Colour Language 1: Typology, Psycholinguistics, Neurophysiology Mike Dowman Language and Cognition 3 October, 2005.

Slides:



Advertisements
Similar presentations
Color Theory Review. Color Theory Quiz 1. What is a primary color? a.Any color of the rainbow. b.A color made from mixing two others. c.A color that.
Advertisements

The cultural origins of colour categories Tony Belpaeme Artificial Intelligence Lab Vrije Universiteit Brussel.
Explaining Colour Term Typology with an Evolutionary Model Mike Dowman 24 November, 2005.
Chapter 9: Color Vision. Overview of Questions How do we perceive 200 different colors with only three cones? What does someone who is “color-blind” see?
Chapter 9: Perceiving Color
Sensation and Perception - color.ppt © 2001 Dr. Laura Snodgrass, Ph.D.1 Color Perception The Physical and Psychological variables Grassman’s Laws of color.
Color.
1 Computational Vision CSCI 363, Fall 2012 Lecture 33 Color.
The Acquisition of Color Terms Presenter Sayaka Abe.
© red ©
2002/02/05PSYC , Term 2, Copyright Jason Harrison, Psychophysics of colour perception Neurophysiology, psychophysics, and magic (or you only.
PSY 402 Theories of Learning Chapter 8 – Stimulus Control How Stimuli Guide Instrumental Action.
COLOR VISION © Stephen E. Palmer, 2002.
COLOR VISION After Stephen E. Palmer, 2002 COLOR VISION “The Color Story” is a prototype for Cognitive Science Contributions from: Physics (Newton) Philosophy.
1 Computer Science 631 Lecture 6: Color Ramin Zabih Computer Science Department CORNELL UNIVERSITY.
Cognitive and physiological design drivers Judy Kay CHAI: Computer human adapted interaction research group School of Information Technologies.
Chapter 7: Color Vision How do we perceive color?.
Colour Words, Bayes and Language Complexity Mike Dowman 27 May, 2005.
THEORIES OF COLOR VISION
Color and Texture To understand and apply the design elements Color & Texture.
Innateness of colour categories is a red herring: insights from computational modelling Tony Belpaeme Artificial Intelligence Lab Vrije Universiteit Brussel.
Color Theory in Web Design Web Design – Sec 2-2. Objectives  The student will: –Have a better understanding of effective use of color on the web. –Be.
Does Language Affect Colour Perception? Miscal Avano-Nesgaard Thursday October 27, 2005.
Broca’s Aphasia Paul Broca Language and the Brain First connections drawn:
Embodied Language New College, Oxford 27 th September 2011 Nick Unwin ‘The Language of Colour: Neurology and the Ineffable’
The elements of art are a commonly used group of aspects of a work of art used in teaching and analysis, in combination with the principles of art.[1].work.
COLOR/COLOUR. What is colour? It is one of the basic elements of visual languages (together with dots, lines, shapes, texture and light) DEFINITION: Colour.
Anthony J Greene1 COLOR VISION I The Spectrum II Trichromatic Vision –Cones 1.Additive Mixing 2.Subtractive Mixing III Color Opponency –Complimentary Colors.
Chapter 7: Color perception Color is an important source of information independent of luminance (which we discussed extensively in Chapter 5). Color is.
An Expression-Induction Model  Ten artificial people were created.  They could learn colour word denotations by observing other artificial people talking.
VISION From Light to Sight. Objective To describe how the receptor cells for vision respond to the physical energy of light waves and are located in the.
Chapter 9: Perceiving Color. What Are Some Functions of Color Vision? Color signals help us classify and identify objects. Color facilitates perceptual.
Learning Color Names from Real-World Images Joost van de Weijer, Cordelia Schmid, Jakob Verbeek Lear Team, INRIA Grenoble, France
Language and Culture. There are many ways in which the phenomena of language and culture are intimately related. Both phenomena are unique to humans and.
Colour Language 2: Explaining Typology Mike Dowman Language and Cognition 5 October, 2005.
One Point Perspective.
Color Theory Hue, Tint, Tone, Shade.
Colour CPSC 533C February 3, 2003 Rod McFarland. Ware, Chapter 4 The science of colour vision Colour measurement systems and standards Opponent process.
Color. Color Wheel includes primary, secondary, and tertiary colors.
Language and Linguistics
How do we see color? There is only one type of rod. It can only tell the intensity of the light, not its color. Because the cones can differentiate colors,
Graphics Lecture 4: Slide 1 Interactive Computer Graphics Lecture 4: Colour.
Modelling the evolution of language for modellers and non-modellers IJCAI Hands on demonstration Nature of colour categories.
A r t e M i d t e r m T h e E l e m e n t s a n d P r i n c i p a l s o f D e s i g n B r i a n n a R o s e.
Color Hue - “the name” of a wavelength of light…red, blue, etc. When an object reflects a certain wavelength we see the object as having that color.
Opponent Processes Lateral geniculate nucleus (LGN) has cells that are maximally stimulated by spots of light Visual pathway stops in LGN on the way from.
Color naming A Computational model of Color Perception and Color Naming, Johann Lammens, Buffalo CS Ph.D. dissertation
 What is color anyway? › Color is an element of art › Color is produced by the way our vision responds to different wavelengths of light.
Colour Theory.
Color Wheel Color Values Color Schemes The color wheel fits together like a puzzle - each color in a specific place. Being familiar with the color.
Chapter 9: Perceiving Color. Figure 9-1 p200 Figure 9-2 p201.
 the relationship between colors  Primary Colors: colors that cant be made by mixing other colors (red, yellow, blue)  Secondary Colors: Colors made.
COLOR THEORY. COLOR Color is produced when light strikes an object and reflects back in your eyes. This element of art has three properties: Color is.
- is the response of vision to the wave-length of light reflected from the surface. - is the response of vision to the wave-length of light reflected from.
Psychological dimensions:
1 of 32 Computer Graphics Color. 2 of 32 Basics Of Color elements of color:
WAVES AND COLOR.
Color.
5th Grade colors Vocabulary
What Is Color Vocabulary.
The trichromatic hypothesis of color perception:
Elements and Principles of Art and Design
Color.
Colour theory.
Color Theory.
Elements and Principles of Art
What Color is it?.
GCSE Psychology Unit 2: Language, Thought & Communication
(Do Now) Journal What is psychophysics? How does it connect sensation with perception? What is an absolute threshold? What are some implications of Signal.
Language and Culture.
Presentation transcript:

