April 14, 2014 Bell Ringer: Make sure your NAME is on your Texture Canvas AND your Rubric. Turn them in together on Mrs. Brown’s desk. **If you have not finished YELLOW sheet. Standard:VAHSPAPR.5 Keeps a visual/verbal sketchbook journal, consistently throughout the course, to collect, develop, and preserve ideas in order to produce works of art around themes of personal meaning. EQ: What is a landscape? Seascape? Cityscape? Skyscape?

April 15, 2014 Bell Ringer: What is the difference between a landscape and a cityscape? Standard: VAHSPAPR.5 EQ: What is glazing?

April 16, 2014 Bell Ringer: What is “Mother Color”? What is the “Mother Color” of the artwork at the right? Standard:VAHSPAPR.2e Understands and applies warm/cool versions of the same hue. EQ: What is glazing? Don Tiller October Air 36" x 36"

April 17, 2014 Bell Ringer: What is the “Mother Color” of the artwork at the right? How do you know? Standard:VAHSPAPR.2e EQ: What is glazing? Don Tiller After the Rain 36" x 48"

April 18, 2014 Bell Ringer: What is the “Mother Color” of the artwork at the right? How do you know? Standard:VAHSPAPR.2e EQ: What is glazing? Don Tiller Storm Chaser 16" x 20"

April 21, 2014 Bell Ringer: Explain the painting technique known as “glazing.” Starting from a black & white under painting. Standard:VAHSPAPR.2e EQ: What is glazing?

April 22, 2014 Bell Ringer: What type of paint is the glazing technique typically used with? Why do you think that is the case? Standard:VAHSPAPR.2e EQ: What is glazing?

April 23, 2014 Bell Ringer: If I wanted to create a warm green color, how would I do that using the glazing technique? Standard:VAHSPAPR.2e EQ: What is glazing?

April 24, 2014 Bell Ringer: If I wanted to create a warm red color, how would I do that using the glazing technique? Standard:VAHSPAPR.2e EQ: What is glazing? **SKETCHBOOK CHECK tomorrow! Project is ALSO DUE the end of class.

History of Landscape Painting

14th, 15th and 16th Centuries –Landscape painting is rooted in Greek and Roman times with murals depicting grand scenes in wealthy villas –During the Renaissance landscape was “reborn” and gained popularity Pastoral Landscape (Greco-Roman fresco) Albrecht Dürer (German, ) Watercolor on paper, cm

History of Landscape Painting 17 th century –Two main areas of painting are Italy and The Netherlands –Italy landscapes were idealized and classical –Netherlands landscapes were patriotic Claude (Claude Gellée) (1604/5? ) Landscape with Apollo and Mercury, 1660 Meyndert Hobbema (1665) A Watermill Beside a Woody Lane

History of Landscape Painting 18 th century –During this time period many people were doing the “Grand Tour” of Europe. Tourists wanted to purchase landscape paintings from their travels. –France and Britain became the new centers for Landscape Painting (Rococo and Pastoral Landscapes) Giovanni Antonio Canal (Canaletto) ( ) Regatta on the Grand Canal, c.1730

Watteau Antoine Landscape with a Waterfall 1714 · Gainsborough 23. Mountain Landscape with Shepherd. 1783

History of Landscape Painting 19 th century –Invention of the camera means that artists are more free to be interpretative (Romanticism) –Invention of metal paint tubes leads to more Plein-Air Painting Gustave Courbet ( ) View at Ornans, 1864

History of Landscape Painting Latter 19 th Century –Impressionism changes the face of landscape painting Plein-Air, elimination of black pigment, surface texture, study of light Monet, San Giorgio Maggiore Venice at twilight Monet, Haystacks

History of Landscape Painting 20 th century –Landscape artist incorporate many new medias –Urban landscapes become more and more popular as the world is industrialized Alfred Wallis ( ) Schooner approaching Harbour, 1930 Philip Koch Isolation Peak

Things to think about before you start… What mood do you want to create in your work? Is there a particular season or location that you connect with personally? Do you want to create visual unity or contrast? (This will dictate color scheme) What viewpoint (normal, worm, bird) do you want to use?

Examples from past students

_____/10 Composition –Balanced Composition with an off center focal point –Panoramic page format is used well –Sophisticated use of color, space, balance, and emphasis _____/10 Creative Expression –Unique/Interesting point of view –Solution (Composition) is inventive and sophisticated –Chosen image is personal and meaningful _____/10 Presentation –Clean, neat paint application (no raw canvas is showing, edges are neat) _____/10 Skill –Colors are mixed and accurate –Temperature is considered and unified throughout the painting –Paint is applied well _____/10 Objectives –Complex image in which fore, mid, backgrounds are addressed –Mother color is used throughout painting Rubric Total _____/ 50

Skyscape / Landscape

Charles Schridde

Cove Moonglow 2007, Oil on canvas 17.5 x 13.5 inches Fog Bank Bute 2006, Oil on canvas over panel 29 x 38 inches Jeff Joyce

Evening (Scottish Seascape) 2006, Oil on canvas 18 1/2 x 47 inches

Various Artists

Judy Hawkins

Cloud demo

Color Temperature: The relative “warmth” of “coolness” of a color - relates to environment/background - relates to undercolor used to create the color

Temperature Exercises 14 swatches – place swatches in groups of “warm” vs. “cool” versions of the same hue. Then place them in their value scale. TAPE into your sketchbook. Label which group is warm and which group is cool. Thought "At first glance all the blues on the wheel appear to be consistently cool. However, between the various blues lies still another series of warm and cool temperature changes. For example, cerulean blue appears cool next to cadmium orange. But, put a swatch of ultramarine beside cerulean blue, and the color takes on a warmth and also, because of the contrast, brings out the cool purple cast unique to ultramarine. This is because cerulean blue contains a small amount of yellow whereas ultramarine is tinged with violet." - Charles Sovek, Oil Painting, Develop your Natural Ability. (Click on the lessons of 36 basics) Charles Sovek, Oil Painting, Develop your Natural Ability.

Variations of Blue

Seven color rules given by Sovek: 1.No single color has a specific temperature identity until compared with another color. 2.A color appears most intense when placed next to its complement. 3.Avoid placing two equally intense primary or secondary colors beside each other. 4.Every object in light should appear consistent with the color temperature of the source of the light. (If in yellow light, mix in yellow in the light areas) 5.Every object in shadow should contain some color complementary to the temperature of the light. (If the light is yellow, mix in purple in the shadow areas) 6.Not only does a color appear brighter when illuminated by the light of a similar color but also duller when illuminated by the light of a complementary color. 7.The color of a light will intensify those colors analogous to it and neutralize those which are complementary.

Joseph Albers

Temperature Exercises You will need to create a temperature scale of at least 7 colors using only warm & cool colors. Begin with a single color and slowly add either a warm OR cool color. You should see the original color begin to get either warmer or cooler. The color temperature is changing. “Mother” color – color that is mixed into all colors within the painting to equalize temperatures. Color harmony – intentional combination and mixing of colors.

Don Tiller Storm Chaser, 16" x 20" Cool Blue Ride, 30" x 30"

Don Tiller October Air, 36" x 36"

Don Tiller Link to progression of painting After the Rain, 36" x 48" Out of the Shadows, 40" x 24"