ART PRESENTATION BY: IÑAKI DE LARRAURI CORAL

TIMELINE Impressionism (c ) is the name given to a colorful style of painting in France at the end of the 19th century. The Impressionists searched for a more exact analysis of the effects of color and light in nature. They sought to capture the atmosphere of a particular time of day or the effects of different weather conditions. They often worked outdoors and applied their paint in small brightly colored strokes which meant sacrificing much of the outline and detail of their subject. Impressionism abandoned the conventional idea that the shadow of an object was made up from its color with some brown or black added.

P OST I MPRESSIONISM ( C ) was not a particular style of painting. It was the collective title given to the works of a few independent artists at the end of the 19th century. The Post Impressionists rebelled against the limitations of Impressionism to develop a range of personal styles that influenced the development of art in the 20th century.

F AUVISM ( ) w as a joyful style of painting that delighted in using outrageously bold colors. It was developed in France at the beginning of the 20th century by Henri Matiss and André Derain. The artists who painted in this style were known as 'Les Fauves 'Les Fauves' believed that color should be used at its highest pitch to express the artist's feelings about a subject, rather than simply to describe what it looks like. Fauvist paintings have two main characteristics: extremely simplified drawing and intensely exaggerated color.

A BSTRACT A RT ( C.1907 ONWARDS ) Abstract Art is a generic term that describes two different methods of abstraction: 'semi abstraction' and 'pure abstraction'. The word 'abstract' means to withdraw part of something in order to consider it separately. In Abstract art that 'something' is one or more of the visual elements of a subject: its line, shape, tone, pattern, texture, or form.

C UBISM ( ) Cubism was invented around 1907 in Paris by Pablo Picasso and Georges Braque. It was the first abstract style of modern art. Cubist paintings ignore the traditions of perspective drawing and show you many views of a subject at one time. The Cubists believed that the traditions of Western art had become exhausted and to revitalize their work, they drew on the expressive energy of art from other cultures, particularly African art.

D ADA ( C ) Dadaism was an ‘anti art’ stance as it was intent on destroying the artistic values of the past. The aim of Dada was to create a climate in which art was alive to the moment and not paralysed by the corrupted traditions of the established order. They confronted the artistic establishment with the irrationality of their collages and assemblages and provoked conservative complacency with outrageous actions at their exhibitions and meetings.

S URREALISM ( C ) Surrealism was the positive response to Dada's negativity.Its aim, to liberate the artist's imagination by tapping into the unconscious mind to discover a 'superior' reality - a 'sur-reality'. To achieve this the Surrealists drew upon the images of dreams, the effects of combining disassociated images, and the technique of 'pure psychic automatism', a spontaneous form of drawing without the conscious control of the mind.

A BSTRACT E XPRESSIONISM ( ) Abstract Expressionism was the first American art style to exert an influence on a global scale. It drew upon the ‘spiritual’ approach of Kandinsky, the 'automatism' of the Surrealists, and a range of dramatic painting techniques.The Abstract Expressionist movement embraced paintings from a wide range of artists whose work was not always purely abstract or truly expressionistic. The ‘all-over’ drip paintings of Jackson Pollock, which entangle the viewer in a skein of light, color and texture, were the biggest challenge to the interpretation of pictorial space since Cubism.

SURREALISM Surrealism is a cultural movement that began in the early 1920s, and is best known for its visual artworks and writings. The aim was to 'resolve the previously contradictory conditions of dream and reality.' Artists painted unnerving, illogical scenes with photographic precision, created strange creatures from everyday objects and developed painting techniques that allowed the unconscious to express itself. Surrealism works feature the element of surprise, unexpected juxtapositions and non sequitur; however, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost, with the works being an artefact. Leader André Breton was explicit in his assertion that Surrealism was above all a revolutionary movement. Surrealism developed out of the Dada activities during World War I and the most important center of the movement was Paris. From the 1920s onward, the movement spread around the globe, eventually affecting the visual arts, literature, film, and music of many countries and languages, as well as political thought and practice, philosophy, and social theory.

WHY DID I CHOOSE THIS MOVEMENT I choose this movement becouse is my favorite so when i work with it i know some things and ass well i like a lot that this art is difucult to understand.

ART APROPIATION

COLOMBIAN ARTIST

REFLECTION On the third bimester i didnt pay atantion to the classes, ass well i was lazy for working and that is being reflected the grades. My goal To pass art with good grades and dont be lazy in any work.