Colour Language 1: Typology, Psycholinguistics, Neurophysiology Mike Dowman Language and Cognition 3 October, 2005

Colour Week Monday Empirical results: typology neurophysiology psycholinguistics Wednesday explanations and theories computer models Thursday discussion

Colour and Colour Words Colour is a continuous three dimensional space Colour words denote regions of colour Is colour naming completely arbitrary?

Colour Term Typology There are clear typological patterns in how languages name colour.  neurophysiology of vision system  or cultural/environmental explanation? Constraints on learnable languages or a cultural evolutionary process?

Basic Colour Terms Most studies look at a subset of all colour terms: Terms must be psychologically salient Known by all speakers Meanings are not predictable from the meanings of their parts Don’t name a subset of colours named by another term

Number of Basic Terms English has red, orange, yellow, green, blue, purple, pink, brown, grey, black and white. crimson, blonde, taupe are not basic. All languages have 2 to 11 basic terms Except Russian and Hungarian Some people dispute concept of basic colour term

The Munsell Array At left is grey scale (including black and white) The rest of the array contains highly saturated colours

Prototypes Colour terms have good and marginal examples  prototype categories People disagree about the boundaries of colour word denotations But agree on the best examples – the prototypes Berlin and Kay (1969) found that this was true both within and across languages.

English and Berinmo Colour Mappings

Berlin and Kay (1969) Small set of possible colour term systems 98 Languages in study Only Cantonese, Vietnamese, Western Apache, Hopi, Samal and Papago didn’t fit the hierarchy Berlin and Kay’s Implicational Hierarchy. purple pink orange grey white black red green yellow blue brown

World Colour Survey 110 minor languages (Kay, Berlin, Merrifield, 1991; Kay et al 1997; Kay and Maffi, 1999) All surveyed using Munsell arrays Black, white, red, yellow, green and blue seem to be fundamental colours They are more predictable than derived terms (orange, purple, pink, brown and grey)

Evolutionary Trajectories white + red + yellow + black-green-blue white + red + yellow + green + black-blue white-red-yellow + black-green-blue white + red-yellow + black-green-blue white + red + yellow + black + green-blue white + red-yellow + black + green-blue white + red + yellow + black + green + blue white + red + yellow-green-blue + black white + red + yellow-green + blue + black

Derived Terms Brown and purple terms often occur together with green-blue composites Orange and pink terms don’t usually occur unless green and blue are separate But sometimes orange occurs without purple Grey is unpredictable No attested turquoise or lime basic terms

Exceptions and Problems 83% of languages on main line of trajectory 25 languages were in transition between stages 6 languages didn’t fit trajectories at all  Kuku-Yalanji (Australia) has no consistent term for green  Waorani (Ecuador) has a yellow-white term that does not include red  Gunu (Cameroon) contains a black-green-blue composite and a separate blue term

Criticism of Kay Much more variability than Kay suggests – both within and across languages Criteria for distinguishing basic colour terms don’t work Colour is often conflated with other properties: texture, variegation, etc. Colour words can only be understood in relation to the rest of the language Colour words have religious and cultural significance  Saunders (1992), MacLaury (1997a), Levinson (2001), MacKeigan (2005)

