ROI in the Film Industry. ROI Drivers  Inherent marketability  Playability  Marketing message  Campaign execution  Distribution.

Slides:



Advertisements
Similar presentations
Evaluating New Products Prior to Test-Marketing
Advertisements

Digital’s growing role in film marketing Showtime.
Brands in Motion Author: Doug Scott Presented at the ARF Annual Convention, New York 11 th April, 2003 Driving Your Brand Forward Click on to view speakers.
The Proof 1 Newspapers reveal their unrivalled ability to increase the numbers of buyers who would ‘definitely consider’ a ford.
Magazines & Brand Metrics The impact of investment Econometrics & ROI.
Advertising and Public Relations
Advertising Management
Local Content Matters Online Advertiser’s Online Choices 100,000,000 Web sites 25,000,000,000 Pages on which to advertise.1% Average click-through.
Principles of Marketing
Principles of Marketing
Brands are like money and should be managed that way. Andy Farr Director of Brand Investment Planning Millward Brown Group.
4550: Integrating Marketing Communications: Part I Professor Campbell 4/5/05.
The Power of Magazine Advertising for brand building 1.
Copyright © 2012 Pearson Education, Inc. Publishing as Prentice Hall i t ’s good and good for you Chapter Fifteen Advertising and Public Relations.
Advertising and Public Relations Chapter Definition Advertising  Any paid form of nonpersonal presentation and promotion of ideas, goods, or.
IMC Objectives and the Brief. Advertising vs. Marketing Marketing = 4Ps Advertising = subset of Marketing – Focuses on the “P” of promotion How do advertising.
A presentation of chap 15 by EhN i t ’s good and good for you Chapter Fifteen Advertising and Public Relations.
LECTURE-22 Advertising.
©2005 Pearson Education Canada Inc.5-1 Chapter 5 Advertising: Media Planning.
9-0 Net Present Value and Other Investment Criteria Chapter 9 Copyright © 2013 by The McGraw-Hill Companies, Inc. All rights reserved. McGraw-Hill/Irwin.
BUDGET How do I estimate my investment?. Why is budgeting important?  Must approximate to get the green light  Overcharges may impact producer’s cut.
Roles in the TV and Film Industry By Tristan Kassam.
1 Reconnecting With the Empowered Consumer “The View: His & Her Body Test”
Outline Strategic planning The marketing plan The advertising plan The creative plan and copy strategy Chapter 7 Advertising Planning and Strategy.
Media Neutral Cross Media Analysis Charlies Angels 2 Trailer.
Promotion – 1 Integrated Marketing Communications Professor Carl Mela BA 460 Product Management Fuqua School of Business Brand Management System On Building.
1 Chapter 5 Advertising: Media Planning. 2 Media Planning “A plan of action to communicate a message to a target market a the right time, and right frequency.”
Predicting the Future With Social Media. Introduction Goal – How buzz and attention is created for different movies and how that changes over time.
Marketing Management BUS-309 Erlan Bakiev, Ph.D..
Global Edition Chapter Fifteen
Q3 What kind of media institution might distribute your media product and why? The media institution to distribute our media product will be New Line Cinema.
Creative Strategy: Planning and Development
1 Chapter 5 Advertising: Media Planning. 2 Media Planning “A plan of action to communicate a message to a target market a the right time, and right frequency.”
Case study “Drive to web” campaign by L’Oréal Paris International Women’s Day campaign.
Objectives for the IMC Plan. Value of Objectives Communications Planning and Decision Making Measurement and Evaluation of Results Planning and Decision.
The Future of Financial Marketing Paul Rapino Sr Director Microsoft Advertising Vertical Industry Solutions Presented at the Journal of Financial Advertising.
Product Promotion Strategies Teaser trailer Full trailer Posters Billboards Publicity Changing the films name to appeal to a particular audience.
1 RESEARCH Lights… Action… RESEARCH FOR THEATRICAL FEATURE FILMS Presented On October 7th, 2002 Bruce B. Friend - SVP, Worldwide Research.
Tracking Primer November Tracking Overview Survey “In Field” Reported Each Monday Tracking data is collected through online surveys (“in field”)
1 SONY PICTURES ENTERTAINMENT THEATRICAL RESEARCH Capabilities & Methodologies By: David Kaminow - SVP, Worldwide Research.
Chapter Fifteen Advertising and Public Relations Copyright ©2014 by Pearson Education, Inc. All rights reserved.
YuMe Online Video Analysis CREATIVE BEST PRACTICES AND MEDIA TACTICS FOR ONLINE VIDEO.
GCSE Media: Audience Audience Explained 'Audience' is a very important concept throughout media studies. All media texts are made with an audience in mind,
1 Choice Hotels International Strategic Plan Overview December 14, 2003.
Chapter 15 - slide 1 Copyright © 2009 Pearson Education, Inc. Publishing as Prentice Hall Chapter Fifteen Advertising and Public Relations.
UK RESEARCH OVERVIEW June 2014 Updated: June 26, 2014.
Special Advertising Situations Part 5: Integration and Evaluation Chapter 18.
1. 2 RESEARCH Lights… Action… RESEARCH FOR THEATRICAL FEATURE FILMS Presented On October 7th, 2002 Bruce B. Friend - SVP, Worldwide Research.
Institution for a film. I think, that the best company for our movie is still Warner Bros. They would make it because we will provide them with high-quality.
1 SONY PICTURES ENTERTAINMENT WORLDWIDE THEATRICAL RESEARCH Capabilities & Methodologies By: SABRINA YAMAGUCHI, Strategic Marketing & Research.
1 SONY PICTURES ENTERTAINMENT WORLDWIDE THEATRICAL RESEARCH Capabilities & Methodologies By: David Kaminow - EVP, Marketing & Research.
Higher Media Studies Production Unit Module 3: Development Lessons 1-3: Adaptation, Market Value & Where are we going to show this film?
Evaluation of Effectiveness Part 5: Integration and Evaluation Chapter 19.
Movies and Their Audiences Movies may have more in common with how someone interacts with a book than with the TV. Today’s moviegoer is a teenager or young.
More Digital Cinema More Marketing Avatar The Boat That Rocked This Is England
Copyright ©2014 by Pearson Education, Inc. All rights reserved.
Advertising and Public Relations A Global Perspective 15 Philip Kotler Gary Armstrong Swee Hoon Ang Siew Meng Leong Chin Tiong Tan Oliver Yau Hon-Ming.
Prediction of Box Office Gross Revenue
PROGRAM OVERVIEW Give consumers an exclusive, all access pass to all the latest happenings and buzz in pop-culture entertainment PROGRAM OVERVIEW.
Media Planning Chapter # 4.
Chapter 5 Advertising: Media Planning
MM DEMOGRAPHICS ENGAGEMENT CROSS VISITATION MINUTES
BUSTING MAGAZINE MEDIA
BUSTING MAGAZINE MEDIA
2014 Marketing & Media Effectiveness Study
BUSTING MAGAZINE MEDIA
Chapter 19 Evaluating Effectiveness
Principles of Marketing
DISTRIBUTION.
Benefits Of Hiring A Inbound Marketing Agency. Think About Time Consumption Most marketer just don’t have the time as they are so busy actually dealing.
Presentation transcript:

