: If you were asked to write a police report following an accident, could you do it? How about a legal brief?
Teaching Reading and Writing to English Language Learners CEDEI Dr. Kathleen McInerney.
Huron CCSS Literacy Workshop November Where Are We Headed Today? Transition to Common Core Curriculum Alignments Webb Levels revisited Text-Based.
The Vision Socrates believed that enabling students to think for themselves was more important than filling their heads with “right answers.”
NORTH CAROLINA TEACHER EVALUATION INSTRUMENT and PROCESS
Rediscovering Research: A Path to Standards Based Learning Authentic Learning that Motivates, Constructs Meaning, and Boosts Success.
WORLD LANGUAGES : A Year of Transition. Today’s Outcomes  Celebrate the start of the school year  Greet new teachers  Explore areas of focus.
Welcome to Unit 6 Seminar: Learning The Language Learning and Assessment Strategies 1.
“Knowledge” Do Now: As a teacher, what does this statement make think about or feel: “He Who Can Does He Who cannot Teaches” George Bernard Shaw.
Differentiating Instruction Professional Development.
Reflective Lesson Design Bergen McGregor Camden Dykes.
SOCRATIC SEMINARS An Inquiry Strategy. Socratic Seminar Vision  Socrates believed that enabling students to think for themselves was more important than.
Collaborative Instructional Leader Becoming a collaborative instructional leader.
Introduction to Socratic Seminar. What does Socratic mean? Socratic comes from the name Socrates. Socrates (ca B.C.) was a Classical Greek philosopher.
ELA/Literacy Shift 1: Balancing Informational and Literary Text What the Student Does…What the Teacher Does…What the Principal Does… Build.
SOCRATIC SEMINARS An Inquiry Strategy. Socratic Seminar Vision  Socrates believed that enabling students to think for themselves was more important than.
BALANCED LITERACY The Whys and Whats Lori Butler, Literacy Coach Harding Elementary School.
Content Area Reading Nakia Gardner Grand Canyon University RDG 583 The Role of Reading in Content Area Classrooms November 4, 2009.
LEARN NC Creating Your Own Professional Development Plan with E-Learning for Educators Ross White Associate Director LEARN NC – School.
Gradual Release of Responsibility
Implications for classroom teachers A workshop presented by Linda Krebs Teacher Librarian, H.W. Mountz School Standards for the 21 st Century Learner.
VISUAL THINKING STRATEGIES Jessica Gaston. WHAT’S GOING ON IN THIS PICTURE?
EPE C for VE T E R A N S EPE C for VE T E R A N S Education in Palliative and End-of-life Care for Veterans is a collaborative effort between the Department.
By: Mrs. Abdallah. The way we taught students in the past simply does not prepare them for the higher demands of college and careers today and in the.
TSHM Docent Training Session 2 Docenting Methods.
Grade 3 & 6 EQAO Network Scaffolding Students to Independence.
Implementing a Writer’s Workshop
We believe that children's engineering can and should be integrated into the material that is already being taught in the elementary classroom -it does.
Scaffolding Cognitive Coaching Reciprocal Teaching Think-Alouds.
Stetson University Department of Teacher Education From Mission Statement to Goals: How to get there from here!
The Teacher- Child Interaction Linking Developmentally Appropriate Practices to the Characteristics of Effective Instruction.
PROBLEM BASED LEARNING Rhonda Kiedinger Ashley McManus Jody Schmidt Jane White November 16, 2009 Educ 782 Instructional Analysis UW-Stout.
Developmentally Appropriate Practices. Five Guidelines For Developmentally Appropriate Practices.
Observation System Kidderminster College January 2012.
The Common Core August 14, 2012 Unpacking. Goals and Objectives of this Training Participants will:  Become more familiar with the Common Core Standards.
In the Age of Common Core. Close Reading of text involves an investigation of a short piece of text, with multiple readings done over multiple instructional.
Using Wordless Picture Books to Teach Pre-reading Skills
NORTH CAROLINA TEACHER EVALUATION INSTRUMENT and PROCESS
Sociocultural Benefits
Scaffolding Children’s Learning Differentiate Levels of Support
Literacy through Exploration
We believe that children's engineering can and should be integrated into the material that is already being taught in the elementary classroom -it does.
Implementation in a Transition Year
Implementation in a Transition Year
North Carolina Museum of Art
Implementation in a Transition Year
Kindergarten Formative Assessment Process
Implementation in a Transition Year
Twenty Questions Competency 10.
INSPIRE2020 © Martin Bond.
Presentation transcript:

North Carolina Museum of Art: summer 2014 Workshop: Harnessing the Power of the Visual Arts through DBQ (Part 1)

Seeing comes before words. The child looks and recognizes long before she can read. -

Reading images is a near- primal skill No matter what textual reading level your students may possess, they are likely ALL advanced visual learners; why not reach EVERY student, EVERY TIME, by way of using art and visuals?

History Students “READING” Art

Today, we will explore methods of enhancing visual and textual literacy skills necessary for student success: OUR AGENDA: 1. VTS: Visual Thinking Strategies, how to 2. Thinglink: a visual platform 3. What is the DBQ and its role in the AP Test crafting and teaching POV Analysis 4. ScreenCast presentations 5. Making students responsible for learning: VTS / Thinglink / Screencast / Educanon 6. Using NCMA images in comparison

HOW do you READ Visuals?

How do you use ART and visuals in your classroom?

TEACHERS can tell the students about the art …..and students become passive receivers of information. Disinterest may result:

Students can collaboratively “read” the art / image and tell what they see. The teacher selects the image and facilitates discussion. Results : LESS BORING and….engaged students share differing points of view.

"The most effective experiences for stimulating aesthetic development give the learner repeated opportunity to construct meaning from different points of view, take place in an environment that supports looking in new and meaningful ways, and are inspired by rich, varied, and carefully chosen works of art.” -Abigail Housen, from Art Viewing and Aesthetic DevelopmentArt Viewing and Aesthetic Development

1. Give a minute to look 2. Ask: What’s going on here? 3. point, repeat, confirm, clarify 4. Ask: “What makes you say that?” 5. ASK: What more can we find?

Allow viewers about a minute to OBSERVE and LOOK at the image, quietly.

What’s going on here ?

As students share their observations Teacher should point, repeat to clarify, and confirm the student’s thoughts aloud DO NOT JUDGE The “TRUTH” of their response….

Asking students to back up their visual THOUGHTS with VISUAL EVIDENCE …reinforces the writing process

Give Time to look What’s going on here? (point, repeat, clarify, confirm) ask: What makes you say that? What more can we find?

CLICK HERE For For VTS in Action: 1. grade school Students 2. High School standard level class 3. High School -- honors level class

So when does the teacher share his or her knowledge about the history surrounding the image ? THINGLINK is a visual platform THINGLINK It is one way of bridging the gap between conducting a guided discussion to “teaching” historical relevance.