Colour Term Prototypes Frequency Distribution of 10,644 WCS Colour-term Foci (MacLaury, 1997b)

Psychophysics Opponency of red-green and blue-yellow Unique red and unique green lights of equal strength cancel each other out.  A neutral grey colour is perceived. After staring at a red surface, a green afterimage will be seen Similar effects are observed for yellow and blue

Neurophysiology De Valois et al (1966): There are cells in the lateral geniculate nucleus (LGN) that respond to either red, yellow, green, blue, black or white, and which are inhibited by the opposite colour. Hypothesis: The outputs of these cells corresponds to the unique hues – and explains the opponency of red-green and yellow-blue

Problems with the Psychophysiological Explanation The cells which oppose red-green/yellow- blue (P-cells) also respond to achromatic light. None of the red-green P-cells show a response to short wavelength (violet) light The null point of red-green P-cells is at green-yellow – not unique yellow

Psycholinguistics Shown a selection of colour chips, American children more often picked out prototype colours than non prototype ones (Heider, 1971). Given a colour chip and asked to point out the matching chip in a Munsell array, children were more often able to point out the correct chip for prototype colours (Heider, 1971).

Experiments with Dugum Dani Speaker shown colour chip 30 seconds later asked to pick it out from a Munsell array. The correct colour was picked out more often for prototype than non-prototype colours (Heider, 1972).

Learning Colour Categories Dani speakers were taught colour categories made up of 5 adjacent chips. Categories with central prototype easiest to learn. Those with a peripheral prototype presented a medium level of difficulty. Those with no prototype were hardest (Rosch (a.k.a. Heider), 1973).

Recent Replications – Roberson et al (2000) Experiments with British English and Berinmo speakers. Easier to remember colour if language has a word for it. Berinmo speakers tended to pick prototype colours from the Munsell array, even when not shown a prototype.  Gives an impression that prototype colours are better remembered.

Are results a property of the Munsell array? The prototype colours seem to be perceptually farther from their neighbours than other colours.  Therefore it’s easier to discriminate them from other colours. When this effect is compensated for, some speakers show no advantage for focal colours (Lucy, 1992).

Learning Labels for Colours Learning labels for individual colours avoids the problems associated with Munsell arrays. Berinmo speakers were taught to associate colour chips with pictures of nuts. An advantage was only found for the red prototype. Is this because Berinmo has a prominent red colour category?

Colour Term Acquisition All children acquire colour naming late relative to other words of similar frequency. Children have great difficult in learning their first colour word.  Because colour is an abstract property?  Because colours denote arbitrary parts of the colour space?

Summary Clear typological patterns. But also some exceptional languages. Neurophysiology suggests a special status for red, yellow, green and blue. But neurophysiological results don’t correspond exactly to unique hues. Psycholinguistic results provide some support for special status of unique hues. But many early results are now disputed.

References Berlin, B. & Kay, P. (1969). Basic Color Terms. Berkeley: University of California Press. De Valois R, Abramov I, Jacobs GH (1966) Analysis of response patterns of LGN cells. Journal of the Optical Society of America 56:966–977. Heider, E. R. (1971). “Focal” Color Areas and the Development of Color Names. Developmental Psychology, 4(3): Heider, E. R. (1972). Universals of Color Naming and Memory. Journal of Experimental Psychology, 93: Kay, P., Berlin, B., Maffi, L. & Merrifield, W. (1997). Color Naming Across Languages. In C. L. Hardin & L. Maffi (eds.) Color Categories in Thought and Language. Cambridge: Cambridge University Press. Kay, P., Berlin B., and Merrifield, W. R. (1991). Biocultural implications of systems of color naming. Journal of Linguistic Anthropology, 1:

Kay, P. & Maffi, L. (1999). Color Appearance and the Emergence and Evolution of Basic Color Lexicons. American Anthropologist, 101: Levinson, S. C. (2001). Yélî Dnye and the Theory of Basic Color Terms. Journal of Linguistic Anthropology, 10(1):3-55. Lucy, J. A. (1992). Language Diversity and Thought A Reformulation of the Linguistic Relativity Hypothesis. Cambridge: Cambridge University Press. MacLaury, R. E. (1997a). Color and Cognition in Mesoamerica: Construing Categories as Vantages. Austin, Texas: University of Texas Press. MacLaury, R. E. (1997b). Ethnographic evidence of unique hues and elemental colors. Commentary on Saunders and van Brakel (1997). Behavioral and Brain Sciences, 20(2): Roberson, D., Davies, I. & Davidoff, J. (2000). Color Categories are Not Universal: Replications and New Evidence from a Stone-Age Culture. Journal of Experimental Psychology: General, 129(3): Rosch, E. H. (1973). Natural Categories. Cognitive Psychology, 4: Saunders, B. A. C. (1992). The Invention of Basic Color Terms. Utrecht: ISOR.