STYLE: Syntax & Diction

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Presentation transcript:

STYLE: Syntax & Diction AP English Language and Composition

Click on the speaker in the middle of the page to learn what we’ll focus on in this reverse classroom session. As you listen, don’t click on anything else until the audio file finished playing, or it will stop.

Once you listen to the audio file on this slide, read the selection from Berne’s essay on slide number four. Audience Message Speaker Rhetorical Situation: from Suzanne Berne, “Where Nothing Says Everything”

And there, at last, I got my ticket to the disaster And there, at last, I got my ticket to the disaster. I COULD see not just into the pit now, but also its access ramp, which trucks had been traveling up and down since I had arrived that morning. Gathered along the ramp were firefighters in their black helmets and black coats. Slowly they lined up, and it became clear that this was an honor guard, and that someone's remains were being carried up the ramp toward the open door of an ambulance. Everyone in the dining room stopped eating. Several people stood up, whether out of respect or to see better, I don't know. For a moment, everything paused. Then the day flowed back into itself. Soon I was outside once more, joining the tide of people washing around the site. Later, as I huddled with a little crowd on the viewing platform, watching people scrawl their names or write ''God Bless America'' on the plywood walls, it occurred to me that a form of repopulation was taking effect, with so many visitors to this place, thousands of visitors, all of us coming to see the wide emptiness where so many were lost. And by the act of our visiting -- whether we are motivated by curiosity or horror or reverence or grief, or by something confusing that combines them all --that space fills up again.

Initial Impressions: Appeals and Context Logos, Ethos, Pathos Look to the next slide for a different approach to analyzing Berne—a style-based analysis.

First-impression questions: Style Why is the first paragraph one sentence? In that paragraph, why does Berne call the empty space “the disaster?” Why does the third sentence begin with “Gathered” rather than “Firefighters”? What examples of figurative language appear in the fourth paragraph? Does the word huddled in the fourth paragraph remind you of anything else you’ve read? What is the effect of the dashes in the final sentence?

General or specific words? Abstract or concrete? The ladder of diction Two Areas of Focus: Style Diction Trope=Artful Diction Syntax Scheme=Artful syntax General or specific words? Abstract or concrete? The ladder of diction Figures of speech? EXAMPLES: Metaphor/simile Personification Hyperbole Is the order of sentences normal or inverted? Are nouns or verbs more prominent parts of sentences? Periodic versus cumulative sentences… EXAMPLES: Parallelism Juxtapositions Antitheses

Why focus on such “minute details?” Word- and sentence-level details can reveal just as much about the author’s purpose, message, and strategies as larger-scale areas. Using these in your own writing will help you better achieve your own rhetorical goals.

General Questions: Diction Which of the important words in the passage (verbs, nouns, adjectives, and adverbs) are general and abstract? Which are specific and concrete? Are the important words formal, informal, colloquial, or slang? Are some words nonliteral or figurative, creating figures of speech such as metaphors?

General Questions: Syntax What is the order of the parts of the sentence? Is it the usual (subject-verb-object), or is it inverted? Which part of speech is more prominent—nouns or verbs? What are the sentences like? Are they periodic (moving toward something important in the end) or cumulative (adding details that support an important idea in the beginning of the sentence)? How does the sentence connect its words, phrases and clauses?

Common Tropes & Schemes can be found on the handout of the same name on the Wiki Please find and download this sheet and be prepared to use it in class (I.E. to start identifying these tropes/schemes)