ROI in the Film Industry

ROI Drivers  Inherent marketability  Playability  Marketing message  Campaign execution  Distribution

Inherent Marketability

INTERVIEW OUTLINE Title/Stars Definite Interest  Concept testing  Materials testing Measuring Inherent Marketability Actor Awareness/Popularity Title/Stars Interest View Ad or Trailer Interest Based on Exposure Diagnostic and Communication Questions

Franchises tend to have higher box office * Using NRG’s franchise rating scale. Note: From NRG historical dataset of ~500 titles from past five years. Franchise: Major Sequel Original Script Average Opening Box Office by Franchise Rating Scale = Avg. BO Opening ($MM)

Production investments can have wildly different returns Note: From NRG historical dataset of ~500 titles from past five years. Reported Production Budget vs. Opening Weekend Box Office

Moviegoers can help inform production decisions, ensuring money is spent on the strongest elements Note: Example Only Example of elements being evaluated

Moviegoers’ input on production spending leads to a better return on the investment Note: Example Only Helps you understand how much each element matters… In this example, Romantic interest had the greatest impact on consumer choice 1 7 1Director 2Lead detective 3Romantic interest 4Serial killer 5Mood 6Action/Effects 7Side plots 234 5/6

Strong performance at screenings is predictive of stronger box office Note: From historical dataset of ~700 titles from past five years.

Films with higher critic ratings tend to have stronger box office returns and a stronger multiplier Note: From NRG historical dataset of ~500 titles from past five years. X 2.5 X 2.8 X 3.0 X 4.4 Critic Rating vs. Box Office

Likewise, movies that have higher public user ratings also have stronger box office returns and a stronger multiplier Note: From NRG historical dataset of ~500 titles from past five years. X 2.4 X 2.8 X 2.9 X 4.0 User Rating vs. Box Office

Ad creative strength is predictive of opening BO Note: From NRG historical dataset of ~175 titles from past five years. < General Audience Post Interest Average Opening Box Office Post Definite Interest TV Spots = Avg. BO Opening ($MM) $54 $26 $18 $13

Effective creative makes a bigger difference for dramas and comedies than for other genres Note: Assuming equivalent opening weekend grosses across films. Impact derived from NRG historical dataset of ~500 titles from past five years. ActionComedyDramaFamilyHorror RomanceSuspense Net Impact of Marketing Message on Box Office (Relative Index) index

Media activity is important for driving awareness Note: From NRG historical dataset of ~500 titles from past five years. Pre-release media spending Total Awareness at Opening by Media Spend